Otros libros que te pueden interesar

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  Icelight

  Ranjit Hoskote

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  Icelight, Ranjit Hoskote's eighth collection of poems, enacts the experience of standing at the edge—of a life, a landscape, a world assuming new contours or going up in flames. Yet, the protagonists of these poems also stand at the edge of epiphany. In the title poem, we meet the Neolithic cave-dweller who, dazzled by a shapeshifting nature, crafts the first icon. The 'I' of these poems is not a sovereign 'I'. A questing, questioning voice, it locates itself in the web of life, in relation to the cosmos. In 'Tacet', the speaker asks: "What if I had/ no skin/ Of what/ am I the barometer?" Long committed to the Japanese mono no aware aesthetic, Hoskote embraces talismans, premonitions, fossils: active residues from the previous lives of people and places. Icelight is a book about transitions and departures, eloquent in its acceptance of transience in the face of mortality. AubadeRumours of wind, banners of cloud.The low earth shakes but the stormhas not arrived. You packfor the journey, look up, look throughthe doors at trees shedding their leavestoo soon, a track on which silk shoeswould be wasted, a moonstill dangling above a boat.Wearing your salt mask, you facethe mulberry shadows.The valley into whichyou're rappellingis you.

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  Lost Atoms

  Anna Jordan

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  'Love's strange, isn't it? You think you're going to feel it in your chest, or your gut. But I swear, I can feel it in every cell.'
  Jess and Robbie. A chance meeting, some disastrous dates, an extraordinary transformative love. It's the stuff of fairy tales. Or is it?
  Lost Atoms is a wild ride through a life-changing relationship, or Jess and Robbie's recollection of it. Together they scale the soaring highs and crushing lows, relive the beats of connection, the moments of loss. But are their stories the same? And can their memories be trusted? 
  By turns hilarious and devastating, Anna Jordan's Lost Atoms tells a timeless story which explores how love shapes our lives and how we remember it. It was commissioned and produced by Frantic Assembly in 2025, as their thirtieth-anniversary production, in a co-production with Curve, Mayflower Southampton and Lyric Hammersmith Theatre, and directed by Frantic Assembly's Artistic Director Scott Graham.

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  Tristan Yseult

  Harry Bonelle

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  A duel on an empty island sets the course for one of the greatest romances ever told. As the lovers of legend meet, something new is born, and something eternal is revealed. Their names will forever be spoken as one. This modern retelling of Tristan and Yseult sheds a stark light on the beauty of the Celtic tale.

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  Software Tarmacs : The Road Ahead

  Mike Blake

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  Software Tarmacs :: The Road Ahead.Looking into the future, our decisions will increasingly be made by AI. Who knows where it will lead.As software tarmacs the road ahead !To contact the Author: Please add me Mike Miko on Facebook & then message me, thanks.https://www.facebook.com/mike.cco1 I will then contact the Author your behalf.or on Twitter: miko_1_dollar ~ Tumblr : ccobes ~ Instagram: Wild_Poetrys  //  wild_poetry_websTikTok: @wild_poetrys  - mikecharliechaplinsofficeWebsite: www.wild-poetry.com Facebook: WOW https://www.facebook.com/wow.fact

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  The Society for the Preservation...

  Anónimo

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  An anthology of classic erotic verse narrated by Dominic Crawford Collins.
  Theocritus was a Sicilian poet and the creator of Ancient Greek pastoral poetry. b. 300 BC d.260 BC
  Gaius Valerius Catullus was a Latin poet of the late Roman Republic who wrote chiefly in the neoteric style of poetry, which is about personal life rather than classical heroes. His surviving works are still read widely and continue to influence poetry and other forms of art. b.84 BC d. 54 BC
  Publius Ovidius Naso, known as Ovid in the English-speaking world, was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. b.43 BC
  Robert Herrick was a 17th-century English lyric poet and cleric. He is best known for Hesperides, a book of poems. b.1591 d.1674
  John Donne was an English scholar, poet, soldier and secretary born into a catholic family, a remnant of the Catholic Revival, who reluctantly became a cleric in the Church of England. He was Dean of St Paul's Cathedral in London. He is considered the pre-eminent representative of the metaphysical poets. b.1572 d.1631
  Thomas Carew was an English poet, among the 'Cavalier' group of Caroline poets. b.1595 d.1640
  John Wilmot was an English poet and courtier of King Charles II's Restoration court. The Restoration reacted against the "spiritual authoritarianism" of the Puritan era. Rochester embodied this new era, and he became as well known for his rakish lifestyle as his poetry, although the two were often interlinked. b.1647 d.1680

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  Janey's Arcadia

  Syd Zolf

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  It is true Canada is not exactly a Utopia, Ltd.,for there is hard work and a rough, raw, erudite wailagainst the postmodern loss of meaning and emotion to be donebefore comfort or affluence are built. I used to have a lot of idylfantasies inwrought with Indign traits about your too bruisedand scared surface looking into the seeds of time. How now,my masters! Smacks not this one-acted poem of the greatnational prosaic life of Arcady?
     
  Zolf’s fifth book assembles a pirate score of error-ridden historical and current documents – missionary narratives, immigration pamphlets, settler writings – to decry the ongoing violence of Canadian colonialism. It stars Janey Settler-Invader, a foul-mouthed mutant slouching toward the Red River Colony, along with a host of cacophonous, carnivalesque appropriations.
     
  Praise for Janey's Arcadia:
     
  'That poetry can be forcefully consequential is not a safe assumption in our contemporary crisis of sustainable attention. To deploy an intricately political poetics as Zolf’s performative texts do is a wager on expansion of the genre with no small risk of misreadings. The driving courage of Janey’s Arcadia is in fact its digital-age enactment of an allegory of misreading. Subjecting Canadian settler texts (in which indigenous peoples’ humanity can be casually or fervently dismissed) to Optical Character Recognition software, a chilling and ludicrous display of misreadings occur, inescapably charged by the cultural politics of non-recognition. A reader’s encounters range from the philosophically profound “Each person is an asking…” to the OCR mutated government questionnaire. Q: ‘Do you expei'ience any dread of the Indigns?’ A: I have no fear of Indigns, for I never see one.' – Joan Retallack
     
  'Few poets embody stress like Rachel Zolf. Pain most poets cannot imagine exposing with such exacting affliction. Janey’s Arcadia recommends we reconsider the weak arguments of “post-identity politics” because this poet sees how we will lie to hide the brutality of our collective suffering for civilization’s advancement. If you read this without waking your emotional intelligence, well, I’m glad I’m not you with that stick so far up your ass. This is the real poetry. I know it is because it changes me.'
     
  – CAConrad, author of ECODEVIANCE
     
  ’I’ve been locked up in this room so/ long, mon dieu, whatever desires arise in me are rampaging/ as fierce and monstrous as gigantic starving jungle beasts.” A great hunger, ravenous as Canada, and filled with rage and hurt, animates Rachel Zolf’s splendid new book. On one hand Janey’s Arcadia brings us a few hundred years of western colonization, and on the other, these poems speak to everyone who’s living on someone else’s land or those forced to speak in someone else’s tongue. Whether it’s Cree or English, French or Cobol, there’s always a man and a machine happy to misprise you. “C’est bien. By every fair means. In Manitoba....”’ – Kevin Killian

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