Outros livros que poderiam interessá-lo

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  The Poetry of John Dryden -...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire and grew up in a nearby village.  In 1644 he was sent to Westminster School as a King's Scholar and then obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden found work with Cromwell's Secretary of State, John Thurloe.  At Cromwell's funeral on November 23rd 1658 he found company with the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. Later that year he published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric and with the re-opening of the theatres he began to also write plays. His first, The Wild Gallant, appeared in 1663 and whilst not successful, he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.    
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London.  This work established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate in 1668 and a couple of years later, historiographer royal (1670) as his talent encompassed many forms; from Poetry to Plays to translations. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Accessioning

  Charlotte Wetton

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  Through poems about fossilised fruit seeds and the sofa where Emily Brontë died, Wetton questions how we curate the lives of those living and dead in a pamphlet about looking, processing, and memorialising. Whether considering preserved wedding-cakes, a non-existent art exhibition or a human scream, these poems speak to the impossibility of containment and question our ability to map and categorise.
  This is a pamphlet of poems about the stories that we tell ourselves, the memories that we construct, and the ways that we value and devalue people, animals and objects alike.

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  Four in Hand

  Alicia Mountain

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  Comprised of four heroic crowns of sonnets, Alicia Mountain’s Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails. Language and white space equally captivate with their sparsity and abundance as Mountain pursues the implications of national political identity with intersectional awareness. These poems interrogate our collective complicity in late-stage capitalism, drone warfare, the election of Donald Trump, environmental degradation, mental health crises, and the dawn of Covid-19 through the lens of gay poetic lineage, regionalism, and familial kinships structures. With one enthralling image after the other, Four in Hand builds a world that carves out necessary space for lesbian gaze, speakership, and personhood. From the back corner of a vast, sprawling, yet gorgeous landscape of thought, Mountain's poems beckon us inside.

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  Raging: Three Plays Seven Years...

  Deirdre Kinahan

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  A trilogy of landmark plays commemorating seven years of warfare in Ireland, from the 1916 Easter Rising to the Civil War which began in 1922.
  Wild Sky is a story of interlocking lives: of the politicised Josie Dunne, and of Tom Farrell, who is driven only by his love for her. As the Rising plays out, there are unforeseen consequences for everyone involved...
  Embargo focuses on a pivotal moment during the Irish War of Independence in 1920, when dockers and railmen refused to transport armed troops or handle any weapons arriving from Britain.
  Outrage follows two sisters, Alice and Nell, who play key roles in organising civic resistance and the propaganda war. Like everyone else in Ireland, they become deeply conflicted as the country spins toward a devastating Civil War.
  Each of the three plays was first performed a century after the event which it depicts, and they were commissioned and performed by companies including Fishamble: The New Play Company, Meath County Council Arts Office, Dublin Port Company and Iarnród Éireann.
  Together, they challenge the historical narrative, mixing true-life testimonies with powerful drama to create a theatrical hurricane of empathy, action and truth.

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  Scandaltown (NHB Modern Plays)

  Mike Bartlett

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  When noble heroine Miss Phoebe Virtue receives worrisome news on Instagram that her twin brother Jack may be endangering his reputation in London Town, she decides she must visit herself, and investigate...
  Set in contemporary, post-pandemic London, full of illicit sex, political hypocrisy and the machinations of a fame-hungry elite, Scandaltown is a comedy for the new Restoration of the theatres.
  Mike Bartlett's play was first produced by the Lyric Hammersmith Theatre, in association with Fictional Company, at the Lyric in April 2022, directed by Artistic Director Rachel O'Riordan.
  '[Mike Bartlett] is one of the prime movers in a new golden generation of British playwrights' Independent
  'A rambunctious, modern-day Restoration comedy... a springtime pantomime with knowing humour, smut, silliness and arch references to the hypocrisies of the state... joyfully silly stuff' - Guardian
  'Laugh-out-loud funny... the mashup of Restoration cadences and modern argot is spot on' - Evening Standard
  'Extremely funny... Bartlett's writing is always clever and lively, and he hits his targets' - WhatsOnStage

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  Drama Games for Exploring...

  Alanna Beeken, Foundation Coram...

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  This dip-in, flick-through, quick-fire resource book, part of the bestselling Drama Games series, offers dozens of games to help bring Shakespeare's plays to life in the classroom or rehearsal room – making them fun and accessible to actors, students, directors and teachers.
  Inspired by the work of leading cultural education charity Coram Shakespeare Schools Foundation, this book offers a wide range of activities to tackle every aspect of the plays, including:
  
  - Warm-ups and General Games to establish an atmosphere of focus, connection, support and fun – all the conditions you need for a successful session
  - Story and World-building to explore the events, environments and societies of Shakespeare's plays
  - Introducing Shakespeare's Language to break down the text and allow participants to uncover the meaning through play and creative discovery
  - Activating Shakespeare's Language to liberate actors from the script through movement and voice-work
  - Character to help develop compelling, believable performances by investigating motivations and relationships, circumstances and emotions
  - Staging to help empower every member of the ensemble in moments that might be challenging to stage – such as big movement sequences, fights and battles and intimate love scenes
  Whatever your reason for exploring Shakespeare – whether you're directing a production, teaching a set text, or introducing his work to young people for the first time – this essential resource will give you the tools you need to demystify the language, take ownership of the plays, and find a connection to the words that resonates in our own time.
  'This wonderful book will be an invaluable resource for anyone approaching the teaching or directing of Shakespeare, whether novice or veteran' Paterson Joseph, from his Foreword

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