Otros libros que te pueden interesar

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  My Russian Grandmother and Her...

  Meir Shalev

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  From the author of the acclaimed novel A Pigeon and a Boy comes a charming tale of family ties, over-the-top housekeeping, and the sport of storytelling in Nahalal, the village of Meir Shalev's birth. Here we meet Shalev's amazing Grandma Tonia, who arrived in Palestine by boat from Russia in 1923 and lived in a constant state of battle with what she viewed as the family's biggest enemy in their new land: dirt. 
   
   
    
  Hilarious and touching, Grandma Tonia and her regulations come richly to life in a narrative that circles around the arrival into the family's dusty agricultural midst of the big, shiny American sweeper sent as a gift by Great-uncle Yeshayahu. America, to little Meir and to his forebears, was a land of hedonism and enchanting progress. The sweeper, a stealth weapon from Grandpa Aharon's American brother meant to beguile the hardworking socialist household with a bit of American ease, was symbolic of the conflicts and visions of the family in every respect. 
   
   
    
  The fate of Tonia's "svieeperrr"—hidden away for decades in a spotless closed-off bathroom after its initial use—is a family mystery that Shalev determines to solve. The result is pure delight, as Shalev brings to life the obsessive but loving Tonia, the pioneers who gave his childhood its spirit of wonder, and the grit and humor of people building ever-new lives.

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  Reality and the Arts

  Albert A. Anderson

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  Art is the creative manifestation of essences. In order to understand the relation between art and reality, we need a philosophical guide. The best way to comprehend how the creative act of imagining enables the mind to seek reality is to employ the kind of dialectical thinking that Plato used in his dialogues. Beginning with the shadows on the wall of the cave in which each person dwells, that process gradually enables us to grasp the essences that are manifested in individual works of art.
   
  Without a philosophical guide, we are likely to encounter only a blur of images in the visual arts, a cacophony of sounds in music, a whirl of activity in the theater, and chaos in the building of cities. It is too much to expect a set of final answers to any serious question about what is true, good, or beautiful. If we abandon the quest for reality we settle for too little. Plato’s dialectical approach offers a path between Scylla and Charybdis.

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  A Classic Interview with Rock...

  John Lennon

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  John Winston Lennon (October 9, 1940 - December 8, 1980) was an English singer, songwriter and musician. He gained worldwide fame as the founder, co-lead vocalist and rhythm guitarist of the Beatles. His works included music, writing, drawings, and films. His songwriting partnership with Paul McCartney remains the most successful in history as the primary songwriters of the Beatles. The following recording is from a 1975 interview.

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  I'm Black I'm Christian I'm...

  Erin Beasley, Rodney Lorenzo...

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  It's uncertain that Howard Thurman made the remark often attributed to him, "I have been writing this book all my life," but there is little doubt that he was deeply immersed in reflection on the times that bear an uncanny resemblance to the present day, which give voice to the Black Lives Matter movement. 
   
   
   
  Our "life's book" is filled with sentence upon sentence of marginalization, pages of apartheid, chapters of separate and unequal. Now this season reveals volumes of violence against Blacks in America. 
   
   
   
  Ten Black women and men explore life through the lens of compelling personal religious narratives. They are people and leaders whose lives are tangible demonstrations of the power of a divine purpose and evidence of what grace really means in face of hardship, disappointment, and determination. Each of the journeys intersect because of three central elements that are the focus of this book. We're Black. We're Christians. We're Methodists. Each starts with the fact, "I'm Black," but to resolve the conflict of being Christian and Methodist means confronting aspects of White theology, White supremacy, and White racism in order to ground an oppositional experience toward domination over four centuries in America.

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  Playboy Swings - How Hugh Hefner...

  Patty Farmer

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  Playboy—the magazine, the empire, the lifestyle—is one of the world's best-known brands. Since the launch of Playboy magazine in 1953, two elements have been remarkably consistent: the first, obviously, is the celebration of nubile, female flesh. The second, readers may be surprised to learn, is Playboy's involvement in the music scene. The Playboy experience was never just about sex but about lifestyle. Music—particularly the finest jazz, a personal passion of Hefner's—has always been an essential component of that lifestyle. Playboy Swings focuses specifically on Playboy's involvement in the music scene, its impact on popular entertainment (and vice versa), and the fabulous cadre of performers who took to the stages of the mythic Playboy Clubs and Jazz Festivals. Throughout Playboy Swings, Farmer demonstrates how Playboy helped change the world through music by integrating the TV shows, festivals, and the clubs.Complied through interviews with hundreds of people who were on the scene throughout Playboy's rise, fall, and on-going renaissance, Playboy Swings carries readers on a seductive journey through the history of the empire—all the while focusing on the musical entertainment that made it unique. Hef's personal passion for music—and his belief in it as a cornerstone of the Playboy ethos—has expressed itself in a wide range of media over Playboy's 60-year history, and all of it comes alive in these pages. Famer takes the reader from the inception of the Playboy empire through the 1959 jazz festival, to the opening of club after club. With approximately 60 black and white photos, and a complete Playboy music reference guide, readers will think of music, not just Bunnies, when thinking about Playboy. Throughout the book, it is the artists who do most of the talking—and they have a lot to say about the golden era of Playboy entertainment.

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  Daddy Was a Number Runner - A Novel

  Louise Meriwether

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  This modern classic is "a tough, tender, bitter novel of a black girl struggling towards womanhood" in 1930s Harlem—with a foreword by James Baldwin (Publishers Weekly). 
   
   
   
  Depression-era Harlem is home for twelve-year-old Francie Coffin and her family, and it's both a place of refuge and the source of untold dangers for her and her poor, working class family. The beloved "daddy" of the title indeed becomes a number runner when he is unable to find legal work, and while one of Francie's brothers dreams of becoming a chemist, the other is already in a gang. Francie is a dreamer, too, but there are risks in everything from going to the movies to walking down the block, and her pragmatism eventually outweighs her hope; "We was all poor and black and apt to stay that way, and that was that." 
   
   
   
  First published in 1970, Daddy Was a Number Runner is one of the seminal novels of the black experience in America. The New York Times Book Review proclaimed it "a most important novel."

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