Other books that might interest you

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  Meet a robot offering care and...

  PBS NewsHour

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  In our NewsHour Shares moment of the day, a Northern Virginia startup is using new technology and a sense of humor to care for the elderly. The NewsHour’s Teresa Carey reports.

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  Bobby Goldsboro

  Wink Martindale

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  Bobby Goldsboro describes the first song he ever wrote with a laugh as “one of the worst you’ve ever heard.” Though those first attempts at songwriting weren’t exactly successful, he went on to enjoy a wildly successful career including the chart-topping hit “Honey,” which sold more than a million copies in the United States.  In the height of his popularity in 1973, Goldsboro sat down with Wink Martindale to discuss his wildly successful career that included 16 top 40 hits on the Billboard Hot 100 chart and 12 on the country chart with singles like “See the Funny Little Clown” and “Summer (The First Time).” He reflects on how his songwriting has changed over the years, what influences him both personally and musically and how he discovered he wanted to be in the music industry.

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  From New York to Nebo - The...

  Martha R. Severens

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  “Art lovers will enjoy reading about and admiring the paintings of this talented regional southern artist.” —Lowcountry Companion 
   
  A product of the industrialized New South, Eugene Healan Thomason (1895–1972) made the obligatory pilgrimage to New York to advance his art education and launch his career. Like so many other aspiring American artists, he understood that the city offered unparalleled personal and professional opportunities—prestigious schools, groundbreaking teachers, and an intoxicating cosmopolitan milieu—for a promising young painter in the early 1920s. The patronage of one of the nation’s most powerful tycoons afforded him entrance to the renowned Art Students League, where he fell under the influence of the leading members of the Ashcan School, including Robert Henri, John Sloan, and George Luks. In all, Thomason spent a decade in the city, adopting—and eventually adapting—the Ashcan movement’s gritty realistic aesthetic into a distinctive regionalist style that utilized thick paint and simple subject matter. 
   
  Eugene Thomason returned to the South in the early 1930s, living first in Charlotte, North Carolina, before settling in a small Appalachian crossroads called Nebo. For the next thirty-plus years, he mined the rural landscape’s rolling terrain and area residents for inspiration, finding there an abundance of colorful imagery more evocative—and more personally resonant—than the urbanism of New York. Painting at the same time as such well known Regionalists as Thomas Hart Benton and Grant Wood, Eugene Thomason embraced and convincingly portrayed his own region, becoming the visual spokesman for that place and its people.

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  My Paddle to the Sea - Eleven...

  John Lane

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  “In an age that values faster and faster travel, Lane’s river memoir affirms the great value of floating and observing.”—Booklist    Three months after a family vacation in Costa Rica ends in tragedy when two fellow rafters die on the flooded Rio Reventazón, John Lane sets out with friends from his own backyard in upcountry South Carolina to calm his nerves and to paddle to the sea. Like Huck Finn, Lane sees a river journey as a portal to change, but unlike Twain’s character, Lane isn’t escaping. He’s getting intimate with the river that flows right past his home in the Spartanburg suburbs. Lane’s three-­hundred-mile float trip takes him down the Broad River and into Lake Marion before continuing down the Santee River. Along the way, Lane recounts local history and spars with streamside literary presences such as Mind of the South author W. J. Cash; Henry Savage, author of the Rivers of America Series volume on the Santee; novelist and Pulitzer Prize–winner Julia Peterkin; early explorer John Lawson; and poet and outdoor writer Archibald Rutledge.   Lane ponders the sites of old cotton mills; abandoned locks, canals, and bridges; ghost towns fallen into decay a century before; Indian mounds; American Revolutionary and Civil War battle sites; nuclear power plants; and boat landings. Along the way he encounters a cast of characters Twain himself would envy—perplexed fishermen, catfish clean­ers, river rats, and a trio of drug-addled drifters on a lonely boat dock a day’s paddle from the sea. By the time Lane and his companions finally approach the ocean about forty miles north of Charleston, they have to fight the tide and set a furious pace. Through it all, paddle stroke by paddle stroke, Lane is reminded why life and rivers have always been wedded together.

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  Geoffrey Giuliano's In...

  Geoffrey Giuliano

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  Ginger Baker is, without question, the foremost drummer of his generation, having formed supergroups Cream and Blind Faith. In the early 1990s Geoffrey Giuliano received a call from Baker asking if he would be interested in writing his autobiography. From there a turbulent yet fruitful relationship ensued between the two. While the book they wrote has yet to be published, here, at last, are the exclusive, in-depth, upfront, and highly personal conversations the two unlikely friends recorded in a Western New York studio all those years ago. Ginger speaks his mind, holding forth on the particulars of his amazing life and work and in so doing reveals something he has always ardently tried to hide - that he is really a lovely, caring, sensitive man. Joined here by his near lifelong musical partner in Cream, bassist, singer, songwriter Jack Bruce, this is the audiobook for everyone interested in the history, art, and cultural significance of the popular music of the 20th century. Here is a once in a lifetime, must have audio event. Perfect for universities and all educational media. Contains adult language and mature themes. Not recommended for children. Produced by Fred Betschen Edited by Macc Kay Project Coordinator Alex FranchiMusic by Audionautix

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  Living in the Woods in a Tree -...

  Sybil Rosen

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  Living in the Woods in a Tree is an intimate glimpse into the turbulent life of Texas music legend Blaze Foley (1949-1989), seen through the eyes of Sybil Rosen, the woman for whom he wrote his most widely known song, "If I Could Only Fly." It captures the exuberance of their fleeting idyll in a tree house in the Georgia woods during the countercultural 1970s. Rosen offers a firsthand witnessing of Foley's transformation from a reticent hippie musician to the enigmatic singer/songwriter who would live and die outside society's rules. In a work that is part-memoir, part-biography, Rosen struggles to finally come to terms with Foley's myth and her role in its creation. Her tracing of his impact on her life navigates a lovers' roadmap along the permeable boundary between life and death. A must-listen for all Blaze Foley and Texas music fans, as well as romantics of all ages, Living in the Woods in a Tree is an honest and compassionate portrait of the troubled artist and his reluctant muse.

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