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  Nobel Prize The: Ten Winners - A...

  W B Yeats

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  Being acknowledged for what you do is always very welcome.   When it comes to Oscar’s, Emmy’s, Pulitzer’s and Nobel’s it’s also international news and for many, the pinnacle of their career. 
   
  The Nobel Prize is much lauded and very difficult to secure.  In this volume we list ten of its winners over the decades who were famed for their literature.  The prize is given with an emphasis on its contribution to literature and its influence in the world and for the individual, more usually, for the body of work created. 
   
  So, whilst none of the stories in this volume were winners in their own right, their authors most certainly were.  They perfectly illustrate both the nature and mastery of the writing and the power and the purpose set within its storied prose. 
   
  1 - The Nobel Prize - Ten Winners - An Introduction 
  2 - The Father by Bjornstjerne Bjornson 
  3 - The Phantom Rickshaw by Rudyard Kipling 
  4 - The Victory by Rabindranath Tagore 
  5 - An Arch Rascal by Knut Hamsun 
  6 - The Daughter of Lilith by Anatole France 
  7 - Dhoya by W B Yeats 
  8 - Speed by Sinclair Lewis 
  9 - The Salvation of a Forsythe - Part 1 by John Galsworthy 
  10 - The Salvation of a Forsythe - Part 2 by John Galsworthy 
  11 - Son by Ivan Bunin 
  12 - Sicilian Limes by Luigi Pirandello

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  The Last Lion - A tale of change...

  Vicente Blasco Ibáñez

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  Vicente Blasco Ibáñez was born in Valencia, Spain on 29th January 1867.  
   
  At university, he studied law and graduated in 1888 but never felt the urgency to practice - he was more interested in politics, journalism, literature and women.   
   
  Politically he was a militant Republican partisan and, in his youth, founded a newspaper, El Pueblo (The People). The newspaper was taken to court many times and he made many enemies. In one incident he was shot and almost killed. In 1896, Ibáñez was arrested and sentenced to a few months in prison. 
   
  Despite this colourful background he found time to write novels. His first published work was ‘La Araña Negra’ (The Black Spider) in 1892, a work that he later repudiated although at the time it was a useful vehicle for him to express his anti-clerical views. 
   
  In 1894, he published ‘Arroz y Tartana’ (Airs and Graces), about a late 19th Century widow in Valencia trying to keep up appearances in order to marry her daughters well.   
   
  Ibáñez’s next sequence of books studied rural life in the farmlands of Valencia and failed to gain much of an audience.   
   
  His writing now took on a new direction with its now familiar sensational and melodramatic themes in 1908 with ‘Sangre y Arena’ (Blood and Sand), which follows the career of Juan Gallardo from his poor beginnings as a child in Seville, to his rise to becoming a famous matador in Madrid 
   
  However, his greatest success was ‘Los Cuatro Jinetes del Apocalipsis (The Four Horsemen of the Apocalypse) in 1916, which tells a tangled tale of the French and German sons-in-law of an Argentinian land-owner who find themselves fighting on opposite sides in the First World War.  It was a literary and commercial sensation and became the best-selling book of 1919.  It also propelled Rudolph Valentino to stardom in the 1921 film. 
   
  Ironically his fame in the English-speaking world has come not as a novelist but as the stories behind some of Hollywood’s greatest silent movies. 
   
  Vicente Blasco Ibáñez died in Menton, France on January 28th, 1928, the day before his 61st birthday.

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  Satan's Circus - An evil couple...

  Lady Eleanor Smith

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  Lady Eleanor Furneaux Smith was born in Birkenhead, Merseyside in England on the 7th August 1902 into a privileged family steeped in titles and politics. 
   
  Part of her education was at Miss Douglas's school at Queen's Gate.  Here she met and befriended several other young women that the British tabloid press would later call the ‘Bright Young Things’, a group of bohemian young aristocrats and socialites in 1920s London. 
   
  Smith's paternal great-grandmother, was said to have been a Gypsy, and this sparked an early and life-long interest with the Romani people, she even went so far as to learn to read and speak the language, which she called ‘musical and broken.’ 
   
  Her life was full of adventure and mishaps.  A mistaken encounter with a man she thought could help her into the film business turned out to threats of marriage and death from a man wanted for the murder of his father.  She was even arrested twice.  Once for listing her career as a journalist and another, in Rome, for walking around in a sleeveless dress. 
   
  Smith began her career writing society gossip columns for various newspapers but later received an offer to write for the newly-formed Great Carmo Circus, with which she travelled for several years and was the source material for many of her books. 
   
  Her first novel, ‘Red Wagon’, was published when she was 28 and it was an immediate bestseller.  A prolific writer several of her works were also adapted for films. 
   
  Smith also wrote ghost stories and others flavoured with evil.  Her support for the Conservative party may be forgiven but her attributed quote to be a ‘warm adherent of General Franco’ less so. 
   
  Lady Eleanor Furneaux Smith died on the 20th October 1945 in Westminster after a long illness. She was 43.

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  The Hidden Force

  Louis Couperus

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  In the lush, oppressive heat of colonial Java, nothing is as it seems. Behind the polished rituals of Dutch colonial life, a quiet unraveling begins. Governor Van Oudijck believes in order, reason, and control. But something else, something older and more powerful, is working against him. 
  As social tensions rise and his family begins to fall apart, Van Oudijck finds himself at odds not just with those around him, but with an unseen force that defies explanation. 
  The Hidden Force is a sharp, unsettling novel about power, pride, and the invisible threads that shape a crumbling empire. Written in 1900, this haunting story explores the clash between Western arrogance and the spiritual reality of the East. 
  For readers who appreciate layered literary fiction, political undercurrents, and psychological suspense set in colonial environments.

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  Free

  Meg Keneally

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  'It is a harsh land - yes, for you especially - but people can also rise here ...' Born into poverty in eighteenth-century England, her future was predetermined. But throughout her life Molly Thistle refused to follow the path laid out before her. Her headstrong nature, disdain for convention and desire for freedom were always destined to determine her fate. Following her involvement in a fatal childhood prank, Molly dresses as a boy and flees on a stolen horse. Her new-found freedom ends with her arrest and an uncertain journey towards Britain's farthest prison colony. Undaunted, Molly navigates her way through a society that denies power to her sex and scorns those who have not 'arrived free'. Her quick wit, resilience and ambition will attract the love of her life and the opportunity to forge a commercial empire. And those very same characteristics will create enemies intent on destroying all that she has battled to build for herself and her family. Inspired by historical figures and actual events, Free shines a light on the indomitable figure who first made her appearance in The Wreck. In a story told with warmth and compassion for those who struggled, survived and sometimes even prevailed - and for those who did not - Meg Keneally once again brings the complexity and brutality of colonial Australia vividly to life.

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  3 Sad Stories - About Being...

  Leonid Andreyev, O Henry,...

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  There is something about the number 3.    
   
  The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.   
   
  Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois.  It seems good things usually come in threes. 
   
  Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. 
   
  From their pens to your your ears.

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