Altri libri che potrebbero interessarti

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  Ways to Say Goodbye

  Anne Kellas

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  In this poetry collection 'Ways to Say Goodbye'. Anne Kellas takes the listener through dream sequences, abstract and imagistic poems and deeply personal poems of loss. The effect is a cumulative building of a quiet world of reflective resilience as the poet tries out possible ways to do what is almost impossible – to love and to say goodbye."These poems, their accounts of the ways art, chance talk, angels, birds, memories and music can come at us with terrible and tender truths, are gifts that teach us how ‘to read the mind of clouds’." (Kevin Brophy)

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  Raging: Wild Sky - The Rising

  Deirdre Kinahan

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  Part of Deirdre Kinahan's trilogy of landmark plays commemorating seven years of warfare in Ireland, Wild Sky explores the extraordinary energy and complexity of events in Ireland in the lead up to the Easter Rising of 1916.
  Wild Sky is a story of interlocking lives: of the politicised Josie Dunne, and of Tom Farrell, who is driven only by his love for her. As the Rising plays out, there are unforeseen consequences for everyone involved...
  The play was first staged at Rossnaree House, Slane, Co. Meath, in February 2016, transferring to Bewley's Café Theatre, Dublin, later that month.
  Deirdre Kinahan's Raging trilogy tells powerful stories drawing on a tumultuous period of conflict in Irish history, from the 1916 Easter Rising to the Civil War which began in 1922. Each of the three plays – Wild Sky, Embargo and Outrage – was first performed a century after the event which it depicts, and they were commissioned and performed by companies including Fishamble: The New Play Company, Meath County Council Arts Office, Dublin Port Company and Iarnród Éireann.
  Together, they challenge the historical narrative, mixing true-life testimonies with powerful drama to create a theatrical hurricane of empathy, action and truth.
  'A soaringly touching piece, taking the tiny canvas of a love story between a boy and girl and giving it the compass of inevitable, pre-destined loneliness and loss... searing, beauteous simplicity' - Independent.ie

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  Broom Broom

  Brecken Hancock

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  Nothing slips by Brecken Hancock’s deft ear as she seductively plumbs the depths of the evolution of bathing, doppelgängers, the Kraken and the minutiae of family with all its tragic misgivings. The poems in Broom Broom pervert the rational, safe parts of the world to extoll and absorb the sweep of human history.

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  The Love Poems

  Ovid

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  The Roman poet Publius Ovidius Naso (Ovid) is best known for his epic poem Metamorphoses, a collection of myths and legends from Ancient Greece and Rome. His works continue to be widely read and admired, and he is regarded as one of the most significant poets of ancient Rome.
  Ovid’s love poems are both brilliant and evocative. In Amores (‘Loves’), the romantic mysteriousness of elegiac love-poetry is exploded by his witty and ironic treatment of the form. Ars Amatoria (The Art of Love) and Remedia Amoris (The Cures for Love) both lay down the rules for the game of love, which both sexes can play.
  A.D. Melville’s translations, which also include the lesser-known Cosmetics for Ladies, have been specially licensed for this recording. It is delivered with customary panache by David Timson.

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  Medea - (National Theatre of...

  Euripides

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  'She's chucked out like an old coat that nae langer fits him…'
  Medea and Jason, clinging together as refugees in Corinth, have struggled to bring up their beloved offspring in this alien and unsympathetic society. Now Jason has a plan to better integrate himself. Unfortunately, this involves abandoning his wife, the mother of his children…
  Spurned, destitute, desperate, Medea exacts her terrible retribution.
  Liz Lochhead's Scots-inflected version of Euripides' classic revenge tragedy was first performed by Theatre Babel in 2000 and won the Saltire Society Scottish Book of the Year Award. It was revived by the National Theatre of Scotland as part of the 2022 Edinburgh International Festival, with Adura Onashile as Medea, directed by Michael Boyd.

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  Wound from the Mouth of a Wound...

  torrin a. greathouse

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  A Minnesota Book Award Finalist in Poetry 
  A CLMP Firecracker Award Finalist in Poetry 
  “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. 
  These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” 
  Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.

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