Editorial: e-artnow
In Memoriam A.H.H. is a poem by Alfred Tennyson. The original title of the poem was "The Way of the Soul", in memory the poet's beloved friend Arthur Henry Hallam.
Many times in life we cannot see what is in our future, or what is coming down the road. In those moments, we have to walk by faith, not by sight. Being blind, Debby has had many of those experiences, as a parent, counselor, grandparent and someone who simply loves life. Her faith in a God who loves us shifts that frightening scenario into one of confidence and peace. In this book, through stories and poetry, she describes some of those moments where she has walked by faith, not by sight, both spiritually and literally. Chapter 1 is about a water slide. "In reflecting on that experience, I at first thought that I perhaps should have asked more questions. Perhaps I should have known that it was three stories up with lots of curves and bumps. But maybe not. If I had known all that, I might would have opted out. And just think of all the fun I would have missed." Debby (Zook) Green was born in Central Pennsylvania into a Mennonite pastor's family, one of five children. With normal sight at birth, she gradually lost her vision and by the age of 20, had only light perception. That did not stop her from completing college and having a career in counseling, first as a rehabilitation counselor with the state of Kentucky and then as a Licensed Professional Clinical Counselor. She was married and has a daughter and two grandsons. Stories about those early years of sight loss can be found in a previously published book, Debby. Currently, she resides in Elizabethtown, Kentucky where she is active in her church, Calvary Assembly of God. She provides counseling services through her private practice, Transformation Christian Counseling and makes frequent trips to Tennessee to hang out with her grandsons.Ver libro
Every night during a year spent in lockdown, Dermot Bolger set out on long walks through deserted streets, armed only with a pen and paper. Bolger follows in the footsteps of the great Portuguese poet, Fernando Pessoa, using walks through his native city to allow his imagination free rein to revisit pivotal moments in his own life and speculatively meditate on the lives of others in a series of remarkable poems. The book starts with his parents honeymooning in a wartime Wicklow orchard and ends, eight decades later, as the poet dances with his partner in a Wicklow field. In between we encounter Nuala O'Faolain on a bicycle on Brooklyn Bridge; Grace Gifford Plunkett, defiant in her lonely final years; Herbert Simms, Dublin's brilliant, tragically overworked housing architect; and Patricia Lynch, writing The Turf-Cutter's Donkey in one room while her husband wrote communist tracts in the next. Interlaced with such real lives are imagined ones – a hardened criminal detailing prison life in haikus, a doppelganger exploring alternative pasts for the author. Taken together, these poems chart a dazzling constellation of experiences.Ver libro
"All fire and surprise, sadness and forgiveness...I could never say enough about the beauty of this work." —Jericho Brown "Cameron's poems are wonderfully full, energetic, and ardent." —Vijay Seshadri "McGill skillfully navigates the mysteries of relationship, memory, and regret as the best poets do." —Dorianne Laux "It’s been a long time since I have heard the 'god of small thunder' echo so powerfully in a collection." —Campbell McGrath Cameron McGill’s debut collection of poetry, In the Night Field, spotlights the effects of memory: its startling artistry, varied discontents, and casual fallibility. These poems chart the complex relationship between mental health and place; the difficult paths home can be lonely and circuitous, the emotional coordinates we map along the way a reminder of those intimate regions that hold and haunt us. These can be isolating passages, but are just as often fertile: “I walk further each day toward the strange / austerity my heart makes of reason.” Between the attentive, persistent self and the longed-for, absent other arises a fragmented conversation, an exchange that’s in a constant state of arrival. As McGill shows us, memories are a corrective, carrying back to us occasions for instruction, reconciliation, or in those astonishing flashes of clarity, what again hopes to be loved.Ver libro
The language of Poetry is an art that most of us attempt at some point in our lives. Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. In this volume we explore those poets and their poetry who began what many have cited as the beginning of the modern age with new thinking and the loosening of old strictures. Their journey begins.Ver libro
Ronald E. Hignite demonstrates in A Time to Live and a Time to Die his poetic skills and gives greater understanding and meaning to God's seasons for man as revealed by Solomon in the Book of Ecclesiastes. Listeners will be inspired by the manner in which Hignite presents the contrasts of the ever-changing seasons of man in poetry and rhyme. Ronald E. Hignite was born in North Carolina and grew up in Connersville, Indiana. He returned to North Carolina with his family after high school and attended East Carolina University in Greenville, NC. There he earned both his undergraduate and graduate degrees. Following college, he taught English at Fork Union Military Academy in Fork Union, VA. After two years in Fork Union, he moved back to northeastern North Carolina where he spent most of his educational career in the towns of Washington, Camden, Murfreesboro, and Ahoskie. His interest in writing poetry was sparked while in college with his readings of the English poets, Byron, Shelley, and Keats. ©2013 Ronald E. Hignite (P)2013 Ronald E. HigniiteVer libro
'A woman. On the line in Gallery Two of all places. I never thought I'd see the day. This is progress, my dear.' It's 1874, and Elizabeth Thompson stuns the artistic establishment with her painting The Roll Call. Five years later, she falls two votes short of becoming the first woman elected to the Royal Academy. In between, she shoulders the hopes and dreams of female artists across the country, while fighting for her place at a table full of top hats, neckties and mutton chop beards. A thrilling collision of music hall, cabaret and drag king swagger, Modest tells the true story of a pioneering megastar of the Victorian art scene. Written by Ellen Brammar and with music by Rachel Barnes, it was first produced in 2023 by Middle Child in collaboration with Milk Presents at Hull Truck Theatre before touring.Ver libro
