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  Black Oak - Odes Celebrating...

  Harold Green III

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  As he did for Black women in Black Roses, Harold Green III, poet and founder of the music collective Flowers for the Living, now honors the Black men he most admires—groundbreakers including Tyler Perry, Barry Jenkins, Billy Porter, Chance the Rapper, LeBron James, Colin Kaepernick, and John Legend—and celebrates their achievements which are transforming lives and making history. 
  Black men are changing society and the world through mastery, innovation, and inspiration at a pace never seen before. In awe of the myriad ways in which Black men are using their vision and power to remake culture and society, spoken word artist Harold Green began writing odes recognizing the extraordinary accomplishments of a series of Black men, which he shared on his Instagram account—tributes that went viral and became a social media sensation. Black Oak brings together many of these popular odes with original works written for this collection. 
  Divided into five sections—bravehearts, champions, dreamers, guardians, and humanitarians—Black Oak features iconic men who are spearheading movements, fighting for equality, challenging the status quo, embracing fatherhood, providing a transformative model of masculinity for our children, inspiring a new generation of creators, and more. Through these beautifully written verses, Harold does not simply place the Black men in this book on a pedestal, he transcends even the most positive stereotypes to view these men and their accomplishments in a new light, and creates meaningful connections between these beloved figures and the lives and experiences of readers of all backgrounds.  
  Black Oak includes odes to Barry Jenkins, Big K.R.I.T, Billy Porter, Black Thought, Chance the Rapper, Charles Booker, Colin Kaepernick, Dwyane Wade, Edmund Graham III, Eric Hale, Excell Hardy Jr., Harold Green III, Harold Green Jr., Harold Green Sr., Hebru Brantley, Henry Louis Gates Jr., Jamaal Bowman, Jason Reynolds, Jericho Brown, John Legend, Kehinde Wiley, Kerry James Marshall, Kevin Fredricks, Killer Mike, Kyler Broadus, LeBron James, Mahershala Ali, Marc Lamont Hill, Matthew Cherry, Orlando Cooper, Pharrell, Rev. Dr. Otis Moss III, Rev. Dr. William Barber II, Ryan Coogler, Swizz Beatz, Ta-Nehisi Coates, Theaster Gates, Tobe Nwigwe, Tristan Walker, and Tyler Perry. 
  The audiobook edition of Black Oak also includes an exclusive interview between Green, his father, and grandfather about the making of the collection.

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  A God in Need of Help

  Sean Dixon

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  Nominated for the 2014 Governor General's Literary Award for Drama
    
     
    
     It's 1606 and Europe is at war over God. At the behest of the Holy Roman Emperor, Rudolf II, Venice's four strongest men are charged with transporting a holy painting - Albrecht Dürer's  The Brotherhood of the Rosary  - across the Alps to Prague. In the small Alpine village of Pusterwald, they are set upon by Protestant zealots; their escape is attributed to a miracle.
    
     
    
     The strongmen and their captain are summoned to an inquiry, led by the magistrate of Venice and the cardinal archbishop of Milan, to determine whether something divine did indeed occur. Each man's recounting adds a layer of colour to the canvas.
    
     
    
     Through this vividly painted mystery, inspired by true events, Sean Dixon challenges the role of faith at thedawn of the Age of Reason.

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  For Those in the Midst of It -...

  Gloria

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  ...I write for me// If you're a me like me// I write for you too... 
    
  After a few years of writing, Gloria began collecting poems and reflections. This is that collection. They depict snapshots of her journey through life and hurt, love and hope; and God's grace through it all. They were written for her, but also for all those who need to read them. She prays these words inspire and encourage. 
   

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  In the Night Field

  Cameron McGill

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  "All fire and surprise, sadness and forgiveness...I could never say enough about the beauty of this work." —Jericho Brown 
  "Cameron's poems are wonderfully full, energetic, and ardent." —Vijay Seshadri 
  "McGill skillfully navigates the mysteries of relationship, memory, and regret as the best poets do." —Dorianne Laux 
  "It’s been a long time since I have heard the 'god of small thunder' echo so powerfully in a collection." —Campbell McGrath 
  Cameron McGill’s debut collection of poetry, In the Night Field, spotlights the effects of memory: its startling artistry, varied discontents, and casual fallibility. These poems chart the complex relationship between mental health and place; the difficult paths home can be lonely and circuitous, the emotional coordinates we map along the way a reminder of those intimate regions that hold and haunt us. These can be isolating passages, but are just as often fertile: “I walk further each day toward the strange / austerity my heart makes of reason.” Between the attentive, persistent self and the longed-for, absent other arises a fragmented conversation, an exchange that’s in a constant state of arrival. As McGill shows us, memories are a corrective, carrying back to us occasions for instruction, reconciliation, or in those astonishing flashes of clarity, what again hopes to be loved.

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  The Poetry of Rainer Maria Rilke...

  Rainer Maria Rilke

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  René Karl Wilhelm Johann Josef Maria Rilke was born into a troubled marriage on the 4th December 1875 in Prague, then part of the Austro-Hungarian Empire.  His mother, having previously lost a baby girl, would dress the young boy up in girl’s clothing.   
  Later his father dispatched him to a military academy at age 10 but after a miserable 5 years the young Rilke left due to illness and instead entered first Prague and then Munich and finally Berlin university to study art history, philosophy and literature. 
  His initial forays into literature was in poetry.  His intense, mystical and lyrical style was much admired and over time inspired many in succeeding generations.    
  His short prose collection ‘Stories of God’, written in an impassioned burst over several nights was published in 1900 and offers a beguiling view of much of Rilke’s influences and outlook.  
  The following year he married the pioneering sculptor and artist Clara Westhoff.  The union produced one child, a daughter Ruth.   
  He lived in Paris for most of the Century’s first decade where he mixed with many great minds of the time.  Although he continued to write he also worked as a secretary to the sculptor, Rodin.   
  It was only after they settled in Switzerland in 1919 that his writing output was in full flow.  Here he wrote profusely in both German and French, which included much on his previous travels, his left-wing sympathies, his religious and existential thoughts, all part of a unique and consummate style. 
  From 1923 on, Rilke increasingly struggled with his health which was now in constant decline and often spent time rehabilitating at a sanatorium.   
  Rainer Maria Rilke died of leukaemia on the 29th December 1926 in Montreux, Switzerland.  He was 51.

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  The Merry Wives of Windsor

  William Shakespeare

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  First published in 1602 by William Shakespeare, The Merry Wives of Windsor features the popular figure Sir John Falstaff, who first appeared in Henry IV, Part 1 and Part 2. Some speculate that Merry Wives was written at the behest of Queen Elizabeth I, who wanted to see Falstaff in love; and that Shakespeare was forced to rush its creation as a result, and so it remains one of Shakespeare's lesser-regarded plays.
  The play revolves around two intertwined plots: the adventures of the rogue Falstaff who plans to seduce several local wives, and the story of young Anne Page who is being wooed by prominent citizens while she has her sights set on young Fenton. The wives come together to teach Falstaff a lesson, and in the end love triumphs.
  The Merry Wives of Windsor is believed to have been first performed in 1597 and was subsequently published in quarto in 1602, in a second quarto in 1619, and then in the 1623 First Folio. Despite holding a lesser place in Shakespeare's canon, it was one of the first Shakespearean plays to be performed in 1660, after the reinstatement of Charles II and theatre once again was permitted to be performed in London.

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