Otros libros que te pueden interesar

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  Can You Hear Me

  Anna Lyse Erikson

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  Before Guglielmo Marconi came along, there was no practical way to transmit telegraphic messages without wires. But when he harnessed the power of radio waves to send signals over long distances, what had once seemed impossible became a world-changing reality.  
   
  In this original L.A. Theatre Works commission, we’ll get a firsthand, intimate view of the precocious Italian inventor, and what he had to overcome in his quest to revolutionize the way we communicate. 
   
  Can You Hear Me is available as part of L.A. Theatre Works’ Relativity Series of science-themed plays, sponsored by the Alfred P. Sloan Foundation. 
   
  Recorded at The Invisible Studios, West Hollywood in April, 2024. 
   
  Directed by Rosalind Ayres 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast recording, starring: 
   
  Lucy DeVito as Degna Marconi 
  Martin Jarvis as Mr. Preece, King Edward, Captain Smith 
  Kurt Kanazawa as Alfonso Marconi, George Parkin 
  Henri Lubatti as Giuseppe Marconi, Teddy Roosevelt 
  Moira Quirk as Annie Jameson 
  Darren Richardson as George Kemp, Jack Phillips 
  André Sogliuzzo as Guglielmo Marconi and Older Marconi 
  Mark Jude Sullivan as Luigi Solari, Harold Bride, Pagent 
   
  Senior Producer: Anna Lyse Erikson 
  Prepared for Audio by Mark Holden 
  Recorded and edited by Neil Wogenson 
  Designed by Neil Wogenson, Charles Carroll and Mark Holden, and mixed by Charles Carroll for The Invisible Studios, West Hollywood. 
  Technical Advisor and Morse Code Performer: Mark Holden. 
  Senior Radio Producer: Ronn Lipkin 
  Foley Artist: Stacey Martinez 
  Antique Morse Code and radio equipment provided by Ken Holden

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  Tongue of a Crow

  Peter Coyote

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  Peter Coyote’s first collection of poetry takes us on a whirlwind tour of an eclectic and exciting life as an actor and Zen Buddhist priest, meandering from love affairs to marriage to divorce to the Sixties to psychedelic spirituality and beyond.  Written over several decades, these poems read as a collage, each piece distinct and contributing to a cohesive lyric narrative.

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  From My Eye To The Sky

  J.V. Sadler

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  From the author of Licking comes a collection of poetry filled with raw verses that expose a piece of J.V. Sadler’s heart.  
  From My Eye to the Sky places a magnifying glass on U.S. society and forces it to take a look at itself. Unrestrained and unabashed, this collection is a call not only for hope but organized and passionate action toward a better world.  
  Dare to put your eye to the sky. 
  “We shall be free 
  . . . one day 
  We will walk on water 
  . . . one day”

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  The Clearing - Poems

  Allison Adair

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  Winner of the 2020 Max Ritvo Poetry Prize, The Clearing navigates the ever-shifting poles of violence and vulnerability with rich imagination and a singular incisiveness, “asserting feminist viewpoints and mortal terror in lush musical lines” (New York Times).
  
  
  
  The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness. “What if this time,” they ask, “instead of crumbs the girl drops / teeth, her own, what else does she have.”
  
  
  
  Adair sees the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, “from before . . . from a similar injury or kiss.” There is a dark tension in this work, and its product is wholly “an alchemical feat, turning horror into beauty” (Boston Globe).

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  The Poetry of Gerard Manley...

  Gerard Manley Hopkins

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  Gerard Manley Hopkins was born in Stratford, then part of Essex on 28th July, 1844, to deeply religious parents?the first of nine children. 
  The family moved to Hampstead in 1852, near to where John Keats had lived thirty years before.  At age ten the young Gerard was sent to school in nearby Highgate and afterwards to Balliol College, Oxford. 
  Hopkins was unusually shy and reserved and prone to bizarre ideas. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed.  
  In January 1866 Hopkins composed his most ascetic poem, The Habit of Perfection but a few days later he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic and by May 1868 Hopkins firmly "resolved to be religious." Less than a week later, he made a bonfire of his poems and ceased to write for almost seven years.  
  In 1874 Hopkins returned to the Society of Jesus at Manresa House, Roehampton to teach classics. While he was studying in the Jesuit house of theological studies in North Wales, he was asked to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he was moved to take up poetry once more and write a lengthy poem, The Wreck of the Deutschland, inspired by the Deutschland maritime disaster in which 157 people died, including five nuns.  The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry. Most of his poetry remained unpublished until after his death. 
  Hopkins chose the austere and restrictive life of a Jesuit and was at times gloomy. The brilliant student who had left Oxford with a first-class honours degree failed his final theology exam and although ordained in 1877, Hopkins would not progress in the order. That same year he wrote God’s Grandeur, and sonnets including The Starlight Night and finished The Windhover. 
  In 1884 he became professor of Greek and Latin at University College Dublin. His English roots, his disagreement with current Irish politics, as well as his own small stature (5'2"), shy nature and personal foibles meant that he was not an effective teacher. This and his isolation in Ireland deepened his gloom.  
  The final years of his life continued to find him in a depressed state and to restrict his poetic inspiration. His extremely heavy work load coupled with the dislike of living in Dublin, away from England and friends meant his health further deteriorated, even his eyesight began to fail. As a devout Jesuit, he found himself in an artistic dilemma. To subdue any egotism which would violate the humility required by his religious position, he decided never to publish his poems.  
  After suffering several bouts of diarrhoea, Gerard Manley Hopkins died of typhoid fever on 8th June, 1889 at the early age of 44. On his death bed, his last words were, "I am so happy, I am so happy. I loved my life." 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  The Faerie Queene

  Edmund Spenser

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  "Fierce warres and faithful loves shall moralize my song."
  
  Step into the enchanted realm of Faerie Land, a world where every forest path leads to a moral trial and every monster represents a vice of the human soul. Commissioned to celebrate the glory of the Tudor dynasty, Edmund Spenser's masterpiece is one of the longest and most intricate poems in the English language. It follows a series of knights—each representing a particular virtue—as they battle wizards, giants, and their own internal failings.
  
  The Birth of the Spenserian Stanza: Experience the lush, musical beauty of a poetic form invented specifically for this work. Spenser's unique nine-line stanza, with its interlocking rhyme scheme and final "Alexandrine" line, creates a dreamlike pace that mirrors the wandering "errant" journeys of his heroes. This style would go on to influence giants of literature from Byron to Keats.
  
  A Mirror for a Queen: At the heart of the poem is Gloriana, the Faerie Queene, a multifaceted allegory for Elizabeth I. Through characters like the warrior-maid Britomart (representing Chastity) and the Redcrosse Knight (representing Holiness), Spenser provides a manual for "fashioning a gentleman or noble person in virtuous and gentle discipline." It is a work of Arthurian legend, Protestant theology, and political intrigue woven into a breathtaking tapestry.
  
  The ultimate fusion of fantasy and philosophy. Purchase "The Faerie Queene" today and lose yourself in the foundational epic of the English Renaissance.

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