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  The Last Romantic - C S Lewis...

  Jeffrey W. Barbeau

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  Credo Book Award Winner – Natural Theology
  "There are so many books on Lewis that are simply a rehash of existing knowledge; by contrast, this is a work of fresh, detailed, illuminating scholarship. ... Barbeau's use of Lewis's personal annotations in the books in the Marion E. Wade Collection is a revelation and makes this book a permanent and important contribution to the study of Lewis's thought." – Malcolm Guite, Girton College, Cambridge
  Three Essays on C. S. Lewis and Romanticism
  Many readers have heard C. S. Lewis's logical arguments for the Christian faith. Yet throughout his wide-ranging study and writing, Lewis often began with experience, intuition, and religious feeling rather than dogmatic assertions. The most profound questions of Lewis's own life, argues theologian and literary critic Jeffrey Barbeau, can be seen in his quest to understand the relationship between personal experience and the truth about the world around him.
  In a series of three essays, Barbeau explores the influence of nineteenth-century Romanticism on the writings of C. S. Lewis. Barbeau demonstrates Lewis's indebtedness to Romantic notions of imagination and subjectivity, opens new contexts for understanding ideas about memory and personal identity in his autobiographical writings, and explores beliefs about nature and Christian sacraments throughout his writings on Christian faith. This theological and literary investigation reveals Lewis as a profoundly modern thinker and illuminates his ongoing relevance to contemporary debates about theology and culture.
  Drawing on extensive reading of the marginalia in the personal library of C. S. Lewis held by the Marion E. Wade Center, Barbeau offers a fresh understanding of the influence of modern theology and Romantic poetry, especially Wordsworth and Coleridge, on many of Lewis's most beloved works. Essays and responses include:
  
  - C. S. Lewis and the "Romantic Heresy," with response from professor Sarah Borden,
  - C. S. Lewis and the Anxiety of Memory, with response from professor Matthew Lundin, and
  - C. S. Lewis and the Sacramental Imagination, with response from professor Keith L. Johnson.
  
  About the Series
  The Hansen Series celebrates the literary and spiritual contributions of seven British authors whose works have captivated readers across generations: Owen Barfield, G. K. Chesterton, C. S. Lewis, George MacDonald, Dorothy L. Sayers, J. R. R. Tolkien, and Charles Williams. These seven authors were all deeply involved in the friendships and intellectual exchanges that shaped the Inklings, a mid-twentieth-century group of Christian writers and thinkers in Oxford, England. This series invites readers to deepen their engagement with these timeless voices and their enduring influence on literature, faith, and the life of the imagination.

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  Critias - The Lost Story of...

  Plato, Tim Zengerink

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  What if the lost world of Atlantis was more than just a legend—what if it was a prophecy? 
  In Critias, Plato recounts the rise and fall of Atlantis—an empire of incredible wealth and power that crumbled due to its own moral failure. Though only a fragment remains, its impact is enduring. 
  What you'll discover inside: 
  •	The Myth of Atlantis – One of the earliest and most powerful visions of a lost civilization. 
  •	A Moral and Political Allegory – A deep reflection on the perils of corruption and unchecked ambition. 
  •	Philosophical and Historical Significance – An essential part of Plato’s political thought and a foundational myth of Western culture. 
  •	A Timeless Warning – Relevant to any age facing questions of leadership, balance, and societal decay. 
  •	Critias is more than a myth—it’s a haunting vision of what we stand to lose when wisdom is cast aside for power. 
  Start listening today and unlock the secrets of Atlantis.

