Otros libros que te pueden interesar

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  Tropical Rainforest and Ocean...

  Sara Stevenson

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  Do you have trouble falling asleep and staying asleep?  
   
  Cure your insomnia with the best natural sleep therapy you can get. Turn on the audio and relax as the soothing ocean waves and tropical rainforest sounds of a secluded beach in Costa Rica effortlessly lull you to sleep. Each audio is the perfect 8 hours in length for the optimal night’s sleep.  
   
  Simply start the audio when going to bed and when the soothing sounds end its time to get up, it’s that simple! At the end of eight hours, you’ve achieved the perfect night’s sleep and you will feel totally rested, rejuvenated, and ready to attack the day! 
   
  Please note: This is a nonverbal meditation program

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  Neuroscience - Brain Training...

  Samirah Eaton, Jason...

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  This 3-book combo consists of related books about the following subjects: 
  Subject 1: In this short guide, you will learn about the nine signs that show how intelligent you might be. You will gain more understand as you study the nerve cells of those who have them in bigger sizes and running around at faster paces. The difference between fluid and crystallized intelligence will be mentioned, as well as influences on intelligence, IQ tests, and personality traits related to being smart. 
    
  Subject 2: Some people get it all wrong when it comes to understanding the intricate depths of emotional intelligence and all that pertains to it. What are some of the misconceptions people believe in? We will explore that today. 
    
  Subject 3: How does our brain work? 
  What facts and myths about our minds are out there, and which should you believe? 
  These and several other questions will be answered in this comprehensive manual. You will also learn about the sex differences pertaining to the human brain, how those differences manifest themselves in children’s play, and other topics that relate to our cognizant awareness.

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  Warped Passages - Unraveling the...

  Lisa Randall

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  The universe has many secrets. It may hide additional dimensions of space other than the familiar three we recognize. There might even be another universe adjacent to ours, invisible and unattainable . . . for now. 
  Warped Passages is an altogether exhilarating journey that tracks the arc of discovery from early twentieth-century physics to the razor's edge of modern scientific theory. One of the world's leading theoretical physicists, Lisa Randall provides astonishing scientific possibilities that, until recently, were restricted to the realm of science fiction. Unraveling the twisted threads of the most current debates on relativity, quantum mechanics, and gravity, she explores some of the most fundamental questions posed by Nature—taking us into the warped, hidden dimensions underpinning the universe we live in, demystifying the science of the myriad worlds that may exist just beyond our own.

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  Clearing the Air - The Beginning...

  Tim Smedley

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  Air pollution has become the world's greatest environmental health risk, and science is only beginning to reveal its wide-ranging effects. Globally, 19,000 people die each day from air pollution, killing more than HIV/AIDS, tuberculosis, malaria and car accidents combined.What happened to the air we breathe?Sustainability journalist Tim Smedley has travelled the world to try and find the answer, visiting cities at the forefront of the fight against air pollution, including Delhi, Beijing, London and Paris. With insights from the scientists and politicians leading the battle against it, and people whose lives have been affected by it, Clearing the Air tells the full story of air pollution for the first time: what it is, which pollutants are harmful, where they come from and — most importantly — what we can do about them.Air pollution is a problem that can be solved. The stories uncovered on this journey show us how.Clearing the Air is essential reading for anyone who cares about the air they breathe. And this much becomes clear: in the fight against air pollution, we all have a part to play. The fightback has begun.

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  Catching Nature in the Act -...

  Mary Terrall

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  Natural history in the eighteenth century was many things to many people—diversion, obsession, medically or economically useful knowledge, spectacle, evidence for God’s providence and wisdom, or even the foundation of all natural knowledge. Because natural history was pursued by such a variety of people around the globe, with practitioners sharing neither methods nor training, it has been characterized as a science of straightforward description, devoted to amassing observations as the raw material for classification and thus fundamentally distinct from experimental physical science. In Catching Nature in the Act, Mary Terrall revises this picture, revealing how eighteenth-century natural historians incorporated various experimental techniques and strategies into their practice.             At the center of Terrall’s study is René-Antoine Ferchault de Réaumur (1683–1757)—the definitive authority on natural history in the middle decades of the eighteenth century—and his many correspondents, assistants, and collaborators. Through a close examination of Réaumur’s publications, papers, and letters, Terrall reconstructs the working relationships among these naturalists and shows how observing, collecting, and experimenting fit into their daily lives. Essential reading for historians of science and early modern Europe, Catching Nature in the Act defines and excavates a dynamic field of francophone natural history that has been inadequately mined and understood to date.

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  Silver Screen to Digital - A...

  Carlo Montanaro

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  A history of transformations in moviemaking technology, from pigments to pixels, celluloid to CGI. 
   
  An era has ended. After one hundred and twenty-five years, a change has taken place in cinemas. The thousands of figures formed by silver and colored pigments can no longer be viewed through transparent film—instead, everything has become digital, compressed, virtual and built into the rapid alternation of millions (hopefully, for quality’s sake) of dots, or pixels within a very neat and minuscule grid. 
   
  But projection is just the last link in a chain that is transforming the most direct language invented by humanity over the centuries. The other links—shooting, editing, special effects, re-elaboration and sound reproduction—have by now undergone radical transformations that have often signified progress. Perhaps it is worth the trouble, then, having accepted this transformation-revolution once and for all, to understand where we started out from, how cinematographic language was born, and how its grammar first and later its syntax evolved thanks to technological development. 
   
  Without lightweight equipment for sound recording, sensitive emulsions, and portable and compact lighting, it would not have been possible, at the end of the fifties, for example, to create identifiable “currents” of experimentation and concept under such titles as free cinema or nouvelle vague, which were largely based on footage from life and no longer reconstructed in the studio. That which filmmakers today can achieve even more effectively thanks to a range of digital technologies, paradoxically, involves working with even more-minimal equipment such as a smartphone in front of green or blue screens, against absolutely virtual backgrounds. In short: no more silver and more and more pixels. This volume journeys through the history of cinema, focusing on the machines and mechanisms that contributed to the magic.

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