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  The Camel's Back

  F. Scott Fitzgerald

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  F. Scott Fitzgerald’s “The Camel’s Back” is a sparkling Jazz Age comedy of pride, champagne, misunderstandings, and one extremely unfortunate camel costume. 
  Perry Parkhurst, a perfectly polished young lawyer from Toledo, reaches the end of his rope when a quarrel with his glamorous sweetheart, Betty Medill, leaves him heartbroken and humiliated. In a moment of wounded bravado, he lets himself be swept into an evening of reckless celebration—one that ends with him renting a shabby camel costume for a high-society circus ball. 
  What follows is a cascade of Fitzgerald-perfect chaos: mistaken identities, furious flirtations, a dancing camel, a drunken taxicab driver, and a cotillion gone completely off the rails. And at the heart of it all, a romance dangling between disaster and destiny. 
  Equal parts farce and charm, “The Camel’s Back” showcases Fitzgerald’s gift for sharp social satire, irresistible characters, and the comedic madness of love. Performed with rich personality by Tony J. Martin, this classic short story comes alive with all the wit, warmth, and wild energy of the Roaring Twenties. 
  A romp. A riot. A romance. And yes—there really is a camel.

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  A Warning to the Curious - From...

  M R James

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  Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. 
  James was born on 1st August 1862 at Goodnestone Parsonage in Kent, where his father was Curate but at age 3 the family went to live at Livermere, near Bury St Edmunds in East Anglia.  
  From early childhood he had a passion for mediaeval books and antiques. He was educated initially as a boarder at Temple Grove School in East Sheen, west London, before gaining a scholarship to Eton and thence Cambridge where he gained a double first, becoming a distinguished linguist and mediaevalist.  
  Before the Great War vacations were usually spent touring Europe absorbing cultures and references for his later writing. 
  A man of enormous knowledge it was said he timed his breakfast egg whilst he completed the Times crossword.  
  Many of his elegant yet terrifying tales were created by discarding the prevailing gothic cliches and placing his characters and narrative in a realistic setting.  Thereby the stories gained atmosphere and menace on a grand scale and he was famed as the originator of the antiquarian ghost story. 
  Although story-telling and writing these 30 or so tales was a hobby, when published their effect transformed the genre and still chill the bones in our more modern times. 
  James was also a medievalist scholar and translator whose work remains highly respected. He was also Provost of Eton College between 1918 and 1936. 
  M R James died on 12th June 1936 at Eton in Buckinghamshire.  He was 73.

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  The Riddle of the Sands

  Erskine Childers

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  A classic spy thriller that takes readers on an exhilarating journey along the treacherous North Sea coast of Germany. The story unfolds through the eyes of Carruthers, a young British yachtsman who embarks on a seemingly innocent sailing trip with his friend Davies. However, they soon uncover a sinister plot involving secret naval preparations that could jeopardize British national security. As they navigate foggy waters, shifting tides, and suspicious locals, Carruthers and Davies race against time to unravel the riddle and save their country. Erskine Childers' gripping narrative skillfully combines elements of espionage, adventure, and nautical expertise, making it a pioneer in the genre of spy fiction. 
   
  Erskine Childers was an Irish author, diplomat, and Irish nationalist. Best known for his espionage thriller "The Riddle of the Sands," published in 1903, he gained recognition for his insightful portrayals of political tensions and espionage. Beyond his literary pursuits, Childers played an active role in Irish politics, advocating for Irish independence and serving as a key negotiator during the Irish Treaty negotiations in 1921

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  The Raven

  Edgar Allan Poe

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  This audiobook is narrated by an AI Voice.   
  The Raven, first published in 1845, is Edgar Allan Poe’s most famous and haunting poem. With its hypnotic rhythm, gothic imagery, and refrain of “Nevermore,” it explores grief, obsession, and the descent into madness. The story follows a bereaved narrator who, late one stormy night, is visited by a mysterious raven that seems to echo his deepest despair. Blending the supernatural with psychological torment, Poe creates one of the most iconic works in American literature. This audiobook edition captures the dark atmosphere and lyrical intensity of Poe’s masterpiece, making it a perfect listen for lovers of classic poetry, gothic tales, and timeless literature. 
  Keywords/Tags: gothic poetry, classic literature, American poetry, gothic horror, madness, grief, haunted tales, psychological gothic

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  Les Misérables: Volume 4: The...

  Victor Hugo

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  Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, essayist, playwright, and dramatist of the Romantic movement. During a literary career that spanned more than sixty years, he wrote abundantly in an exceptional variety of genres: lyrics, satires, epics, philosophical poems, epigrams, novels, history, critical essays, political speeches, funeral orations, diaries, and letters public and private, as well as dramas in verse and prose.
  BOOK 9: WHITHER ARE THEY GOING?: That same day, towards four o'clock in the afternoon, Jean Valjean was sitting alone on the back side of one of the most solitary slopes in the Champ-de-Mars. Either from prudence, or from a desire to meditate, or simply in consequence of one of those insensible changes of habit which gradually introduce themselves into the existence of every one, he now rarely went out with Cosette.

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  The Brothers Karamazov

  Fyodor Dostoyevsky

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  The Brothers Karamazov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the "wicked and sentimental" Fyodor Pavlovich Karamazov and his three sons―the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.

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