Casa editrice: BookRix
Chestnut Grove is a sci-fiction novella. It would venture to say that Yena Marukeda is the most misunderstood, fascinating, and mysterious writer boldly utilising a synesthesia style laced with rapturous adventure, dark mysticism and philosophical sketches. For your life. With compliments to the music accompanying novella writing. youtu.be/zkFh7fC7-h8?si=VZuo1xbLzDsFL7rU
The Psychic Megan Series consists of twenty-four novelettes about a young girl`s growing realisation that she is able to do things that none of her family can. Megan is twelve years old in the first volume. She has two seemingly insurmountable problems. Her mother is frightened of her daughter`s latent abilities and not only will not help her but actively discourages her; and she can’t find a teacher to help her develop her supernatural, psychic powers. For she wants not only to know what it is possible to do and how to do it, but to what end she should put her special abilities. Megan is a good girl, so it would seem obvious that she would tend towards using her powers for good, but it is not always easy to do the right thing even if you know what that is. These stories about Megan will appeal to anyone who has an interest in psychic powers, the supernatural and the paranormal and is between the ages of ten and a hundred years old. In Megan and the Lost Cat, Megan, our psychic teen, has read a poster about a missing cat, and she decides to try to use her fledgling paranormal powers to help find it. Her instincts take her to the woods nearby, where she receives help from a strange dancing girl, and finds the cat. Megan later meets the cat`s mysterious owner,who has a significant influence on the teenager’s life.Mostra libro
Why can't a house ever be just a house? Ellen, Sue, and Tanya can't wait to get away to a historic beachside house in Biloxi, Mississippi. But no sooner do they arrive when they are accosted by a supernatural presence with a grudge. As they uncover the mystery of this tethered, vengeful spirit, they are shocked by the secrets he carried with him to the grave. But when they try to make his secrets public, they are threatened by someone living--someone much more evil and more powerful than the dead.Mostra libro
There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. From their pens to your your ears.Mostra libro
Ernst Theodor Wilhelm Hoffman was born on the 24th January 1776, the youngest of three children, in Königsberg, then in Prussia but now part of the Kaliningrad Russian enclave. His parents separated when he was two and for many years life was to be provincial and, despite his talents for the creative arts and the classics, much was passing him by. At 20 Hoffman obtained employment as a clerk and to the art that now surrounded him. Two years later he was in Berlin attempting a career as a composer with an operetta called ‘Die Maske’. His gift for drawing caricatures and sharing them often got him into trouble that was easier to avoid. The years of Napoleon ravaging Europe were bad for Hoffman; he moved often and took on works as varied as theatre management and music critic. In this his talents were now more evident. His works on Beethoven where highly regarded by the master himself. His literary breakthrough came in 1809, with ‘Ritter Gluck’, about a man who believes he has met the composer 20 years after his death. However the various jobs and the wars continued and plagued any career advancement despite his constant travel for opportunities, often through dangerous territories. In the wake of Napoleon’s defeat in 1814, Hoffmann returned to Berlin where his opera ‘Undine’ was performed by the Berlin Theatre. Life was now more settled and many of his most famous works were written at his time. From 1819, Hoffmann was struggling with both legal disputes and ill health. Alcohol abuse and syphilis were physically weakening him and from 1822 paralysis set in. His last works were dictated to his wife or to a secretary as all around him society descended into an anti-liberal agenda, stifling dissent with threats of legal action and even treason. The ailing Hoffman was among them. E T A Hoffmann died on the 25th June 1822 in Berlin of syphilis. He was 46.Mostra libro
Dive into the shadows of "The Chronicles of Fear: A Terrifying Stories Collection to Haunt Your Dreams" audiobook collection! This spine-tingling trilogy will transport you to the darkest corners of the human psyche. In "The Phantom Maestro: Lament Of The Lost Souls," a talented musician's discovery of an ancient violin unleashes a malevolent spirit seeking redemption through her music. Next, let’s venture into the depths of "Screams from the Cellars: The Curse of Willowspring Sanitarium." As a group of urban explorers awakens the vengeful spirits, you'll be swept up in a terrifying race to escape the clutches of the malevolent forces. Finally, descend into the chilling mists of "Witchwood Wail: The Haunting of Ravenwood Valley," and follow the young historian, Evelyn, as she uncovers a sinister secret about her lineage, binding her fate to the forest's former guardian, the dread witch Elara. Are you ready for a little thrill of terror? The darkness calls - will you answer?Mostra libro
The house breathes. The house contains bodies and secrets. The house is visited by ghosts, by angels that line the roof like insects, and by saints that burn the bedsheets with their haloes. It was built by a smalltime hustler as a means of controlling his wife, and even after so many years, their daughter and her granddaughter can't leave. They may be witches or they may just be angry, but when the mysterious disappearance of a young boy draws unwanted attention, the two isolated women, already subjects of public scorn, combine forces with the spirits that haunt them in pursuit of something that resembles justice. In this lush translation by Sophie Hughes and Annie McDermott, Layla Martinez's eerie debut novel is class-conscious horror that drags generations of monsters into the sun. Described by Mariana Enriquez as "a house of women and shadows, built from poetry and revenge," this vision of a broken family in our unjust world places power in the hands of the eccentric, the radical, and the desperate.Mostra libro