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  Nature

  Ralph Waldo Emerson

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  Emerson's Nature is not just an essay—it's a rebellion against confinement, an argument against secondhand wisdom. He strips away artifice, forcing us to confront the raw, untamed presence of the world. To walk through the woods, he suggests, is to be undressed of civilization, to shed the weight of customs, history, and ego. Nature demands no commentary, no theory—it simply is.
  This is not the sentimental nature of poets, nor the docile landscape of painters. Emerson's nature is unsettling, absolute. It dwarfs human concerns, shames our institutions, and reduces grandeur to irrelevance. It teaches, but never speaks. It heals, but never consoles. It is, above all, free—and it mocks those who try to own or define it.
  He challenges us: why do we live in exile from the elemental? Why do we build palaces only to stare longingly at the horizon? The stars, the trees, the shifting light—they whisper something we've forgotten. To listen is not just to understand nature, but to remember who we were before we forgot to look.

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  The Stoic Path - The Golden Sayings

  Epictetus

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  This program is read by an AI-based synthesized voice.Potent wisdom from the one of the greatest Stoic philosophers  The Stoic Path is your essential guide to a better life. Countless leaders, athletes, and thinkers have been shaped by the tenants of Stoicism, with its rational acceptance of the present moment and uncompromising insistence on virtue. The principles that form the backbone of Stoic thought are timeless—offering a refreshingly honest clarity to the complexity of modern life.The Stoic Path is a collection of the wisdom of Epictetus, one of the greatest Stoic philosophers of antiquity. Hastings Crossley translated the original text from Greek and compiled Epictetus’s most potent wisdom to create an accessible, compelling distillation of stoic thought. Originally published as The Golden Sayings of Epictetus, this new edition has been redesigned to appeal to modern audiences while maintaining the authenticity of the original translation.A Macmillan Audio production from St. Martin's Press Essentials.

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  From Ancient Arenas to Digital...

  P Agrawal

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  This audiobook is narrated by an AI Voice.   
  From Ancient Arenas to Digital Fields: The Evolution of Sports Through the Ages is a sweeping journey through the history of human competition, play, and physical expression. Tracing the path of sport from its ritualistic beginnings in early human societies to the dazzling world of esports today, this book explores how games have always been more than just recreation. They have been windows into culture, identity, politics, and the human spirit itself. 
  The story begins in the ancient world, where contests were rituals intertwined with spiritual life, survival skills, and community celebrations. The Greeks carried this vision further with the Olympics, merging athletic excellence with ideals of harmony, discipline, and divine honor. Rome added grandeur and spectacle, transforming sport into a mass performance staged in colossal arenas, where gladiators, charioteers, and emperors used entertainment as a tool for both unity and political power. 
  Moving into the Middle Ages, the book explores the martial sports of knights, jousts, and chivalry, alongside the rough folk games played in village squares. These events reveal how sport both reflected and shaped social order, from feudal loyalties down to peasant celebrations. The Renaissance and early modern eras introduced rules, codifications, and the beginnings of clubs that would transform chaotic pastimes into recognizable sports, laying the foundation for modern professionalism. 
  The Age of Empires and colonial expansion carried games across borders, introducing cricket, football, and polo to far-flung corners of the world, where they often became symbols of both imperial power and subtle resistance. By the nineteenth century, professionalism took root—clubs, leagues, and international teams turned sport into an institution that began to dominate cultural and national identities.

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  The Prince

  Niccolò Machiavelli

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  The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by the Italian diplomat, philosopher, and political theorist Niccolò Machiavelli in the form of a realistic instruction guide for new princes. As a remarkable general theme, The Prince appears to take it for granted that immoral acts are justified if they can help achieve political glory. 
  From Machiavelli's correspondence, a version was apparently being written in 1513, using a Latin title, De Principatibus (Of Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was carried out with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings". 
  Although The Prince was written as if it were a traditional work in the mirrors for princes style, it was generally agreed as being especially innovative. This is partly because it was written in the vernacular Italian rather than Latin, a practice that had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature.  Machiavelli illustrates his reasoning using remarkable comparisons of classical, biblical, and medieval events, including many seemingly positive references to the murderous career of Cesare Borgia, which occurred during Machiavelli's own diplomatic career.

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