Otros libros que te pueden interesar

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  [squelch procedures]

  MLA Chernoff

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  In [SQUELCH PROCEDURES], MLA Chernoff contemplates the ways that trauma, poverty, and strict gender norms rupture the concept of childhood. The tension of multiple meanings in the word “squelch” acts as a guide to Chernoff’s unique voice, which uses language to swaddle intrusive thoughts and mimic defense mechanisms such as avoidance, depersonalization, and derealization. [SQUELCH PROCEDURES] is an ambitious attempt to show how healing and regression are often indistinguishable, while the past is always predisposed to happen more than once: first as tragedy, then as farce.

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  The Hound of Heaven - An ode...

  Francis Thompson

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  A gloriously talented poet who although now almost forgotten wrote verse that is still powerful and prescient

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  The Infernal Garden

  Gregory Leadbetter

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  In The Infernal Garden, Gregory Leadbetter's poetry leads us into dark and verdant places of the imagination, the edge of the wild where the human meets the more-than-human in the burning green fuse of the living world. This liminal ground becomes a garden of death and rebirth, of sound and voice, in poems that combine the lyric with the mythic, precision with mystery.
  Responding to the intricate crisis in our relationship to our planet and the life around us, the garden here assumes a haunting, otherworldly aspect, as a space of loss, grief and trial, which nonetheless carries within it the energies of regeneration and growth. At the heart of this bewitching book is the force of language itself – at once disquieting and healing – through which we are drawn to the common roots of art, science, and magic, in exquisite poetry of incantatory power.
  "This is heavy-metal poetry, dark and decidedly theatrical." - Jeremy Wikeley, 'The best poetry books of 2025 so far', The Telegraph.

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  If I Didn’t Love the River - Poems

  Robert Priest

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  In this virtuoso display of sonnets, free verse, prose poems, villanelles, ghazals, and aphorisms, People’s Poet Robert Priest makes it clear why the Pacific Rim Review has called him “surely the most imaginatively inventive poet in the country.” A profound meditation on love, death, sex, and sickness, If I Didn’t Love the River speaks directly to the polarizations of our time. Priest’s mastery of dark satire, lyric ebullience, erotic verse, and the pithy maxim is as gratifying as it is unique and will appeal to the yearning for poetry, which so often goes unsatisfied in the reading public. No emotional territory — from angst, anger, anguish, and despair to whimsical delight — is off-limits here. Intent on releasing reverberations from the full depths and heights of what it is to be human, this is Robert Priest at his protean best.

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  Multitudes

  Margaret Christakos

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  Poet Margaret Christakos, throughout her eight previous poetry collections, has created ruptures and splices inside of and against the limits of the confessional lyric, often using recombinatory procedures, cyclical and serial structure, and enmeshing intimate vernacular with highly aestheticized language in writing that explores maternality, sexuality and intimate address.
     
  In her new collection, Multitudes –Â?Â? where cellphone tweets snipe 'y wd I nd/ 2 spk 2 u?' alongside echoes of aria, chant and dirge –Â?Â? Christakos freshly pairs Whitman's 'Song of Myself' with an inquiry into the subjective thresholds of digital social media, where individuals conduct flamboyant acts of self-Â?portraiture, testimonial, self-Â?commodification, erotic selfÂ?-dispersal and indelible spectacle.
     
  Multitudes is a moving, witty, poetic foray into a modern frontier of public spaces (city hall square, park, cemetery, bicycle path), poetic forms, private longings and virtual relocations. With her trademark linguistic sonar, Christakos amplifies the capacity of language to discern an almost inherent swingdoor between 'moaning' and 'meaning,' while casting a discouraged eye on how human discernment is used to rigidify recognitions, inviting citizens to turn from ethical social activism to snitch on their Facebook friends after an urban hockey riot.
     
  'Alphabetic dismantling, syntactic play, essaying words backwards and 4words (as she might say), Christakos manifests forensic clarity and telegraphic fortitude in this unsettling work.' Â?– Rachel Blau DuPlessis

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  Asbestos Heights

  David McGimpsey

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  Winner of the 2015 Quebec Writers' Federation's A.M. Klein Prize for Poetry
     
  If you tore off the tops of canola --yellow canola flowers -- would youjump in a tub of canola margarinejust to make the best of despair?
     
  Implored by concerned readers to be 'classy' and 'real' for once, David McGimpsey has composed a sequence of canonical note­books on all things 'poetic' and 'poetical.' Birds! Flowers! History! Sad leaders! The word 'aubade'! They're all here, in a serial, State Fair-bound collection of lyrics set in the working­-class belvedere of Asbestos Heights.
     
  Among the refreshing lemon-­lime sodas of the world and the rousing lyrics to 'Bootylicious,' Asbestos Heights amps up McGimpsey's trademark sideswiping of formal rhetoric and prosody with pop savoir faire to �*nd his boldest collection. Imagine Petrarch in a Tweet war about where to buy a good pair of dad jeans. Imagine Yeats but with a lot fewer swans. Imagine a poet who was told long ago that nothing good ever comes out of a place like Asbestos Heights.
     
  'David McGimpsey is unfuckwithable, poetry­wise, and I'll stand on John Ashbery's coffee table in my cowboy boots and say that.'-- Michael Robbins
     
  'McGimpsey’s book is a masterful display of formal unity ... The work addresses the devalued currency of the overeducated, but underemployed, poet of art-culture, juxtaposing this experience with the esteemed currency of the undereducated, but overemployed, star of pop-culture ... It is also a book of significant pathos and submerged emotion.'– QWF A.M. Klein Poetry Prize jury citation

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