Other books that might interest you

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  Violent Mind

  Joseph Asphahani

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  Maxan, a young fox, serves his city as a spy, scout, and informant. His function is to observe and report on the enemies of his city; however, Maxan defies his orders to stop an enemy from committing an unspeakable evil. He is now tied to a weapon of immeasurable power, capable of driving every animal into a mad killing frenzy. 
  Desperate for answers, Maxan is drawn into an eternal war between the Monitors — an ancient and dwindling order that has pledged to safeguard the long dormant artifacts hidden deep below and far above their world — and The Mind, the cult that seeks to use such devices to control the world. 
  Immune to the weapon that he now holds, Maxan must use it uncover the secrets of his world and find a better path for all animalkind. Will that path reveal him to be a puppet, a puppeteer, or perhaps something perhaps more…

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  Oswald Is Innocent - Mark Lane's...

  Geoffrey Giuliano

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  In the turbulent aftermath of President John F. Kennedy's assassination on November 22, 1963, a maelstrom of theories and speculations emerged to unravel the enigma surrounding the tragic event. Amidst the cacophony of voices, Mark Lane emerged as a distinct figure, a staunch advocate for a meticulous investigation into the circumstances surrounding the murder and, more importantly, the accused assassin, Lee Harvey Oswald. 
   
  Mark Lane, an attorney by profession, stepped into the spotlight with his fervent belief that the official narrative of Oswald acting alone in assassinating President Kennedy was not only flawed but perhaps deliberately misleading. Lane embarked on a relentless quest for truth, armed with skepticism and an unwavering commitment to uncovering the intricacies of the case. In his investigation, Lane meticulously dissected the evidence presented by the Warren Commission, the body tasked with examining the assassination. He scrutinized witness testimonies, ballistic reports, and the timeline of events leading up to that fateful day in Dallas. Lane's scrutiny revealed discrepancies and inconsistencies that fueled his suspicions and raised questions about the veracity of the official narrative. 
  One of Lane's primary contentions revolved around the "magic bullet" theory, a cornerstone of the Warren Commission's findings. He argued that the trajectory of the alleged single bullet, which purportedly caused multiple wounds to both President Kennedy and Texas Governor John Connally, was implausible. Lane's dissent echoed the sentiments of many skeptics who found it difficult to accept the official explanation of a lone gunman. 
   
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  Sweet Devil

  Becker Gray

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  People like to say the devil made them do it. And they would be right. I can bend anyone to my will. After all, I am the devil of Pembroke Prep. Only one person dares defy me. The one person I've ever wanted to be an angel for. But she despises me almost as much as I crave her. Serafina van Doren is the one temptation I can't indulge, not with the secrets that I keep. But with the clock running out maybe it's time to tempt her to the dark side. 
   
   
   
  Contains mature themes.

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  The Clarks Of Northshire Bend –...

  Stephanie Nicole Norris

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  They’re an affluent Black family residing in the city of Chicago. Three brothers—a CIA agent, A FBI agent, and a Homeland Security Officer. 
  Love, mystery, and intrigue surround them. Get a look inside this romantic suspense series, their family unit, and the women they crave.

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  The Watchmaker of Lost Choices

  Eleanor Voss

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  Description：
  In the dimly lit corners of Pemberton's Antiquities, Martin has spent 23 years guarding a secret: a locked cabinet holding three relics with the power to rewrite fate. When a mysterious woman arrives 13 minutes before closing—his shop's final visitor of the night—she forces him to unlock the cabinet and claim the one object he can't ignore: a cracked pocket watch that reveals the roads he never took.
  As the watch unravels alternate timelines, Martin sees the life he could have had: a present where he chose his daughter Sarah over the shop, where he walked her down the aisle, and where he awaits the birth of his granddaughter Martina. Haunted by the love and joy he sacrificed for dust and regret, Martin faces a choice no clock can make for him: cling to the past, or seize the last chance to rewrite his future with Sarah—and meet the little girl who could make every lost moment worth redeeming. A haunting, tender story of family, regret, and the courage to choose hope over despair.

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  The Witchcraft Of Ulua

  Clark Ashton Smith

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  The Witchcraft Of Ulua - Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz 
  Clark Ashton Smith (January 13, 1893 – August 14, 1961) was an American writer and artist. He achieved early local recognition, largely through the enthusiasm of George Sterling, for traditional verse in the vein of Swinburne. As a poet, Smith is grouped with the West Coast Romantics alongside Joaquin Miller, Sterling, and Nora May French and remembered as "The Last of the Great Romantics" and "The Bard of Auburn". Smith's work was praised by his contemporaries. H. P. Lovecraft stated that "in sheer daemonic strangeness and fertility of conception, Clark Ashton Smith is perhaps unexcelled", and Ray Bradbury said that Smith "filled my mind with incredible worlds, impossibly beautiful cities, and still more fantastic creatures". 
  Smith was one of "the big three of Weird Tales, with Robert E. Howard and H. P. Lovecraft", though some readers objected to his morbidness and violation of pulp traditions. The fantasy writer and critic L. Sprague de Camp said of him that "nobody since Poe has so loved a well-rotted corpse".[3] Smith was a member of the Lovecraft circle, and his literary friendship with Lovecraft lasted from 1922 until Lovecraft's death in 1937. His work is marked by an extraordinarily rich and ornate vocabulary, a cosmic perspective and a vein of sardonic and sometimes ribald humor. 
  Of his writing style, Smith stated: "My own conscious ideal has been to delude the reader into accepting an impossibility, or series of impossibilities, by means of a sort of verbal black magic, in the achievement of which I make use of prose-rhythm, metaphor, simile, tone-color, counter-point, and other stylistic resources, like a sort of incantation."

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