Other books that might interest you

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  Kentucky Wonder

  Ronald Franklin Saia

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  Kentucky Wonder is a compilation of 70 poems written and read by Ronald Franklin Saia about love, family experiences, and the wonders of God. Some poems will bring tears, some poems will make you laugh, and some will draw you closer to our Lord. Most of all, this audio-book will bring you joy! 
  Ronald Franklin Saia was born a grandson to an Italian from Sutera, Sicily. Growing up in rural Kentucky gave Ronald a deep feeling in his soul for the outdoors. He hunted, trapped, rode his buckskin mare Old Beauty, slept under the stars, and cooked super over an open camp fire. He is a real American partriot. While Ronald worked his way through college, he lived at home with his precious mother, Mary, and father, Victor. What a blessing it was for God to have chosen them for his parents. 
  For a time, he worked in Venezuela where he met his wife, Barb. He has traveled in South and Central America, and Europe. Ronald's inspirational poetry is straight from his heart and represents a true appreciation for creation and God's works along with life's experiences and personal observations. 
  ©2014 Roanld Franklin Saia (P)2014 Ronald Franklin Saia

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  Alexi Kaye Campbell Plays: One

  Alexi Kaye Campbell

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  A collection of five plays by Alexi Kaye Campbell.
  The premiere of The Prideat the Royal Court Theatre in 2008 marked the emergence of Alexi Kaye Campbell as a distinctive new talent. With its bold and ingenious structure and its daring take on sexual politics in the 1950s and today, the play combined thrilling dramaturgy with profound insight into the affairs of the human heart. It went on to win an Olivier Award, the Critics' Circle Award for Most Promising Playwright, and the John Whiting Award for Best New Play, and was revived in the West End in 2013.
  Published here alongside that remarkable debut are Alexi's four subsequent plays, which together demonstrate his rare ability to harness theatricality in pursuit of emotional truth.
  Apologia(Bush Theatre, London, 2009; revived in the West End in 2017), a perceptive look at what has happened to 1960s idealists and their children. 'Sharp, funny, wise and humane, Alexi Kaye Campbell is a writer to cherish' Telegraph
  The Faith Machine (Royal Court, 2011), an exploration of the relationship between faith and capitalism that asks fundamental questions about the true meaning of love. 'An urgent play of expansive ambition and largeness of spirit' Guardian
  Bracken Moor (Tricycle Theatre and Shared Experience, 2013), a haunting tale of grief and denial, set against the economic crisis of the 1930s. 'A superior kind of ghost story… intellectually as well as emotionally haunting' The Stage
  Sunset at the Villa Thalia (National Theatre, 2016), a passionate and deeply personal play about the impact of foreign influence, planned and unintentional, on a nation and its people. 'This play is a winner, a thought-provoking slow-burn story that works on many levels' The Times
  Also included is an introduction by the author.

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  Cinderella

  Philip Wilson, Jason Carr

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  'I will marry whoever this slipper fits!'
  In this spellbinding retelling of the classic folk tale, we're introduced to some familiar characters: a young, neglected heroine, a wicked stepfamily, and a handsome prince in search of a wife and a missing slipper.
  But wait! There are also three magical dresses, a wish-giving tree, and help for Cinderella from a very unexpected source…
  Packed with thrilling theatricality, delightful comedy and charming original songs, this refreshing adaptation of Cinderella was written for Chichester Festival Youth Theatre by Philip Wilson with music by Jason Carr. It was first performed in 2024 by a cast of over seventy young people. It offers rich opportunities to theatre companies looking for a flexible, family-friendly fairytale which is just the right fit.

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  Sometimes Therapy Isn’t Enough

  D. R. Nguyen

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  “Sometimes Therapy Isn’t Enough” finds the author coping with mental health struggles through poetry. The book is divided into four chapters taking the reader on a raw emotional journey through anxiety, addiction, depression, and grief. 
  “Some people are so broken  
  They mistake abuse  
  For love”

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  Open Book An

  Orson Scott Card

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  The first collection of poems by one of the world’s best-loved writers. 
  Orson Scott Card, the author of Ender’s Game, Enchantment, and the Alvin Maker series, did not originally plan to write fiction. He spent his journeyman years as a playwright. Before that, however, it was poetry that engaged his pen. 
  Never content to write just one thing, Card has continued writing poetry along with his more well-known work in other forms. He has submitted little of it for publication, because there are no journals that seem to welcome the kind of poetry he values. 
  An Open Book, Card’s first published collection, is selected from thirty-five years of poems. The title reflects his attitude that this book and all the poems in it remain works in progress. 
  It also reflects Card’s commitment to clarity, especially in poetry. As he says in his afterword: “To be clear and yet also say something worth saying is what I believe poets should strive for. 
  “The first reading should reward the reader. If later readings reveal new insights, so much the better; but if the first reading did not achieve Dryden’s recipe of sweetness and light, why should a reader return for a second pass?” 
  Being an open book, this audiobook edition also features poems not included in the original print edition.

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  Here in the (Middle) of Nowhere

  Anastacia-Renee

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  In this bold hybrid collection of poetry, flash fiction, and Afrofuturism sci-fi, the award-winning interdisciplinary writer and author of Side Notes from the Archivist explores what happens when god is a Black woman in a town. What happens when there are multiple universes in the middle of nowhere? 
  And what if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth? 
  These are just a few of the questions Anastacia-Reneé asks in this daring and mind-bending hybrid collection. Hers is a universe of striking variety—monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all—as well as community and connectedness. 
  With a prose storyline and characters that connect through family, time, and place, Anastacia-Reneé paints world(s) rich with wonder and the paranormal as she peers into the lives of everyday people and spectacular creatures inhabiting not just our neighborhoods, but other dimensions. Here in the (Middle) of Nowhere is about interstellar ancestry, community and spirituality. It is about the things we invoke, conjure, and rely on to maintain joy as we keep it moving through difficult eras. Anastacia-Reneé’s power imbues her spellbinding storytelling with lovingly rendered characters brought to life in lyrical poetry. She builds worlds within worlds and dares us to fully see and love ourselves in all our complexity.

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