Weitere Bücher, die Sie mögen werden

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  American Legends: The Life of...

  Editors Charles River

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  In the early 20th century, Westerns were one of the most popular genres in Hollywood, and one of the young stars at the forefront was Roy Rogers, who had come from an Ohio farm to transform himself into a cowboy. Regardless of his background, Rogers certainly looked the part of the quintessential cowboy, along with his wife Dale Evans and his horse Trigger. His versatile singing and acting abilities made him successful both on radio and on the screen. 
  Rogers came of age at a time when the “singing cowboy” was at the apex of his popularity, and that was favorable because he actually got his start in show business as a singer. In the early ‘30s, he bounced around several groups as a country music singer before earning national attention as a member of the Sons of the Pioneers, who were signed to Decca and had a couple of hits. As a result, when he first appeared in movies in 1935, it was usually in bit roles that required singing, but when Gene Autry threatened to quit acting in 1938, Rogers was viewed as a suitable replacement for lead roles. As it turned out, he became the premiere “singing cowboy” in Autry’s stead, and from 1939-1954, he was one of the Top 10 Western stars in Hollywood, and a Top 10 movie star overall during some of those years. 
  As Rogers evolved into the “King of the Cowboys”, he became a pop culture icon, and he was shrewd enough to capitalize on his image. All sorts of Roy Rogers merchandise hit stores, from action figures to comic strips, and Rogers even banked on the popularity of his horse Trigger by featuring him enough to make the horse a household name as well. Even today, people can find the name Roy Rogers all over the place, if only because he eventually had his name lent to a popular fast food chain in later years.

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  I'll Be in My Trailer - The...

  John Badham, Craig Modderno

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  What do you do when actors won't do what you tell them to? Remembering his own awkwardness and terror as a beginning director working with actors who always had their own ideas, director John Badham has a bookload of knowledge to pass along in this inspired and insightful must-listen for cinema fans as well as actors and directors at all levels of their craft. You'll learn how to use proven techniques to get actors to give their best performances—including the ten best and ten worst things to say—and what you can do when an actor won't or can't do what the director wants. Also included are no-holds-barred out-of-school tales culled from celebrated top directors and actors, including Sydney Pollack, Michael Mann, John Frankenheimer, Mel Gibson, James Woods, Anne Bancroft, Jenna Elfman, and Roger Corman.

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  Forgive the Bride - A Parody of...

  Dr. Stanley Quincy Upjohn

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  What if the most important story in the Kill Bill universe was never told? At just four years old, Nikki Belle witnessed her mother, Copperhead, killed by The Bride. Decades later, the child left in the kitchen returns as a woman carrying trauma, questions, and the weight of legacy. This is not another revenge tale—it is the emotional, psychological, and spiritual finale to the Kill Bill saga. 
  Forgive The Bride delivers intense martial arts tension, deep character exploration, and a bold shift from vengeance to redemption. Featuring cinematic narration and powerful dialogue, this audiobook feels like a movie in your mind. Fans of Tarantino, strong female leads, psychological thrillers, and character-driven action will experience a continuation worthy of the original films. 
  This is the story of Nikki Belle. 
  This is the end of the cycle. 
  This is the final chapter—where vengeance meets forgiveness. 
  Step into the sequel the films never gave you.

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  Actor's Guide To Boston-Accented...

  Oscar Stanley

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  Master the iconic Boston accent with this immersive audiobook guide! Dive into the rich linguistic heritage of New England’s most distinctive dialect, from the famous R-dropping ("pahk the cah") to the Broad-A phenomenon ("dahnce," "bahth"). Perfect for actors, voice artists, or language enthusiasts, this resource breaks down the accent’s nuances, including the Irish influence, vowel centralization, and neighborhood variations like the North End’s melodic lilt or Southie’s gritty edge.
   
  
   
  Learn through targeted drills—practice intrusive Rs ("vanilla-r-ice"), consonant cluster reductions ("coass" for coasts), and local slang like "wicked," "bubblah," and "frappe." Study real-world examples from classic films (Good Will Hunting, The Departed) to refine your cadence. Whether you’re prepping for a role, mastering dialects, or just love Boston’s cultural vibe, this guide delivers authentic pronunciation, historical context, and practical exercises to sound like a true local.
   
  
   
  Ideal for actors, linguists, and travelers, it’s your key to unlocking one of America’s most recognizable accents. Listen, repeat, and perfect the rhythm of Boston speech—from Harvard Yard to Dorchester—with expert guidance. Start speaking like a Beantown native today!

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  The Renaissance - Studies in Art...

  Walter Pater

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  Published to great acclaim in 1873, Walter Pater's compendium of idiosyncratic, impressionistic essays on the Renaissance gained him a reputation as a daring modern philosopher. Oscar Wilde called it the "holy writ of beauty." It was Pater's cry of "art for art's sake" that became the manifesto for the aesthetic movement. He believed that art should be sensual and that beauty should rank as the highest ideal. Marked by elegant fluency, Pater's essays discuss Botticelli, Michelangelo, Leonardo da Vinci, and other artists who, for him, embodied the spirit of the Renaissance. Pater's work survives to this day as one of the best pieces of cultural criticism to emerge from the nineteenth century. 
  This collection is criticism as beautiful as the art it considers.

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  The Afterburn of Dreams - Spoken...

  Ashley Capes

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  Spoken word poetry from Australian poet Ashley Capes - commissioned and recorded during the early stages of the pandemic. Poems are drawn from Ashley's collections, released in various forms over the last 15 or so years. 
  Words, voice - Ashley Capes 
  Piano - Sean Foran 
  Drums - John Parker 
  Acoustic Bass - Samuel Vincent 
  I find myself deeply indebted to everyone who helped, from offering moral or studio support, and of course, the musicians who helped and inspired me, thank you! 
  Ashley

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