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  The Unforgiving Eye - Sussex...

  Beth Andrews

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  ANOTHER EXQUISITE REGENCY MURDER MYSTERY FROM YOUR NEW FAVOURITE AUTHOR, BETH ANDREWS. 
   
  Returning from their honeymoon, John and Lydia Savidge have another mystery on their hands. 
   
  As a favour to an old friend, they agree to help uncover who killed Sir Benedict Stanbury, master of Fallowfield. 
   
  Could the hapless stable hand accused of the crime really be guilty? Or could it have been the suspicious solicitor or the frightened governess? 
   
  Someone knows something. Someone is lying. 
   
  With a surplus of suspects and an absence of alibis, the newlyweds must untangle this web of confusion and catch the killer in just three days. 
   
  Fans of Julia Quinn, Wendy Soliman, Mary Balogh, Jenny Hambly, Lisa Kleypas, Jean Rowden’s historical mysteries or Jane Austen will love this charming regency murder mystery.

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  Death of a Fugitive - Discover a...

  John Pilkington

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  A BRAND NEW instalment in a gripping Tudor mystery from bestselling author John Pilkington. Perfect for fans of Andrew Taylor and S. J. Parris. 
  This Ward, Cutler… it seethes, does it not? 
  1595, Bishopsgate Ward, London. Matthew Cutler, constable for the parish of Spitalfields, prides himself on always being on the side of justice. So when a young man on the run, whose only ‘crime’ was protesting about high prices and corruption, hides out in Bishopsgate, not for the first time Cutler finds his duties as constable at odds with his gut feeling. He feels compelled to help him, and not just because his daughter Jane is smitten with the plucky lad… 
  Meanwhile there is trouble in Bishopsgate as fake coins keep turning up, convincing enough to fool many. Tensions rise and people are in fear of a brutal yet shadowy figure: the ‘coiner’ Thomas Gunnell, who seems to have eyes everywhere. Cutler must once again fall back on his skills of disguise, and risk his own life to root out Gunnell’s gang before they bring chaos to Bishopsgate Ward – and danger to everything he holds dear. 
  Praise for John Pilkington: 
  'The quality of the writing and evocation of the Elizabethan Age is right up there with C J Sansom - and that could be no higher recommendation. I devoured it with relish and a buzz of contentment.' ⭐⭐⭐⭐⭐ Reader Review 
  'Brilliant! I just love the way in which he brings his characters to life and makes them so believable. He is a master of descriptive prose.' ⭐⭐⭐⭐⭐ Reader Review 
  'Gripping, enjoyable and too difficult to put down' ⭐⭐⭐⭐⭐ Reader Review 
  'John Pilkington continues to delight and inform. His writing style flows with ease and wit and I look forward to more of his tales' ⭐⭐⭐⭐⭐ Reader Review 
  'I was gripped from start to finish.' ⭐⭐⭐⭐⭐ Reader Review

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  The Weeds

  Katy Simpson Smith

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  A Mississippi woman pushes through the ruin of the Roman Colosseum, searching for plants. She has escaped her life, apprenticed herself to catalog all the species growing in this place. Crawling along the stones, she wonders how she has landed here, a reluctant botanist amid a snarl of tourists in comfortable sandals. She hunts for a scientific agenda and a direction of her own. In 1854, a woman pushes through the jungle of the Roman Colosseum, searching for plants. As punishment for her misbehavior, she has been indentured to the English botanist Richard Deakin, for whom she will compile a flora. She is a thief, and she must find new ways to use her hands. If only the woman she loves weren’t on a boat, with a husband. But love isn’t always possible. She logs 420 species. Through a list of seemingly minor plants and their uses?medical, agricultural, culinary?these women calculate intangible threats: a changing climate, the cost of knowledge, and the ways repeated violence can upend women’s lives. They must forge their own small acts of defiance and slip through whatever cracks they find. How can anyone survive? Lush, intoxicating, and teeming with mischief, The Weeds is a tense, mesmerizing page-turner about science and survival, the roles women are given and have taken from them, and the lives they make for themselves.

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  Not Easily Broken

  Ruth Smith Meyer

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  In the time when women often died in childbirth and men remarried to have someone to care for the house and children, new mothers sometimes cut off relationships with the maternal grandparents. Ellie is a strong young woman faced with circumstances that are not her choice. When Ellie's older sister Regina dies at the birth of her third child, her parents request that Ellie break off her engagement to the man she loves and marry their son-in-law, John, so the children will stay in the family. 
  Ellie reluctantly agrees but determines in her heart to give it her all to make it a good marriage. She and John begin life with a somewhat contrived feeling to their relationship, but love grows because they are both committed to it.

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  Nothing Without Honour

  Martin Hicks

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  It is the Spring of 1864 and the Confederate raider Palmetto is off the Philippines, pursuing her campaign against US shipping. For her captain, Thomas Grover there is much to consider, for with the ship’s previously sustained engine damage not fully repaired, he learns that these seas are now patrolled by a new Union warship that vastly overmatches his own ship. As the war turns increasingly against the south, Grover must redouble his efforts against the enemy, but the hidden threats facing him are as dangerous as the known ones.

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  War and Peace Book 13: 1812

  Leo Tolstoy

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  War and Peace (Russian: ????? ? ???, Voyna i mir; in original orthography: ????? ? ????, Voyna i mir”) is an epic novel by Leo Tolstoy, first published from 1865 to 1869 in Russki Vestnik, which tells the story of Russian society during the Napoleonic Era. It is usually described as one of Tolstoy’s two major masterpieces (the other being Anna Karenina) as well as one of the world’s greatest novels.War and Peace offered a new kind of fiction, with a great many characters caught up in a plot that covered nothing less than the grand subjects indicated by the title, combined with the equally large topics of youth, age and marriage. While today it is considered a novel, it broke so many novelistic conventions of its day that many critics of Tolstoy’s time did not consider it as such. Tolstoy himself considered Anna Karenina (1878) to be his first attempt at a novel in the European sense. (Summary by Wikipedia)

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