Otros libros que te pueden interesar

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  A Class Liberated - A sweeping...

  Susie Murphy

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  Freedom may be within their grasp… 
  As the devastation of the potato blight continues, Cormac and Bridget grapple with their dual roles at Bewley Hall in England and Oakleigh Manor in Ireland. In their quest to alleviate the suffering of the Irish people, their charitable endeavours face both success and violence. 
  Meanwhile, tensions mount within their own family when Cormac’s nephew, Patrick, struggles with a shocking revelation. In the midst of his anguish, he lashes out, setting off a chain of events that will have far-reaching consequences. 
  As the family navigate personal and collective challenges, can Cormac and Bridget guide them through the turmoil? And will they finally secure the freedom they’ve longed for? 
  A Class Liberated is the seventh book in Susie Murphy’s historical fiction series A Matter of Class. The story continues in the eighth book, A Class Divided. 
  Find out more at www.susiemurphywrites.com.

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  I am Ayah - The Way Home

  Donna Hill

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  Alessandra Fleming has spent most of her life running from her past. Her budding photography career, her life in Manhattan, all serve to distract from the secrets and guilt she's never been able to face. Then the call. Her estranged father is in the hospital . . . and Alessandra must return home to Sag Harbor, crumbling the first wall between her past and her present. 
   
   
   
  For some, coming home is a relief. For Alessandra, it's a reminder of the family she's lost, of the time she'll never regain. But the answers—the secrets—of her family are hidden in the house, waiting for her. And the only one who may be able to help her uncover them is her father's neighbor, Zach, who brings with him an attraction that's intense and instantaneous. 
   
   
   
  Now Alessandra is being pulled back not only into her own complex family history, but into the richly documented lives of four extraordinary women. Generations touched by tragedy and triumph, despair and hope. And it's in these aching echoes of the past that Alessandra's own story—her mistakes and her capacity to love—will take shape, guiding her to the life she's meant to live . . . and the extraordinary person she will become. 
   
   
   
  Contains mature themes.

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  3 Stories - Dark Romanticism - A...

  Edgar Allan Poe, E T A Hoffmann,...

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  There is something about the number 3.    
   
  The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.   
   
  Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois.  It seems good things usually come in threes. 
   
  Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. 
   
  From their pens to your your ears.

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  Oddity of the Ton

  Emily Royal

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  Eleanor Howard has never fit in. Constantly outshone by her younger sister, and continually criticized by her ambitious mother, Eleanor yearns to be loved for herself. Her secret infatuation with the Duke of Whitcombe—who'd never deign to notice, much less court her—would, if revealed, make her the laughingstock of the ton. 
   
   
   
  Until he strides across a crowded ballroom and offers his hand. 
   
   
   
  Montague FitzRoy, fifth Duke of Whitcombe, is unwilling to surrender the pleasures of bachelorhood. When his mother, insistent on finding him a duchess of the right pedigree, forces his hand, he decides on impulse to punish her by kneeling before the least desirable woman in the room. 
   
   
   
  Only Miss Howard believes his proposal to be genuine. 
   
   
   
  The solution? A false betrothal that keeps Monty's mother in check, and lifts Miss Howard's prospects. But beneath Eleanor's awkward exterior lies a passionate, intelligent woman, misunderstood and unappreciated, who challenges Monty's notions of duty, life, and love—and with whom he's falling in love himself. 
   
   
   
  As the end of the Season, and their inevitable parting, approaches, Monty is faced with a choice—surrender to duty, or follow his heart. 
   
   
   
  Contains mature themes.

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  Not Easily Broken

  Ruth Smith Meyer

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  In the time when women often died in childbirth and men remarried to have someone to care for the house and children, new mothers sometimes cut off relationships with the maternal grandparents. Ellie is a strong young woman faced with circumstances that are not her choice. When Ellie's older sister Regina dies at the birth of her third child, her parents request that Ellie break off her engagement to the man she loves and marry their son-in-law, John, so the children will stay in the family. 
  Ellie reluctantly agrees but determines in her heart to give it her all to make it a good marriage. She and John begin life with a somewhat contrived feeling to their relationship, but love grows because they are both committed to it.

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  Forgotten Authors The - Volume 6...

  Fergus Hume, Violet Jacob,...

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.   
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of those talents whose time has now come again.

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