Otros libros que te pueden interesar

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  Morocco That Was

  Walter Harris

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  Until 1912 Morocco had never suffered foreign domination, and its mountainous interior was as closed to foreigners as Tibet. Walter Harris was the exception. He lived in the country for more than thirty-five years, and as The Times correspondant he observed every aspect of its life. He describes the unfettered Sultanate in all its dark, melodramatic splendour. Harris was an intimate of at least three of the ruling Sultans and a man capable of befriending even his kidnapper. Included in this volume is his account of his most audacious expedition. Only three Christians had ever visited the walled city of Sheshouan: one was poisoned, one came for an hour disguised as a rabbi… the other was Walter Harris.

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  Why I Fly Fish - Passionate...

  Chris Santella

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  Chris Santella, bestselling author of the Fifty Places series, is back in action with the inspirational gift book Why I Fly Fish. Based on 25 interviews with fly-fishing professionals and celebrity hobbyists alike, Why I Fly Fish encapsulates the life lessons fly-fishing aficionados have learned from their favorite pursuit. Featured contributors include Donald Trump Jr., Bill Ford (CEO of Ford Motor Company), Conway Bowman (host of several flyfishing TV programs), actor Henry Winkler, Lefty Kreh (the world’s best-known fly-fisherman) and many more. With personal photographs by the contributors themselves, Why I Fly Fish is an inspirational and intimate reflection on the beloved sport and pastime.

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  Hitler's Tank Killer -...

  Hans Seidler

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  Sturmgeschtz III was originally designed as an assault weapon, but as war progressed it was increasingly used in a defensive role and evolved into an assault gun and tank destroyer.  By 1943 its main role was providing anti-tank support to the units in its area of operation.  This consequently led to many StuGs being destroyed in battle.  Nonetheless they were very successful as tank killers and destroyed, among others, many bunkers, pillboxes and other defenses. While not considered to be a true tank because it lacked a turret, the gun was mounded directly in the hull, with a low profile to reduce vehicle heights, and had a limited lateral traverse of a few degrees in either direction.  Thus, the entire vehicle had to be turned in order to acquire targets.  Omitting the turret made production much simpler and less costly, enabling greater numbers to be built.  Most assault guns were mounted on the chassis of a Panzer III or Panzer IV, with the resultant model being called either a StuG III or StuG IV respectively. The StuG was one of the most effective tracked vehicles of World War II, and over 10,000 of them were eventually produced.

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  Stat Shot: A Fan’s Guide to...

  Rob Vollman

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  With every passing season, statistical analysis is playing an ever-increasing role in how hockey is played and covered. Knowledge of the underlying numbers can help fans stretch their enjoyment of the game. Acting as an invaluable supplement to traditional analysis, Stat Shot: A Fan’s Guide to Hockey Analytics can be used to test the validity of conventional wisdom and to gain insight into what teams are doing behind the scenes — or maybe what they should be doing! 
   
  Inspired by Bill James’s Baseball Abstract, Rob Vollman has written a timeless reference of the mainstream applications and limitations of hockey analytics. With over 300 pages of fresh analysis, it includes a guide to the basics, how to place stats into context, how to translate data from one league to another, the most comprehensive glossary of hockey statistics, and more. Whether A Fan’s Guide to Hockey Analytics is used as a primer for today’s new statistics, as a reference for leading edge research and hard-to-find statistical data, or read for its passionate and engaging storytelling, it belongs on every serious fan’s bookshelf. A Fan’s Guide to Hockey Analytics makes advanced stats simple, practical, and fun.

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  Prairie Home Comedy - Radio...

  Garrison Keillor

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  Thirty-four of the best-loved, most-requested songs and sketches from the original radio broadcasts of A Prairie Home Companion.Contents:Freelance Writer; American Artistic Association; I Am a Tenor; Car Trip; Memories of Pain; The Management Assumes No Responsibility; Second Methodist Church; Moodism; Reaching Out; Sex; Washing Your Hands; The In and Out Cat Song; The Story of Thanksgiving; My Grandmother's Cat; Animals of Other Lands; Winter Madrigal; The Francis S. Key Story; The Ballad of Peanut Butter; Winged Motivational Products; Twelfth Street Tag; The Old Shower Stall; Am I Boring?; Adversity; Bob Wilson Month; Mavis & Marvin Smiley; American Music Association; Losing Your Job; Vanilla; How Does Our Brain Work?; Dad Angel; Old Folks at Home Cottage Cheese; Swanee Tag; The Announcer; Tuna the Food of My Soul

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  Pictures from Italy

  Charles Dickens

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  Who better to travel to Italy with than Charles Dickens? From the travails of 19th century travel to the wonder of discovering the great art of western civilization, all are brought to life with the characteristic humour, wryness, sentimentality, fervour and love that are poured into the best of the author’s fiction. 
  Modern readers will recognise many of Italy’s historical treasures that millions have enjoyed since Dickens described them over 150 years ago; in that sense surprisingly, little has changed.  
  What might be more interesting to us today are the nature and mechanics of tourism in 1846. So used are we to the relative comfort and speed of global transport that we forget the discomforts (and at times horrors) undertaken by those few that would endeavour to see the world in previous centuries. By comparison we journey at our leisure whereas Dickens’ journal is more the record of a pilgrim and pioneer.  
  Far be it from him however to dwell on the rigours of Victorian tourism, indeed he saves his pithiest wit for such times and is much more interested, as he always is, in the humanity of all he encounters.  
  His vibrant and colourful description of the Roman Festival is as joyful as his reserved observation of an execution is sombre and reserved. Dickens is not enamoured of all he experiences and is quick to let us know when he suspects sham commercialism, hypocrisy or injustice.

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