Outros livros que poderiam interessá-lo

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  The Carrying - Poems

  Ada Limón

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  NBCC Award Winner: “The narrative lyrics in this remarkable collection . . . could stand as compressed stories about anxiety and the body.” —The New York Times Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still National Book Award finalist Ada Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.” “Gorgeous, thought-provoking . . . simple, striking images.” —Publishers Weekly (starred review) “Exquisite.” —The Washington Post “Pitch-perfect . . . full of poems to savor and share . . . She writes with remarkable directness about painful experiences normally packaged in euphemism and, in doing so, invites the readers to enter a world where abundant joy exists alongside and simultaneous to loss.” —Minneapolis Star-TribuneWinner of the National Book Critics Circle Award for Poetry

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  Desert of Inspiration - Poems by...

  Roger Blakiston

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  Anyone who has visited Sedona, in the high desert of Arizona, will know that it is one of the most beautiful townships in the world. I am fortunate to live there. My home is nestled midst spectacular scenery, with views of red rocks and ancient vortexes. It is the perfect environment to inspire a poet, and hence the title of this book, Desert of Inspiration. Many of these poems were written while I was out on my daily hikes. 
  The poems are in the exact chronological order that they were written. I averaged writing more than one poem a week over a two year period. You can follow my path of inspiration and imagination during this time. I take you through the four seasons of each year. You will find deep, thoughtful poems; poems of fantasy, and humorous poems, as you explore my magical world. I am a professional magician, but also have a strong connection with the magic and miracles of nature. I was born in Northumberland, England, the son of an Anglican clergyman. As a child, I lived in vicarages with large gardens, and always enjoyed outside activities such as climbing trees, playing amongst wildflowers, and creating rock gardens. I felt my spirit was in tune with Mother Earth and the elementals. During these early years, I was also performing magic tricks and writing poetry. 
  The last two poems were written in March 2020, when planet Earth was in a turbulent time with the pandemic known as COVID-19. How this was all going to play out was unclear when the book was published, but we were certainly going through times of great change. I am hopeful that many good lessons were learned by humanity from this experience. There are powerful, positive, and profound messages hidden within these chapters. By inviting my listeners to look inward, I hope to make them see their true light, where there often appears to be only darkness and shadows. Enjoy the journey!  
  Roger Blakiston

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  Woman at the Crossing

  Susan Okie

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  In the poem that opens her debut collection, Susan Okie recounts an evening in the anatomy lab. Here we witness the depths of her curiosity toward her subject's inner workings. When I tugged on the flexor digitorum tendons, / her fingers partly closed and her thumb /crooked in. I seemed to see the two of us / as if from outside, and could no longer / name the tendons. I felt my fingers / from inside her hand." What to some might feel like harrowing proximity, Okie delivers, in astonishing verse, with wonder and even intimacy. To be sure, Woman at the Crossing is the work of a seasoned practitioner.

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  Fighting the Madness

  Fay van Burg

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  This debut collection is not for the faint of heart, as the poet unpacks the raw pain of the mind. Based on her life experiences, Fay van Burg addresses gut-wrenchingly relatable struggles and painful moments, while fighting for her sanity and wellbeing.  
  Fighting the Madness tackles abstract concepts of hurt and sorrow while taking you on an emotional journey of strength and perseverance.

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  Shakespeare's Greatest...

  William Shakespeare

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  William Shakespeare, long hailed as the history's greatest dramatic writer, has been lauded for his mastery of poetic expression, his insight into the human condition and his deep exploration into the psyche and motivations of his characters. These skills are perhaps best exemplified in the monologues he gives his various protagonists, villains and bit players.   From King Henry V's inspiring speech to his soldiers on the field of Agincourt to the villainous Merchant of Venice Shylock defending his own cruelty, to the shepherdess Phebe from "As You Like It" grappling with her sudden attraction to a young courtier, to Nick Bottom from "A Midsummer Night's Dream," awaking from the strangest dream in history, Shakespeare's monologues are short distillations of his larger themes - love and loss, fairness and inequity, power and envy, lust and purity.   Fort Raphael Publishing is proud to present - in this complete volume - the best of Shakespeare's greatest monologues, each of which captures a shining, brilliant moment from his plays that gives us a deeper understanding of each character, whether flattering, damning or inspiring.   Enjoy this collection of monologues from the greatest theatrical writer in the English language - William Shakespeare - performed by some of the finest classical actors in the business.

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  Deed

  torrin a. greathouse

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  DEED, the follow-up to torrin a. greathouse's 2022 Kate Tufts Discovery Award winning debut, Wound from the Mouth of a Wound, is a formally and lyrically innovative exploration of queer sex and desire, and what it can cost. Sprawling across art, eros, survival, myth, etymology, and musical touchstones from Bruce Springsteen to Against Me!, this new book both subverts and pays homage to the poetic canon, examining an artistic lineage that doesn't always love trans or disabled people back. Written in a broad range of received and invented forms—from caudate sonnets and the sestina, to acrostics and the burning haibun—DEED indicts violent systems of carceral, medical, and legal power which disrupt queer and disabled love and solidarity, as well as the potentially vicarious manner in which audiences consume art. This collection is a poetic triptych centered on the question of how, in spite of all these complications, to write an honest poem about desire. At its core, DEED is a reminder of how tenderness can be made a shield, a weapon, or a kind of faith, depending on the mouth that holds it.[sample text]from EtymythologyI'm clocked by etymology,by the way even stilettos take their namefrom a knife. The way a knife, well-honed,can strip anything to the bone. Bear with me, sometimes even the myths growblurry in the distance. The root of Artemis, goddess of the hunt, is still unknown, but likely comes from artamos—butcher. Let's call this a kind of etymythology,post hoc history; let's call Artemis the root. For her wild heart. Her failedfemininity. Goddess of gender-fuckedgirls. Crooked prayer. The word worship is shaped from two shards—meaning worth & its giving. A mouth gives faith shape like clay. I mean that to pray is to god a God. To be butch & butcher the myth of a son, was to makea goddess of myself.

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