Other books that might interest you

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  Browdean Farm - From their pens...

  A M Burrage

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  Alfred McLelland Burrage was born in Hillingdon, Middlesex on 1st July, 1889. His father and uncle were both writers, primarily of boy’s fiction, and by age 16 AM Burrage had joined them.  The young man had ambitions to write for the adult market too.  The money was better and so was his writing. 
  From 1890 to 1914, prior to the mainstream appeal of cinema and radio the printed word, mainly in magazines, was the foremost mass entertainment.  AM Burrage quickly became a master of the market publishing his stories regularly across a number of publications. 
  By the start of the Great War Burrage was well established but in 1916 he was conscripted to fight on the Western Front. He continued to write during these years documenting his experiences in the classic book War is War by Ex-Private X. 
  For the remainder of his life Burrage was rarely printed in book form but continued to write and be published on a prodigious scale in magazines and newspapers.  In this volume we concentrate on his supernatural stories which are, by common consent, some of the best ever written.  Succinct yet full of character each reveals a twist and a flavour that is unsettling…..sometimes menacing….always disturbing.

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  Life in Ten Chapters

  Stewart Scott

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  This series of stories address everyday issues sympathetically and with excellent character development whilst depicting people which many readers will identify with as the storylines are creatively and skillfully intertwined. This eclectic collection of stories expresses all of the human emotions of the characters with great sensitivity and with pathos.

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  The House - From their pens to...

  W L George

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  Walter Lionel George was born to British parents on the 20th March 1882 in Paris, France. 
  It was not until he was a young man of 20 that he learned English.  In 1905 he moved to London to work in an office but soon found himself working as a journalist, and as a foreign correspondent, for various London newspapers. 
  By 1911, with the publication of his first novel ‘A Bed of Roses’, which portrayed the fall of a penniless young woman into prostitution, his efforts were rewarded, and he turned to literature as a full-time career. 
  His writings now sold well.  He added short stories to his offerings as well as literary essays and several tracts that discussed left-wing themes.  Some critics thought his subject matter to be difficult and poorly chosen. His political views gained him little credit amongst his peers although such luminaries as George Orwell praised both subject matter and style. 
  His personal life was also turbulent.  His three marriages left him widowed twice.  In 1908 he married Helen Porter who died in 1914.  Helen Agnes Moorhead followed in 1916 but died only 4 years later.  His last marriage was to Kathleen Geipel in 1921. 
  W. L George died on 30th January 1926.  He was 43.

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  Rising Fury - A Jesse McDermitt...

  Wayne Stinnett

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  In the backcountry of the Florida Keys, you can see and hear trouble coming for miles in any direction. That is, if you're paying attention. 
  Jesse McDermitt lives in the backcountry and very little happens near him that he's not fully aware of. During a quiet moment, he watches a slow-moving shrimp trawler as it serenely cruises by, barely visible on the horizon at the edge of the three-mile limit. 
  The tranquility of the moment is shattered when the trawler is suddenly demolished in an enormous explosion. What caused the explosion? And why was a woman from Jesse's past on board? 
  To find the answers to these questions and more, Jesse and friends will work from Miami to Key West, then across the water to Fort Myers. When the bad guys hit too close to home, Jesse retaliates. Furiously.

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  Emergency - Stories

  Kathleen Alcott

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  From an "exquisite" (The New Yorker) writer, a searing volume of prizewinning stories starring women facing points of no return. 
   
   
   
  A professor finds a photograph of her deceased mother in a compromising position on the wall of a museum. A twenty-something's lucrative remote work sparks paranoia and bigotry. A transplant to a new city must make a choice about who she trusts when her partner reveals a violent history. The summer after her divorce from an older man, an exiled painter's former friends grapple with rumors that she attempted to pass as a teenager. 
   
   
   
  In this long-awaited debut collection, Kathleen Alcott turns her skills as a stylist on the unfreedoms of American life—as well as the guilt that stalks those who survive them. Emergency roams from European cities to scorched California towns, drug-smeared motel rooms to polished dinner parties, taking taut, surprising portraits of addiction, love, misogyny, and sexual power. Confronting the hidden perils of class ascension, the women in these stories try to pay down the psychic debts of their old lives as they search for a new happiness they can afford.

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  Where We Go When All We Were Is...

  Sequoia Nagamatsu

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  "You should be here; he's simply magnificent." These are the final words a biologist hears before his Margaret Mead-like wife dies at the hands of Godzilla. The words haunt him as he studies the kaiju (Japan's giant monsters) on an island reserve, attempting to understand the beauty his wife saw. "The Return to Monsterland" opens Where We Go When All We Were Is Gone, a collection of twelve fabulist and genre-bending stories inspired by Japanese folklore, historical events, and pop culture. In "Rokurokubi," a man who has the demonic ability to stretch his neck to incredible lengths tries to save a marriage built on secrets. The recently dead find their footing in "The Inn of the Dead's Orientation for Being a Japanese Ghost." In "Girl Zero," a couple navigates the complexities of reviving their deceased daughter via the help of a shapeshifter. And, in the title story, a woman instigates a months-long dancing frenzy in a Tokyo where people don't die but are simply reborn without their memories. Every story in the collection turns to the fantastic, the mysticism of the past, and the absurdities of the future to illuminate the spaces we occupy when we are at our most vulnerable."

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