Other books that might interest you

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  Notes from a Shipwreck

  Jessica Mookherjee

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  Notes from a Shipwreck, the third collection of poetry by Jessica Mookherjee, is a richly detailed and illuminating voyage of dislocation and longing. By turns evocative, unsettling, and full of 'small acts of magic', Mookherjee simultaneously finds the past, present, and future in the tempestuous, lyrical tides that flow through her poems.
  Here, seafaring lore and shanties interweave with wreckage and survival, drawn by strong currents of history – where migration, colonialism, pandemics and climate change shape the course we are on. The sea is a territory of grief and transformation, alluring and dangerous, where safe harbours and landfall are not always certain. Mookherjee's enchanting, salt-sharp poetry encompasses the many journeys embarked on – whether seeking refuge, escape, or into exile – and consider not only the deep blue sea and its myriad mythologies, but to understand 'what makes a land and person,' – the keen human instinct to seek belonging.

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  Love Talks

  Harshada Pathare

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  "The most amazing trips are made are within an open heart! Intimate and universal, Love Talks is more than a poetry collection. Fall upon a caveat. A cue. A call to action. Harshada Pathare's vast verses honor existence and its lifeblood: honest interconnection—art, as formed by melding separate souls. Prepare for a pilgrimage. The terminus: unknown. Along the way, you'll wander hallowed halls and navigate nature's raw splendor. Cozy cafés, spattered studios, and delicious dreamscapes await. Take a moonlit promenade beneath a pantheistic sky that glints with possibility. Discover—rediscover—what it means to truly feel . . . Surrender to the sacred spell of love — 
  Like a messenger from gentler times, Harshada reminds readers to slow down, settle in, and drink of the sweetest enigmas. Dreamers, modern mavens, lovers — set aside a slate of time, and contemplate the timeless."

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  Four in Hand

  Alicia Mountain

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  Comprised of four heroic crowns of sonnets, Alicia Mountain’s Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails. Language and white space equally captivate with their sparsity and abundance as Mountain pursues the implications of national political identity with intersectional awareness. These poems interrogate our collective complicity in late-stage capitalism, drone warfare, the election of Donald Trump, environmental degradation, mental health crises, and the dawn of Covid-19 through the lens of gay poetic lineage, regionalism, and familial kinships structures. With one enthralling image after the other, Four in Hand builds a world that carves out necessary space for lesbian gaze, speakership, and personhood. From the back corner of a vast, sprawling, yet gorgeous landscape of thought, Mountain's poems beckon us inside.

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  The Role of the Moon - Poems

  D.S. Martin

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  A compelling, imagined dialogue with some of the most beloved Christian poets 
  
   
  GOLD MEDAL WINNER - Illumination Book Award
  
  
  Step into a captivating poetic conversation that spans centuries. The Role of the Moon explores the timeless themes of faith, loss, transcendence, human struggle, and renewal, echoing John Donne, George Herbert, and other 17th-century metaphysical poets. 
  
  In vivid dialogue with John Milton, William Shakespeare, Gerard Manley Hopkins, Emily Dickinson, Elizabeth Barrett Browning, and many others, D.S. Martin engages them in our modern world. A "new metaphysical" voice emerges, connecting the past to the present with wit, poignancy, and striking originality. 
  
  Perfect for readers who enjoy poetry and literature as a spiritual pursuit, this collection invites you to explore the beauty and power of classic Christian poetry in a fresh and modern way. 

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  Tam O'Shanter A Tale - This...

  Robert Burns

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  Many nations have produced outstanding poets who they would gladly have represent their Culture.  But can any Nation say they have an equivalent of Robbie Burns?  Rabbie. The Ploughman Poet.  The Bard (Of Scotland).  This one poet is indelibly linked and intertwined with the culture and people of Scotland.  His life, loves, politics, verse and songs speak as them and for them.  
  From humble roots, the eldest son of seven born in 1759 to parents, both from tenant farming stock, the family endured both hardship and poverty.   Burns endured the test and began to write first at 15 and to publish his first volume some two years later.    
  He wrote in both true Scottish, dialect and English as well as turning his hand to song.  Politically he was an inspiration to both liberalism and socialism as well as a Scottish parliament.  His unique ability enabled him to appeal to all and quite rightly to be viewed as the National poet.    
  As well as creating his own great works he was also an avid collector of Scottish Folk Songs preserving for posterity the works of others.  
  However his own life was short dying at the young age of only 37.   What further greatness would have lain before him is impossible to say.  But, poetically, on the day of his death his son, Maxwell was born.    
  His fame today is worldwide and celebrated in January each year with the Traditional Burns night.  Each New Years Eve friends and families the world over link arms to ‘Auld Lang Syne’, giving immortality to his words and aims.  
  As former Secretary General of the United Nations, Kofi Annan says:  Burn’s poems dignify and illuminate the struggle faced by the vast majority of the world’s population today.

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  On the Subject of Blackberries

  Stephanie M. Wytovich

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  Winner of the Bram Stoker Award for Superior Achievement in Poetry 
  Welcome to the garden. Here we poison our fruits, pierce ourselves with thorns, and transform under the light of the full moon. Mad and unhinged, we fall through rabbit holes, walk willingly into fairy rings, and dance in the song of witchcraft, two snakes around our ankles, the juice of berries on our tongues. 
  Inspired by Shirley Jackson’s We Have Always Lived in the Castle, these poems are meditations on female rage, postpartum depression, compulsion, and intrusive thoughts. They pull from periods of sleep deprivation, soul exhaustion, and nightmarish delusions, and each is left untitled, a nod to the stream-of-conscious mind of a new mother. 
  Using found poetry and under the influence of bibliomancy, Wytovich harnesses the occult power of her imagery and words and aligns it with a new, more vulnerable, darkness. These pieces are not only visions of the madwoman in the attic, but ghostly visitations that explore the raw mental torture women sometimes experience after giving birth. 
  This collection heals as much as it scars, and is an honest look at how trauma seeps into the soil of our bodies. Her poems are imagined horrors, fictional fears, and all the unspoken murmurs of a mind lost between reality and dream. What she leaves in her wake is nothing short of horror—the children lost, the garden dead, the women feral, ready to pounce.

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