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  Poetry Says It Better - Poems to...

  Ellen Burstyn

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  KIRKUS EARPHONES AWARD WINNER 
  Read by Ellen Burstyn 
  The legendary Academy Award–winning actress reflects on her love affair with poetry and makes us believers. 
  We all want inspiration. We want to feel connected to something universal. And we want to be able to share that wonder with friends and loved ones. 
  In this beautiful volume, Ellen Burstyn celebrates poetic magic and shares her favorite works. Now into her nineties, Ellen reveals she had an evangelical response to learning poetry even as a child and would memorize and recite the works of Edna St Vincent Millay to envelope herself in the poet’s deeper emotional landscape. 
  As Burstyn continued her epic rise through film and theater—eventually winning an Oscar, a Tony, a BAFTA, and an Emmy—poetry gave voice to her experience as no other literary art form could. She never went anywhere without her curated “poetry pack.” While waiting on set, in rehearsal, on a train, or just relaxing, she found comfort in verse. 
  For nearly nine decades, poetry has led Ellen on a life of adventure, from a pilgrimage to Rumi’s birthplace to a friendship with Maya Angelou, during which the poet read her work in Ellen’s movie trailer, to selecting the poems to join her in love, in motherhood and in grief. Poetry Says It Better takes us on our own adventure, featuring work by: 
  W.B. YeatsEdna St. Vincent MillayRainer Maria RilkeMary OliverKaveh AkbarWilliam WordsworthRumiEdgar Allen PoeAnd more 
  Poetry Says It Better is a perfect daily companion for everyone looking to deepen and add meaning to their life experience. Throughout, Burstyn’s charming voice and luminous insights help readers meet her in this poetic celebration—soul to soul.

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  The Xenotext: Book 2

  Christian Bok

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  The first work of ‘living poetry’ in the world, by the author of the bestselling book Eunoia. 
  Christian Bök in Book 1 of The Xenotext outlined his plan to encode a poem into the genome of a deathless bacterium, thereby writing a text durable enough to outlive any apocalypse, surviving until the death of the Sun itself. After more than two decades of effort, Bök has, at last, succeeded at this incredible experiment, and Book 2 of The Xenotext situates his enterprise within the deep time of the cosmos. 
  Bök rehearses some of the techniques likely to be used in the future to preserve the cultural heritage of our civilization against a potential planetary disaster (be it thermonuclear warfare or astrophysical barrage); moreover, Bök speculates that, buried within the biochemistry of Life itself, there really does exist an innate beauty, if not a hidden poetry – a literal message that we might read, if we deign to seek it.

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  Astrology Poetry 101: Cypher

  Gregory Sulface

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  Imagine when the zodiac signs have all gathered together, maybe sharing some drinks and having a long chat—in poetry.  Will they talk about who is more fun? Will they point fingers at who is being dramatic? Or would they talk about the people who represent them and if these people were representing their signs very well? Will these signs be friends? Will Aries, Leo, and Sagittarius throw fire at other signs? Will Cancer, Scorpio, and Pisces douse everyone else with water? Will the earth (Capricorn, Taurus, and Virgo) and air (Gemini, Libra, and Aquarius) signs meet? There would surely be intriguing topics and heightened emotions involved in this party. If you want to eavesdrop, get a copy of Astrology Poetry 101: Cypher.

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  The Poetry of Claude McKay - A...

  Claude McKay

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  Festus Claudius McKay was born in Sunny Ville, Jamaica on the 15th September 1890, He was the youngest son to parents who had gathered enough assets to secure them the right to vote. 
   
  As a boy he was fascinated by English Poetry and literature, although at 17 he took on work as an apprentice woodcutter for two years before becoming a police constable in the capital, Kingston.  In this mainly white and affluent town racism was rife and its nature awakened his political instincts and pursuit of social justice.  He soon returned home and published his first two poetry collections in 1912. 
   
  By the early 1920’s he had travelled extensively across the United States and parts of Europe and was recognised as a very talented poet and an essential founding component of the Harlem Renaissance.   
   
  As well as poetry he also wrote several novels and was a dedicated activist for social reform.  
   
  By the late 1930s he had developed a deep interest in Catholicism and several years later moved to Chicago as a teacher for a Catholic organisation. 
   
  By the mid 1940’s several illnesses has further debilitated his health. 
   
  Claude McKay died of heart failure on the 22nd May 1948.  He was 57.

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  I Daniel Blake

  Dave Johns

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  'I, Daniel Blake, am a citizen, nothing more, nothing less.'
  Dan is a carpenter. A Geordie through and through. He had a heart attack recently, but he's on the mend now.
  Katie has just arrived from London. She's finally got a council flat, somewhere for her and her daughter, Daisy. A fresh start.
  In adversity, people come together. But when the system is stacked against you, how does anyone get by? With 14.5 million people (Joseph Rowntree Foundation 2022 Poverty Report) living in poverty in the UK, this is not fiction. It is reality.
  I, Daniel Blake was originally a film – directed by Ken Loach, written by Paul Laverty and produced by Rebecca O'Brien for Sixteen Films – which won the 2016 Palme d'Or at the Cannes Film Festival. This touching and vital stage adaptation by Dave Johns, who played Dan in the film, toured the UK in 2023, co-produced by tiny dragon Productions, Northern Stage, Birmingham Rep and ETT, in association with Cardboard Citizens.
  'A gut-wrenching tragicomic drama… Paul Laverty's brilliantly insightful script finds much that is moving (and often surprisingly funny) in the unbreakable social bonds of so-called "broken Britain".'Guardian on Ken Loach's film

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  Is My Microphone On?

  Jordan Tannahill

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  'After thousands of years, I have a mouth… So if you don't mind, Mum, Dad, I'm going to speak. I'm going to shout. When I become a human I'm going to use some words. Can you still hear me? Is my microphone on?'
  Young people have inherited a burning world. In Jordan Tannahill's urgent and lyrical play, they reckon with the generations who have come before them, questioning the choices that have been made, and the ones that they will yet be forced to make.
  In Is My Microphone On? an ensemble of young performers hold the audience to account, and invite them to experience the world together anew.
  The play was commissioned by the Theater der Welt festival in Germany, premiered in English by Canadian Stage, Toronto, in 2021, and performed by youth theatres across the UK as part of the 2023 National Theatre Connections Festival. It offers opportunities for a large, flexible cast of any size or mix of genders, and can incorporate chorus work, movement and music.

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