The Rape of Lucrece

William Shakespeare

Sinopsis

The Rape of Lucrece by William Shakespeare (1594) is a narrative poem by William Shakespeare about the legendary Roman noblewoman Lucretia. In his previous narrative poem, Venus and Adonis (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to compose a "graver labour".

Accordingly, The Rape of Lucrece has a serious tone throughout.
The poem begins with a prose dedication addressed directly to the Earl of Southampton, which begins, "The love I dedicate to your Lordship is without end." It refers to the poem as a pamphlet, which describes the form of its original publication of 1594.

The dedication is followed by "The Argument", a prose paragraph that summarizes the historical context of the poem, which begins in medias res.

The poem contains 1,855 lines, divided into 265 stanzas of seven lines each. The meter of each line is iambic pentameter. The rhyme scheme for each stanza is ABABBCC, a format known as "rhyme royal", which has been used by Geoffrey Chaucer, John Milton and John Masefield.

Disponible desde: 03/06/2022.

Poesía y teatro

Otros libros que te pueden interesar

Born in England – Exploring...

Christopher Marlowe, Sir Philip...

Christopher Marlowe was born in Canterbury to shoemaker John Marlowe and his wife Catherine. His exact date of birth is not known, but he was baptised on 26 February 1564.  
And with this, Christopher Marlowe, one of the supreme English literary talents, made his entrance into the world.   
Little is really known of his life except that from an early age, even at University, he was perhaps working as a spy.  His short life was filled with writing great works of exceptional quality. From the Jew of Malta to Doctor Faustus and Tamburlaine the Great Parts I & II his pen was the tool by which this great mind bequeathed great works to the world. 
Add to this so many other stories of what Marlowe was or might have been: a spy, a brawler, a heretic, a "magician", "duellist", "tobacco-user", "counterfeiter", “atheist”, and "rakehell". 
But certainly add to this; playwright and poet. An original. 
Christopher Marlowe was buried in an unmarked grave in the churchyard of St. Nicholas, Deptford on June 1st, 1593. 
Had his life not been so curtailed it seems that the Elizabethan Age may well have had two giants of equal standing: Shakespeare and Marlowe.

Ver libro

Victory

Fimalia McNoll

There was a time when I was falling, 
My enemies surrounded me. 
I was wounded and weary. 
I felt so weak unable to fight anymore. 
My eyes were dark and, 
my strength was almost gone. 
I prayed and cried out to God; I felt forsaken. 
I was hurt and felt abandoned. 
Then I reminded myself of his words 
that he will never leave me. 
I cried with my whole heart, 
He heard me and save me from my enemies.

Ver libro

The Writing of an Hour

Brenda Coultas

What actually happens within the revolution of the clock's hands? In The Writing of an Hour the poet considers the effort and the deliberateness that brings her to her desk each day. Despite domestic and day job demands and widespread lockdown, Coultas forges connections to the sublime and wonders what it means to be from the Americas. These poems verge on the surreal, transform the quotidian, and respond anew to the marvelous. The Writing of an Hour takes the reader on a journey in four sections; from a bedroom to an improvised desk over the North Sea, where she attempts to create an artwork inside an airplane cabin flying over Greenland's rivers of ice. The Mending HourI tied one on, I mean I took my grandmother's apron, its strings and glittery rickrack and I wore it on the streets of the East Village. The apron is a cloak of superpowers, a psychic umbrella I paraded past Emma Goldman's E. 10th St. address, and rang her doorbell for a sip of water. My domestic armor is made of gingham though a woman is still considered an unelectable candidate.

Ver libro

The Atlas of Lost Beliefs

Ranjit Hoskote

Commenting on Hoskote's poetry on the Poetry International website, the poet and editor Arundhathi Subramaniam observes: "His writing has revealed a consistent and exceptional brilliance in its treatment of image. Hoskote's metaphors are finely wrought, luminous and sensuous, combining an artisanal virtuosity with passion, turning each poem into a many-angled, multifaced experience."

Ver libro

Easter - A Drama in Three Acts

August Strindberg

Set against the backdrop of a small college town, the Heyst's familial tensions converge during the holiday weekend; not only is the family's livelihood at stake, but the debt collector has just come into town, the youngest daughter has returned from an institution unprompted, and there's even a question of fidelity to boot. However, against the simplicity of communal gatherings and the warmth of familial bonds, the worries that once seemed insurmountable begin to fade. And through the lens of Easter's promise of renewal, Strindberg suggests that life's burdens may be lighter than they appear, offering a glimpse of hope amidst the chaos of everyday existence.

Ver libro

The Animal in the Room

Meghan Kemp-Gee

LONGLISTED FOR THE GERALD LAMPERT MEMORIAL AWARD
Deer with binoculars, wolves with resumes: bioengineered poetry that unsettles truth, fact, and history.
Animals are strange testing grounds for thinking about subjectivity, language, the body — really, anything you might want to write a poem about. Together, these poems are an evolutionary chart or a little bestiary – about deer, wolves, evolution, environmental collapse, and extinction. Each one stands alone as a contained organism, but like real animals, they share some genetic material with each other. Considering PTSD and anxiety disorder as a kind of animal experience, a self-protective mechanism, these poems embody the selves we see reflected in the natural world’s creatures. Deer are a way of putting fear and trauma outside yourself, wolves a way to understand the instincts of predators.
"Oh the pleasure of inhabiting the mind of an animal like Meghan Kemp-Gee! Her poetry is curious, restless, uneasy, and imaginative; it is also highly disciplined, unfolds in precisely measured lines. Watch for brilliant uses of repetition — the slipperiness of meaning, its ever-doubling character, is on full display, played out in deft linguistic twists. A deadpan delivery amplifies the oddity of what’s encountered: arsenic-drunk wildcats, chlorinated orchids, the 'one painful spot of blue' in a deer’s eye. I can’t say strongly enough how grateful I am to have read this collection; don’t miss it." – Sue Sinclair, author of Almost Beauty: New and Selected Poems

Ver libro