Outros livros que poderiam interessá-lo

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  Scattered Love

  Maylis Besserie

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  'She entered the house like a shadow … She was like a divine elixir: one drop for each of my thoughts. … I could feel the breath of the warrior, the Queen of Ireland, and it intoxicated me with the wind of hope, like noble wine.'
  She is Maud Gonne, the muse of writer William Butler Yeats. Yeats here returns as a ghost, having been buried in southern France in January 1939 at Roquebrune-Cap-Martin. Ten years later his remains are repatriated to Ireland. He emerges from his grave to recount his thwarted love for Maud, a story blending with the movement for Irish independence in which they each played an integral part.
  Yeats' ghost has suddenly appeared as diplomatic documents have come to light, casting doubt on the contents of the coffin brought back to Sligo for a state funeral. Where did the poet's body go? Does he still hover 'somewhere among the clouds above'? What remains of our loves and our deaths, if not their poetry?
  Maylis Besserie's exciting new work follows on from Yell, Sam, If You Still Can (Le tiers temps). In her second novel, she turns her attention from Samuel Beckett to another Irish writer, W.B. Yeats. The connection between Ireland and France is forged once again in the smithy of art, culture and the days at the end of life.
  A Guardian Most Anticipated Book of 2023
  An Irish Times Most Anticipated Book of 2023
  An Irish Independent Most Anticipated Book of 2023

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  Sukun - New and Selected Poems

  Kazim Ali

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  Kazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant. This Sukun draws a generous selection from Kazim's six previous full-length collections, and includes 35 new poems. It allows us to trace Ali's passions and concerns, and take the measure of his art: the close attention to the spiritual and the visceral, and the deep language play that is both musical and plain spoken.[sample poem]The Fifth PlanetCome, early summer in the mountains, and come, strawberry moon,and carry me softly in the silver canoe on wires to the summit, where in that way of late night useless talk, the bright dark asks me, "What is the thing you are most afraid of?" and I already know which lie I will tell.There were six of us huddled there in the cold, leaning on the rockslingering in the dark where I do not like to linger, looking up at thesharp round pinnacle of light discussing what shapes we saw—rabbit,man, goddess—but that brightness for me was haunted by no thing,no shadow at all in the lumens.What am I, what am I, I kept throwing out to the hustling silence.No light comes from the moon, he's just got good positioning and I suppose that's the answer, that's what I'm most afraid of,that I'm a mirror, that I have no light of my own, that I hang in empty spacein faithful orbit around a god or fatherneither of Whom will ever see me whole. I keep squinting to try to see Jupiterwhich the newspaper said would be found near the moon but it's nowhere, they must have lied. Or like god, there is too muchreflection, headsplitting and profane, scraping up every shadow,too much light for anyone to see.

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  Consider Your Ways

  Kimani Lauren

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  South Sanford only has one point of entry and one point of exit... 
  Trapped inside of South Sanford are poverty, corruption, media lies, and a human trafficking ring the city who live there are blamed for yet victims of. Nevertheless, ebony bombshell Shatima Thomas feels she's been led there by her spiritual guides to unite with the family she was separated from after her father was murdered by the police. In five years, all she's been met with are the desires of men and crooked cops who want to use her to get them locked up. Men are the last thing on her mind. She's too busy trying to protect her son from the abusive ex who got her pregnant and has been stalking her since. As he steps out of the shadows, she fears he has connections to her city's dark circumstances that she may not be able to shield her son from alone. 
  For Rahshaan Bailey, life is just something to do until he dies. Known on the streets as "Banger," his only goals are to find the son who was taken from him, and to get the pretty girl in his building to give him a chance. When he finds out he has a connection to her that goes beyond the lust he feels for the ebony bombshell, he makes it his life's mission to protect her and her son from whatever she's up against. If only she'll tell him what it is...

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  The Poetry of Gerard Manley...

  Gerard Manley Hopkins

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  Gerard Manley Hopkins was born in Stratford, then part of Essex on 28th July, 1844, to deeply religious parents?the first of nine children. 
  The family moved to Hampstead in 1852, near to where John Keats had lived thirty years before.  At age ten the young Gerard was sent to school in nearby Highgate and afterwards to Balliol College, Oxford. 
  Hopkins was unusually shy and reserved and prone to bizarre ideas. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed.  
  In January 1866 Hopkins composed his most ascetic poem, The Habit of Perfection but a few days later he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic and by May 1868 Hopkins firmly "resolved to be religious." Less than a week later, he made a bonfire of his poems and ceased to write for almost seven years.  
  In 1874 Hopkins returned to the Society of Jesus at Manresa House, Roehampton to teach classics. While he was studying in the Jesuit house of theological studies in North Wales, he was asked to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he was moved to take up poetry once more and write a lengthy poem, The Wreck of the Deutschland, inspired by the Deutschland maritime disaster in which 157 people died, including five nuns.  The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry. Most of his poetry remained unpublished until after his death. 
  Hopkins chose the austere and restrictive life of a Jesuit and was at times gloomy. The brilliant student who had left Oxford with a first-class honours degree failed his final theology exam and although ordained in 1877, Hopkins would not progress in the order. That same year he wrote God’s Grandeur, and sonnets including The Starlight Night and finished The Windhover. 
  In 1884 he became professor of Greek and Latin at University College Dublin. His English roots, his disagreement with current Irish politics, as well as his own small stature (5'2"), shy nature and personal foibles meant that he was not an effective teacher. This and his isolation in Ireland deepened his gloom.  
  The final years of his life continued to find him in a depressed state and to restrict his poetic inspiration. His extremely heavy work load coupled with the dislike of living in Dublin, away from England and friends meant his health further deteriorated, even his eyesight began to fail. As a devout Jesuit, he found himself in an artistic dilemma. To subdue any egotism which would violate the humility required by his religious position, he decided never to publish his poems.  
  After suffering several bouts of diarrhoea, Gerard Manley Hopkins died of typhoid fever on 8th June, 1889 at the early age of 44. On his death bed, his last words were, "I am so happy, I am so happy. I loved my life." 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Īnangahua Gold

  Kathleen Gallagher

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  This historical novel, told in two stories 20 twenty years apart, explores the relationships that unfold on the West Coast of Te Wai Pounamu New Zealand, in the mid-19th century, as isolated, difficult to access parts of the country are entered by European explorers guided by local Maori. 
  Set in the 19th Century, it plaits together as a flax-root narrative prose and poetic imagery to tell a timeless love story. It links people with the natural environment, and blends languages, cultures, shared endeavour and compassion in a vivid multi-cultural epiphany of life in Aotearoa-New Zealand. - John Weir 
  Kathleen Gallagher is a poet, playwright, filmmaker and novelist. She received the New Zealand Playwrights Award in 1993, and the Sonja Davies Peace Award in 2004 for the film Tau Te Mauri Breath Of Peace. She has authored three collections of poetry, 16 plays, six feature films, and two novels.

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  Keeping Count

  M. Travis Lane

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  Keeping Count, M. Travis Lane’s 18th collection of poetry, begins in the poet’s favourite terrain: short, condensed lyric that focuses on the natural world. “But pull a thread: music turns” Lane writes, and the book progressively defamiliarizes the reader, moving from ecopoetry to a longer poetry of interiority in the second section, concluding with a final section that focuses on issues of mortality. As George Elliott Clarke has written so aptly, “If you have not read Lane before, prepare to travel: Like T.S. Eliot, she wants you to have a transporting experience in your imagination. If you have read Lane before, prepare for fresh astonishment. She is Homeric breadth and Sapphic brevity."

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