Other books that might interest you

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  The Brushstrokes of Life -...

  Anne Neilson

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  Read by the author. 
  Here’s a secret: God has deposited a gift inside of you. Acclaimed angel artist Anne Neilson wants to help you find yours as she shares her personal story of passion and purpose and how faith radiates from every canvas of her life. The Brushstrokes of Life will help you see there are no coincidences with God. 
  Anne Neilson believes that each of us begins our life as a blank canvas: clean and fresh and ready to find texture in our experiences. Each trial, each joy, each heartache, and each hope leaves an explosion of color and sweeping brushstrokes that shape us. When we allow God to take over as the Master artist, we will find that He carefully adds dimension and highlights to create a beautiful masterpiece in us. Often, though, it’s hard to find the beauty when we are wading through mess. 
  In this beautiful memoir, Anne shares personal stories about why her faith is so important to her and resonates in all her work. In The Brushstrokes of Life, you will learn how to:Open your hands to God’s possibilitiesConnect your trials from today into hope for tomorrowTrust God’s role in your story 
    
  Anne’s stories will be a beautiful reminder that God is both our Creator and the fulfiller of His promises. He is the artist of our life. Creations are messy, but the divine artist never fails to reveal a masterpiece.

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  As you like it

  William Shakespeare

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  William Shakespeare's comedy "as you like it" 
  Done as a radio play. Immerse yourself in the forest of arden where all the action happens  including usurped dukes, love sick young men, a clown, and of course an impossible love story that eventuality works itself out.

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  Dolly Parton's White Limozeen

  Steacy Easton

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  A discussion of White Limozeen, from Dolly’s self-fashioning to a rigorous critique of her genre. White Limozeen (1989) was a commercial recovery after Dolly Parton's first major failure two years previously with the release of Rainbow. This book is a case study in how an album is sold and a persona constructed. The album had a complex relationship to the country music genre at a time when the genre was in the middle of major sonic and cultural shifts, and it represents how country music saw itself. This question of identity was especially relevant since White Limozeen was produced by Ricky Skaggs, the bluegrass prodigy who was in the middle of his own genre-widening experiments. The album reflects dense and complex production, shredding ideas of purity, studio craft, slickness, and authenticity. In it, Dolly seems to be imagining the limits of her own personae - the country girl, the blonde burlesque, the pop legend, the gospel singer. To study this album is to investigate Dolly’s calculated role in fashioning her image into the icon she is today.

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  Elvis Presley - His Music His...

  Kelly Mass

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  Elvis Presley is the famous singer who caused so much controversy that he was hated and loved among most of the American people. His sexual moves, his novel way of putting songs together… there was just something about him that attracted the ladies and the media attention at the same time. 
  Elvis didn’t grow up with wealth and fame. In a way, you could say he was living the American dream. However, he was kind of a bad boy as well, facing legal troubles, broken relationships and drug abuse. His death was lamented by many but his music lived on. Explore the era and methods of Elvis with us in this concise book/biography about his life.

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  Something Wonderful Right Away -...

  Jeffrey Sweet

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  Discover the behind-the-scenes story of how The Second City theater created a generation of world class great actors, directors, and writers. 
   
   
   
  In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Developing scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don't Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers who founded the empire that transformed American comedy. 
   
   
    
  This new edition tells even more of the story. Included for the first time is an interview with Viola Spolin, the genius who invented theater games that were the foundation of improvisational theater. Also included are dozens of follow-up stories about Mike Nichols, Barbara Harris, Del Close, Joan Rivers, Alan Arkin, and Gilda Radner, plus "You Only Shoot the Ones You Love," the story of how this book's author, playwright Jeffrey Sweet, ended up being so involved in the community he covered that he was captured by it.

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  God Gave Rock and Roll to You -...

  Leah Payne

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  Few things frightened conservative white Protestant parents of the 1950s and the 1960s more than thought of their children falling prey to the "menace to Christendom" known as rock and roll. The raucous sounds of Elvis Presley and Little Richard seemed tailor-made to destroy the faith of their young and, in the process, undermine the moral foundations of the United States. Parents and pastors launched a crusade against rock music, but they were fighting an uphill battle. 
   
   
   
  Salvation came in a most unlikely form. When a revival swept through counterculture hippie communities of the West Coast in the 1960s and 1970s a new alternative emerged. Known as the Jesus Movement—and its members, more colloquially, as "Jesus freaks"—the revival was short-lived. But by combining the rock and folk music of the counterculture with religious ideas and aims of conservative white evangelicals, Jesus freaks and evangelical media moguls gave birth to an entire genre known as Contemporary Christian Music (CCM). 
   
    
   
  In this book, Leah Payne traces the history and trajectory of CCM in America and, in the process, demonstrates how the industry, its artists, and its fans shaped—and continue to shape—conservative, (mostly) white, evangelical Protestantism.

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