Other books that might interest you

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  Female Trouble - A Screenplay

  John Waters

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  “Burroughs famously dubbed Waters the Pope of Trash. Female Trouble, we might say, is his Summa Trashologica.” —Ed Halter, The Criterion CollectionListen as Waters himself acts out each role!It all goes to hell when Baltimore bad girl Dawn Davenport doesn’t get the cha-cha heels she’s been demanding for Christmas. In this hilarious, irreverent, pyrotechnic melee of high-trash hijinks, Dawn ruins Christmas, skips town, and embarks on a wild ride that involves hitchhiking, robbery, murder, pregnancy—and, of course, modeling and glamour, too. The second installment of John Waters’ classic Trash Trilogy, Female Trouble explodes conventional norms of good behavior (and art) and is all the proof you’ll ever need that sometimes being bad can feel so, so very good.A Macmillan Audio production from Farrar, Straus and Giroux

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  An Artist's View - A Guide to...

  John Campbell

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  Why would I buy this book? Well, like Alice, we all enjoy looking at attractive pictures. A significant section of this work explores the World Heritage site of the City of Durham, showcasing how it appeared before modern developments began to alter the view.
  
  If you are an artist interested in discovering the potential of dry coloured pencil, this book answers many of the questions visitors to my exhibitions have asked. I will explain how I achieve such intricate detail and atmospheric effects in my work.
  
  I have been drawing with pencil since the early 1950s, and, unaware of any books on the subject at the time, I am essentially self-taught. I use the term 'dry coloured pencil' because many viewers of my work assume it is watercolour. A pencil is a clean and precise medium, ideal for achieving accuracy, where every touch leaves its mark.
  
  One visitor once commented that my work 'oozed tranquillity,' drawing them into the scene and enhancing the appeal of the picture. Drawing heightens one's awareness of the many elements that influence the choice and creation of an image.
  
  Within these pages, I reveal the techniques I have developed to expand the potential of dry pencil as a medium. I examine the importance of composition, balance, and colour in creating images that are striking enough to be displayed on a wall for years to come.

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  A Classic Interview with Music...

  Tiny Tim

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  Herbert Butros Khaury (April 12, 1932 - November 30, 1996), also known as Herbert Buckingham Khaury, and known professionally as Tiny Tim, was an American musician and musical archivist. He is especially known for his 1968 hit recording of "Tiptoe Through the Tulips," a cover of the popular song from the 1929 musical Gold Diggers of Broadway. Tiny Tim was renowned for his wide vocal range, in particular his far-reaching falsetto. The following interview was recorded in July 1988.

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  Cinema's Original Sin - DW...

  Paul McEwan

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  For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith's profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life. 
   
   
   
  In every decade since 1915, filmmakers, museums, academics, programmers, and film fans have had to figure out how to deal with this troublesome object, and their choices have profoundly influenced both film culture and the notion that films can be works of art. Some critics tried to set aside the film's racism and concentrate on the form, while others tried to relegate that racism safely to the past. McEwan argues that from the earliest film retrospectives in the 1920s to the rise of remix culture in the present day, controversies about this film and its meaning have profoundly shaped our understandings of film, race, and art. 
   
   
   
  Contains mature themes.

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  Teaching and Learning Jazz -...

  Richie Beirach, Michael Lake

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  For the first time, renown player and educator Richie Beirach puts in print his five decade long experiences as both a student and instructor of jazz.  
  Performer, author, and teacher, Michael Lake, collaborates with Richie to produce this honest no-holds bared examination of how jazz is taught and learned. 
  Discover the 100-year evolution of jazz education, the makings for an effective teacher, the realities of a university education and how best to choose the right school, the mindset and technologies available to elevate musicians in their pursuit of jazz, the psychological process of learning a complex skill like music, and the future these two passionate jazz advocates see for this music. 
  “Richie’s thoughts within this book are as tight as usual. He positions himself in a way that could be construed as argumentative on several subjects but always thought-out and logical (as he is musically as well.)  
  The mentors description with Richie as the centerpiece are historical in their implications considering the learning on the job atmosphere that our generation reveled in.  
  Richie discusses the workings of the present situation in higher learning and future remedies that could be applied. The book is strongly optimistic and will inspire readers to think deeply about the legacy of jazz education.” 
  Dave Liebman 
  Jazz Performer and Educator 
  “Teaching and Learning Jazz is the most important book on jazz education I have ever read, and possibly ever written!” 
  Justin DiCioccio 
  Associate Dean/Chair Emeritus, Jazz Arts Program, Manhattan School of Music

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  Beyond Babylon Resilience in...

  Jason Jansson

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  Preface 
  Welcome to the vibrant, unpredictable world of Slab City California—a place where trials and transformation intersect amidst the desert ruins. In the season of 2024, I embarked on a journey to this otherworldly post-apocalyptic landscape, seeking refuge from the constraints of modern society and discovering profound lessons in resilience and human connection. 
  My experiences in Slab City were nothing short of transformative. What began as a quest for escape evolved into a profound exploration of self-discovery and communal living. Here, amidst the remnants of a forgotten military base, I encountered a community unlike any other—a gathering of souls navigating their own purgatories, seeking solace and renewal in the desert expanse. 
  As you delve into the pages of this book, you'll join me on a journey of personal evolution and collective wisdom. From the vibrant art installations of East Jesus to the camaraderie of the Oasis Club, each encounter in Slab City left an indelible mark on my spirit. The Slabbers I met—resilient, resourceful, and irreverently creative—taught me invaluable lessons about living authentically and embracing the unexpected. 
  Through the trials and tribulations of Slab City, I discovered that true transformation begins with the courage to embrace the unknown and the willingness to connect deeply with others. This book is a testament to the enduring spirit of humanity, a celebration of unconventional living, and a reminder that amidst desolation, hope and community flourish. 
  Join me as we uncover the secrets of Slab City, where the mundane fades away and the extraordinary emerges. May this journey inspire you to seek your own path of authenticity and resilience, wherever your adventures may lead. 
  Let the metamorphosis begin. Jason

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