Publisher: The Poetry Business
Notes on Water is made up of two compelling and very moving poems, which speak to each other and to the heart of the reader. They are the work of a remarkable poet, writing in the darkest of times with urgency and grace. Presented in tête-bêche style with black and white photographs. A version of the text was broadcast on BBC Radio 3 in March 2022.
Aristotle's Poetics (Greek: Περὶ ποιητικῆς; Latin: De Poetica) is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry" (a term that derives from a classical Greek term, ποιητής, that means "poet; author; maker" and in this context includes verse drama – comedy, tragedy, and the satyr play – as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: Differences in music rhythm, harmony, meter and melody. Difference of goodness in the characters.Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles", Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions". The work was lost to the Western world for a long time. It was available in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes.Aristotle's work on aesthetics consists of the Poetics, Politics and Rhetoric. The Poetics is specifically concerned with drama. At some point, Aristotle's original work was divided in two, each "book" written on a separate roll of papyrus.Show book
Elizabeth Bishop's hawkweed, John Berryman's hummingbirds, Ted Hughes's burnt fox – the birds, beasts and flowers of Isobel Dixon's new collection are at times kin to D.H. Lawrence, whose essay 'Whistling of Birds' lends this book its name, though each poem here is its own vivid testament to the natural world, and our often troubled and troubling place in it. Lyrical, vigorous, inventive, A Whistling of Birds is at times in conversation with Lawrence's iconic collection, Birds, Beasts and Flowers, but also ranges widely through the worlds of other writers and makers – from the Venerable Bede to Emily Dickinson, Georgia O'Keeffe to Glenn Gould, and a wealth of other connections closely examined and delicately drawn. With its resonant elegies and notes of celebration, this is a collection that flexes, hums and brims with energy, yet surely draws you in to its quiet, reflective heart.Show book
Ritchie discovers and obstructs truths, like the difficulty of being at the bar and being a lilac bush simultaneously. I bought tear-resistant pants just in case I'm not a good guy underneath it all, being honest in discreet doses to underpaid retail employees. With an alternating sense of wonder and detachment, Jay Ritchie's first full-length collection of poetry grapples with death, disappointment, love, emails - the large and small subjects of daily life. His unflagging sense of humour and aphoristic delivery create a work that is personable yet elevated, witty, and honest.Show book
DescriptionParis, 1955. Isabelle Duval paints the city’s soul onto canvas, her quiet life upended when Pierre Moreau—a brash artist with Marseille salt in his veins—walks into her world. Together, they build a gallery of dreams, only to find their love tested by a shadowy patron whose obsession with art hides a deadly secret. As Franco’s regime bleeds into Barcelona, a fiery Spanish painter, Sofia Márquez, seeks refuge in their gallery, her crimson-stained canvases exposing a past she can’t escape. But when a forged portrait implicates Sofia in fascist atrocities, Isabelle and Pierre must choose: protect their friend or salvage their crumbling legacy. From the ashes of a burned mural to the glittering lies of Paris’ elite, their journey crescendos in a deadly game of truth and betrayal. Perfect for fans of The Nightingale and The Paris Wife, The Art of Us is a sweeping saga of love, sacrifice, and the unbreakable bond between art and resistance. Can a masterpiece outlive its maker—or will the serpent of greed devour them all?Show book
Poetry Ireland Introductions / Céadlínte 2025 offers poets in the early stages of their careers the opportunity to showcase their work through workshops, an e-publication and performance. This year's poets were selected by adjudicators Jessica Traynor and Aifric Mac Aodha in partnership with Poetry Ireland, the national poetry organisation. For the anthology, each poet has provided a pair of poems and a short, personal prose piece exploring topics from shifting childhood memory to ADHD, and other transformative reflections, establishing a dynamic collection of work.Show book
Loneliness, temptation, the fragility of man in a soulless new age . . . The controversial, banned masterpiece from the nineteenth-century French poet. Sparking scandal in France, declared “an outrage to public morals” and “an offense to religious morals” by the Ministry of the Interior, The Flowers of Evil plunged Charles Baudelaire into a controversy that his public image never quite overcame. Nevertheless, the collection has since been lauded as a landmark in literary history and its writer extolled as the first modern poet. With themes of love, world-weariness, beauty, and death, The Flowers of Evil juxtaposes the sublime with the commonplace. In the section titled “Parisian Scenes” are some of Baudelaire’s greatest poems—“The Swan,” “The Little Old Women,” and “The Seven Old Men”—which give readers an unsentimental view of the City of Light and of a bleak urban existence. As the Wall Street Journal proclaimed, “There is a sense in these angry, eructating late fragments of a man fully releasing himself to what he called ‘the joy of downward descent.’ And where Baudelaire went, modernity tended to follow.” “The essence of a genius.” —The Guardian “The profound originality of Charles Baudelaire is to represent powerfully and essentially modern man.” —Paul VerlaineShow book
