Other books that might interest you

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  I'm Sorry Here's a Plasma Rifle...

  Aaron N. Hall

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  SENT BACK FROM THE YEAR 2124, I’m Sorry, Here’s a Plasma Rifle is the last known work of author Aaron N. Hall before his tragic jet ski accident with a shipping container of rubber ducks. 
  It contains seven short stories, eighteen poems, and four pastry recipes that highlight his affection for fantasy, science fiction, and the endearingly odd. 
  The current edition has been republished including the notes of Dr. Arthur B. Salazar, who sent the book from the future before being cryogenically frozen and launched into space prior to Earth’s decay. 
  Listen, enjoy, then say hello to the void.

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  The Tenderness of Silent Minds -...

  Martha C. Nussbaum

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  The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions. 
   
   
   
  Offering a reading of Britten's views about the value and beauty of the body that situates these in the context of his thirty-nine year partnership with his lover, the singer Peter Pears, and also surveying pacifist themes in works written both before and after War Requiem, Nussbaum presents a compelling framework for critically assessing Britten's oeuvre. Nussbaum engages with a remarkably wide range of Britten's works, examining his treatment of aggression and its roots in his collaborations with the poet W. H. Auden, offering readings of the value placed on the body in early partnerships with Britten's beloved and singer Peter Pears, and surveying pacifist themes in Britten's earlier works. The analysis throughout is enriched with perspectives from Britten's personal letters and thoughtful study of the social and political backdrop of fear and homophobic disgust in mid-twentieth century Britain.

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  Harbour Grids

  Zane Koss

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  Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labour, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in? Harbour Grids seeks to answer this question by combining the sonic texture and investigative poetics of Daphne Marlatt, the improvisatory spirit and ethical engagement of Fred Wah, the experimental attention to the structures of language of Nasser Hussain, and the dazzling sense of visual space of Jordan Abel.

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  The Beginning of the Empress

  Kiara George

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  Step into a world where the spoken word meets the beats of the streets. "The Beginning of the Empress" invites you on a poetic journey infused with the rhythm and flow of modern rap. In this audacious audiobook, each verse pulsates with energy, weaving tales of triumph, love, and self-discovery. 
  From the first track to the final crescendo, you'll find yourself entranced by the syncopated cadence of her verses, carried away on a wave of introspection and joy. With each track, she paints vivid landscapes of emotion, inviting you to dance in the rhythm of her words and lose yourself in the magic of her storytelling. 
  "The Beginning of the Empress" isn't just an audiobook; it's an experience—an invitation to embrace the power of language and music in perfect harmony. So, plug in your headphones, turn up the volume, and let the journey begin. Welcome to a new era of poetry, where the empress reigns supreme, and every word is a testament to her majesty.

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  cliche

  Lee Brady

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  A chance meeting between a performance artist and a bartender at a bar sparks some intriguing insights.

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  In The Lily Room

  Erica Hesketh

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  Erica Hesketh's debut collection In the Lily Room tells a story of early motherhood. It examines a new mother's journey through mental illness, her relationships with her body, her baby and other people, and the often surreal landscape of mothering, against a backdrop of a changing and uncertain world.
  A dreamlike birth sequence full of eels, foxes and floodwater empties onto a London postnatal ward, where reality sets in. Rudderless and anxious, the new mother writes notes to herself, joins support groups and tries medication. She climbs into myth and prayer, nightmare and song, criss-crossing her neighbourhood with a pram, until she starts to feel better. Hesketh's poems speak of the many things motherhood can mean, the structures it is made to fit inside. Clear-eyed and full of hard-won love, this a story of one of the most common experiences there is, told in a dazzlingly original way.

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