Publisher: AB Books
The Vicomte of Bragelonne: Ten Years Later (Le Vicomte de Bragelonne ou Dix ans plus tard) is a novel by Alexandre Dumas, père. It is the third and last of the d'Artagnan Romances following The Three Musketeers and Twenty Years After. It appeared first in serial form between 1847 and 1850. The Man in the Iron Mask is the fourth and final volume.
A guide to one hundred brilliant plays addressing the most urgent and important issue of our time: the climate crisis. The plays – drawn from around the world, written by one hundred different writers, and demonstrating a vast span of styles, genres and cast sizes – all speak to an aspect of the climate emergency. Encompassing both famous plays and lesser-known works, the selection includes recent writing that explicitly wrestles with these issues, as well as classic texts in which these resonances now ring out clearly. Each play is explored in a concise essay illuminating key themes, and highlighting its contribution to our understanding of climate issues, with sections including Resources, Energy, Migration, Responsibility, Fightback and Hope. 100 Plays to Save the World is a book to provoke as well as inspire – to start conversations, to inform debate, to challenge our thinking, and to be a launch pad for future productions. It is also an empowering resource for theatre directors, producers, teachers, youth leaders and writers looking for plays that speak to our present moment. Above all, it is a call to arms, to step up, think big, and unleash theatre's power to imagine a better future into being. The book includes a foreword by Daze Aghaji, a leading youth climate justice activist. 'This book is a kind of miracle, a thrilling compendium of plays that speak to the enormous environmental crisis of our time. Freestone and O'Hare have exquisite taste and brilliant analysis, illuminating plays I've never heard of, as well as plays I thought I knew. 100 Plays to Save the World should be required reading for everyone who believes in the power of theatre to move the world; I will certainly never plan a season again without referring to it.' Oskar Eustis, Artistic Director, The Public Theater, New York 'This book is dynamite. Through lively play analysis and accessible environmental know-how, it will galvanise theatre-makers to step up and artists to be heard. Theatre must play its part in the climate fight and this book shows us how.' Kwame Kwei-Armah, Artistic Director, Young Vic Theatre, LondonShow book
It's Year 10's first day back at school. Mark is new and too scared to make friends. Darren is out of control and too scary to make friends. The two of them need each other – but neither would ever admit it. Worlds apart, but more similar than they realise, the pair form a complex and manipulative relationship. And before they know it, they're embarking on a dangerous experiment that will alter the course of their lives. Sophie Swithinbank's play Bacon is an unflinching and unexpectedly humorous look at masculinity, sexuality and power, through the dizzying lens of youth. First developed on the Soho Theatre Writers' Lab, it won the Tony Craze Award in 2018, and was first produced at the Finborough Theatre, London, in 2022, directed by Matthew Iliffe. 'A bleak but utterly compelling drama about the end of youth... a car-crash of a story, unfolding in a playground, that's both beautiful and devastating to watch... Swithinbank's writing is potent, with a sucker punch of an ending' - The Stage 'Riveting... Swithinbank's writing is razor-sharp' - Reviews Hub 'A sensitive and dramatic portrayal of insecure masculinity and power play... heart-stoppingly moving... a fascinating piece of theatre' - British Theatre GuideShow book
The Lyme Letters is epistolary verse that spells out a memoir. R, a non-binary femme character, narrates their experience of disease and recovery through recurrent letters to doctors, pets, family members, lovers, and a “Master.” R, in letter form and repurposed religious texts, also explores the paradoxical experiences of queer non-reproductivity, chronic illness and disability, and the healing that can be found in the liminal spaces between.Show book
This book describes the return of Israelites from exile in Babylon. One group returns to rebuild the Temple and restore the worship of The LORD, while the second group, led by the priest and scribe Ezra, returns to re-establish Mosaic law to the Israelite community. The Books of Ezra and Nehemiah were once considered one book. (Introduction by Mark Penfold)Show book
The Cathay poems appeared in a slim volume in 1915. They are, in effect, Ezra Pound’s English translations/interpretations from notebooks written by the Japanese scholar Ernest Fenollosa. Pound, not knowing any Chinese or Japanese at all, promptly created a new and somewhat complex style of translation, as he had done with words from several other languages. The Cathay poems are primarily written by the Chinese poet Li Po, refered to throughout these translations as Rihaku, the Japanese form of his name. These poems came to have a profound influence on 20th Century poetry, spawning, among other things, the Imagist movement, and helped in the generation of widespread interest in Asian literature and thought. Also included in this collection are two poems from Pound’s 1912 collection Ripostes. “The Seafarer” is another of Pound’s experiments in translation, this one from the Anglo-Saxon. (Summary by Alan Davis-Drake)Show book
An old man in a military uniform and a Santa hat is dumped at the police station. He doesn’t speak English, and a lawyer’s business card is baited on the meat hook that hangs on his neck. As a lawyer, a police officer and a translator struggle to unravel the truth, they uncover a past that won’t stay buried, and a decades-old quest for justice that must be served. This edition includes a foreword by Louise Arbour, former Supreme Court of Canada justice and former Chief Prosecutor of the International Criminal Tribunals for the former Yugoslavia and Rwanda, and notes on the Lavinian language created for the play. Butcher premiered at Alberta Theatre Projects in October 2014. Praise for Nicolas Billon’s Iceland: ‘Billon is a masterful storyteller, drawing us into his characters’ lives via richly detailed monologues, full of haunting imagery that echoes throughout the play.’ —NOW MagazineShow book
