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  A Slip of the Pen - From their...

  Amy Levy

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  Amy Levy was born in London, England in 1861, the second of seven in a fairly wealthy Anglo-Jewish family. The children read and participated in secular literary activities and became firmly integrated into Victorian life. 
  Her education was at Brighton High School, Brighton, before studies at Newnham College, Cambridge; she was the first Jewish student when she arrived in 1879, but left after four terms. 
  Amy’s writing career began early; her poem ‘Ida Grey’ appeared when she was only fourteen. Her acclaimed short stories ‘Cohen of Trinity’ and ‘Wise in Their Generation,’ were published by Oscar Wilde in his magazine ‘Women's World’. 
  Her poetic writings reveal feminist concerns; ‘Xantippe and Other Verses’, from 1881 includes a poem in the voice of Socrates's wife. ‘A Minor Poet and Other Verse’ from 1884 comprises of dramatic monologues and lyric poems. 
  In 1886, Amy began a series of essays on Jewish culture and literature for the Jewish Chronicle, including ‘The Ghetto at Florence’, ‘The Jew in Fiction’, ‘Jewish Humour’ and ‘Jewish Children’. 
  That same year while travelling in Florence she met the writer Vernon Lee. It is generally assumed they fell in love and this inspired the poem ‘To Vernon Lee’. 
  Her first novel ‘Romance of a Shop’, written in 1888 is based on four sisters who experience the pleasures and hardships of running a London business during the 1880s. This was followed by Reuben Sachs (also 1888) and concerned with Jewish identity and mores in the England of her time and was somewhat controversial. 
  Her final book of poems, ‘A London Plane-Tree’ from 1889, shows the beginnings of the influence of French symbolism. 
  Despite many friendships and an active life, Amy suffered for many years with serious depressions and this, together with her growing deafness, led her to commit suicide by inhaling carbon monoxide on September 10th, 1889. She was 27.

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  1984

  George Orwell

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  It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.
  
  The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tacked to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features.
  
  Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow you about when you move.
  
  BIG BROTHER IS WATCHING YOU, the caption beneath it ran.

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  The Aeneid - Revised and...

  Vergil

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  A powerful and poignant translation of Vergil’s epic poem, newly equipped with introduction and notes 
   
  "Ruden set the bar for Aeneid translations in 2008, and has raised it now with this revision. I am confident it will be a long time before a translator exceeds the standard that she has set."—A.M. Juster, Athenaeum Review 
   
  This is a substantial revision of Sarah Ruden’s celebrated 2008 translation of Vergil’s Aeneid, which was acclaimed by Garry Wills as “the first translation since Dryden’s that can be read as a great English poem in itself.” Ruden’s line-for-line translation in iambic pentameter is an astonishing feat, unique among modern translations. Her revisions to the translation render the poetry more spare and muscular than her previous version and capture even more closely the essence of Vergil’s poem, which pits national destiny against the fates of individuals, and which resonates deeply in our own time. 
   
  This distinguished translation, now equipped with introduction, notes, and glossary by leading Vergil scholar Susanna Braund, allows modern readers to experience for themselves the timeless power of Vergil’s masterpiece. 
   
  Praise for the First Edition: 
   
  “Fast, clean, and clear, sometimes terribly clever, and often strikingly beautiful. . . . Many human achievements deserve our praise, and this excellent translation is certainly one of them.”—Richard Garner, The New Criterion 
   
  “Toning down the magniloquence, Sarah Ruden gives us an Aeneid more intimate in tone and soberer in measure than we are used to—a gift for which many will be grateful.”—J. M. Coetzee 
   
  “An intimate rendering of great emotional force and purity. . . . The immediacy, beauty, and timelessness of the original Latin masterpiece lift off these pages with gem-like originality.”—Choice

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  A Meeting by the River

  Christopher Isherwood

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  Breaking a long silence, Oliver, a young Englishman, writes to his elder brother, Patrick. Oliver, the idealistic younger brother, is living in a Hindu monastery and has decided to take his final monastic vows. Patrick, a successful, long-married publisher, newly in love with a boy in Los Angeles, decides to visit Oliver to persuade him not to renounce the world.
  	First published in 1967, A Meeting by the River exposes the complex rivalries of sibling relationships and dramatises the conflict between sexuality and spirituality.
  	It is brought to life in this multi-voice narration by Justin Avoth as Patrick and Nicholas Burns as Oliver.

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  Wuthering Heights by Emily...

  Emily Brontë

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  A storm is brewing on the Yorkshire moors, bringing with it a tale of love so fierce it destroys everything in its path. 
  When Mr. Lockwood seeks refuge from the bitter snow in the gloomy, forbidding manor known as Wuthering Heights, he unwittingly steps into a world haunted by the ghosts of a devastating past. His hostile landlord, the brooding and enigmatic Heathcliff, harbors a darkness born of a tortured childhood and an agonizing, thwarted love. 
  Through the eyes of the housekeeper, Nelly Dean, the tempestuous history of the Earnshaw family is laid bare. At its center is the intense, almost feral bond between Heathcliff and the beautiful, headstrong Catherine Earnshaw. Theirs is not a gentle romance, but a primal force of nature—a connection so deep that neither marriage, nor betrayal, nor even death itself can sever it. 
  Emily Brontë's masterful Gothic novel transcends the boundaries of traditional Victorian literature. Wuthering Heights is an exploration of obsession, revenge, and the chilling echoes of a love that refuses to die. 
  Prepare to be swept away by a literary masterpiece that will haunt your waking thoughts and linger in your dreams.

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  From the Memoirs of Satan - From...

  William Hauff

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  The bookshelves of European literature are incredible collections that have gathered together centuries of very talented authors.  From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them is William Hauff.

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