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  Continuity

  Bess Wohl

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  A sheet of ice sits in the desert of New Mexico. A mad eco-terrorist plants a bomb in order to save humankind. A beleaguered film crew tries to get in one last shot before losing the light. Storytelling and science collide with hilarious and devastating consequences. 
   
  “Continuity” is part of L.A. Theatre Works’ Relativity Series of science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world. 
   
  Recorded at The Invisible Studios, West Hollywood in December 2022. 
   
  Directed by Anna Lyse Erikson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast production starring: 
   
  Johnny Berchtold as Jake and George	 
  Seamus Dever as David Caxton	 
  Sarah Drew as Eve and Nicole 
  Mark Holden as Sound Guy 
  Desireé Mee Jung as First AD 
  Kurt Kanazawa as The PA 
  Stacey Martinez as Second PA 
  Bukola Ogunmola as Dr. Anna Gerber and Lily 
  Devon Sorvari as Second AD and Camera Op Stephen Tobolowsky as Larry 
  Liza Weil as Maria 
   
  Senior Producer: Anna Lyse Erikson 
  Audio Concept Design by Mark Holden  
  Recording Engineer and Editor: Neil Wogenson  
  Sound Design: Mark Holden, David Wilson and Charles Carroll 
  Mixing Engineer: Charles Carroll 
  Prepared for Audio by Mark Holden for The Invisible Studios, West Hollywood 
  Senior Radio Producer: Ronn Lipkin 
  Foley Artist: Jeff Gardner

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  Mini Ducks Songs and Rhymes for...

  Beate Baylie, Karin Schweizer

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  Mit Mini Ducks gelingt der spielerische Einstieg in die englische Sprache für die ganz Kleinen! Ganz einfach eintauchen in die Fremdsprache. Singen und sprechen mit begleitenden Körperbewegungen - so lernen die Kleinen Englisch fast wie Ihre Muttersprache.Lieder und Reime laden die ganz Kleinen ab 0 Monaten in die Welt der Fremdsprache ein. Dieses Programm ist vielseitig einsetzbar - in Spielgruppen, Kursen oder einfach zu Hause. Erspielen sie gemeinsam mit den Kindern die Lieder und Reime.Roly poly, Two little ducks, Dancing little fingers, Clean-up song und viele andere mehr (34 Lieder und Reime).Mit einem Booklet mit dem Songbook mit Liedertexten und Reimen.Lust auf mehr Umsetzungsideen? Passend dazu:978-3938267264 Mini Ducks: Songbook mit 2 Audio-CDs978-3938267592 Mini Ducks: Handbuch für Eltern978-3938267608 Mini Ducks: Parent's Guide

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  The Fashion Lover's Guide to Milan

  Rachel Martin

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  Milan is the European fashion capital with one of the world’s most unique luxury fashion districts where the leaders of some of the most exclusive fashion houses are still living and working today. It’s the Italian city whose skyline has changed more than any, and whose fashion industry has extended to encompass the worlds of design, restaurants, bars, exhibition spaces, hotels and more. Whether you’re looking for designer labels within the city’s luxury fashion district, prefer to browse the city’s boutiques or pick up some quality vintage at the city’s vintage shops and markets, this is the guide that will tell you where to go.  Split into geographical sections along with relevant maps, cultural highlights and suggestions for where to eat and drink, it places Milan as the city of fashion within the context of Italian fashion history and a city, and brings the stories of its people to life. Why did Milan become Italy’s fashion capital? And what does it offer the fashion lover as a city today?

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  Transition 111 - New Narratives...

  Journals IU Press

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  The 111th issue of the magazine of Africa and the Diaspora, featuring fiction, poetry, art, and essays focused on the black world. 
   
  Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. 
   
  In issue 111, Transition focuses on “New Narratives of Haiti.” Guest editors Laurent Dubois and Kaiama L. Glover have invited contributors to think about the world in ways that place Haiti at its center. Thought pieces by Madison Smartt Bell, Jonathan Katz, Gina Athena Ulysse and others, as well as translations of Franketienne, Lyonel Trouillot, and Michel-Rolph Trouillot, dispel trenchant cliches that have long plagued representations of Haiti in literature and scholarship. This issue also includes Jamaica Kincaid’s poignant memories of a brother lost to AIDS, and a scholar’s chance discovery of cultural (and genealogical?) links between Cuba and Sierra Leone. Exceptional poetry, fiction, and review essays also take us beyond Haiti to San Francisco, Rio de Janeiro, Nairobi, and Renaissance Europe.

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  Reawakening the Spirituality of Men

  Ph.D. Matthew Fox

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  Matthew Fox, Ph.D. has had his finger on the pulse of Western Spirituality for decades. When he casts his keen eye on the state of spirituality among men in the twenty-first century, you can be sure he’ll discern the unspoken woundedness, yearning, and passion of the modern warrior.

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  The Flatlanders - Now It's Now...

  John T. Davis

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  “Conservative West Texas spawns radical creativity and lifelong bonds of friendship in this story of an unlikely band” from the renowned music journalist (Kirkus Reviews).   A group of three friends who made music in a house in Lubbock, Texas, recorded an album that wasn’t released and went their separate ways into solo careers. That group became a legend and then—twenty years later—a band. The Flatlanders—Joe Ely, Jimmie Dale Gilmore, and Butch Hancock—are icons in American music, with songs blending country, folk, and rock that have influenced a long list of performers, including Robert Earl Keen, the Cowboy Junkies, Ryan Bingham, Terry Allen, John Hiatt, Hayes Carll, Lucinda Williams, Steve Earle, and Lyle Lovett.   In The Flatlanders: Now It’s Now Again, Austin author and music journalist John T. Davis traces the band’s musical journey. He explores why music was, and is, so important in Lubbock and how earlier West Texas musicians such as Buddy Holly and Roy Orbison, as well as a touring Elvis Presley, inspired the young Ely, Gilmore, and Hancock. Davis recounts their first year (1972–1973) as a band, during which they recorded the songs that, decades later, were released as the albums More a Legend Than a Band and The Odessa Tapes. He follows the three musicians through their solo careers and into their first decade as a (re)united band, in which they cowrote songs for the first time on the albums Now Again and Hills and Valleys and recovered their extraordinary original demo tape, lost for forty years. Many roads later, the Flatlanders are finally both a legend and a band.

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