Other books that might interest you

• 

  Once Upon A Time in Nazi...

  Josh Azouz

  • 0
  • 0
  • 0

  1943. Four months into the Nazi occupation of Tunisia. You're imprisoned in a labour camp. You're buried up to your neck in earth. You're dying of thirst, you miss your wife, and your best friend just pissed on your face. How could things possibly get any worse?
  Josh Azouz's Once Upon A Time in Nazi Occupied Tunisia is a brutally comic play about home and identity, marriage and survival, blood and feathers. It was first produced at the Almeida Theatre, London, in August 2021, directed by Eleanor Rhode.

  Show book

• 

  Fort Laramie Collection 1

  Black Eye Entertainment

  • 0
  • 0
  • 0

  Fort Laramie  is an adult-oriented Western radio series that aired Sunday afternoons on the CBS radio network from January 22 to October 28, 1956.  Produced and directed by Gunsmoke's  Norman Macdonnell, this realistic Western drama depicted life at Fort Laramie, an important stop on the Oregon, California and Mormon trails as well as a staging point for various military excursions during the 19th Century. In 1849 the Fort was taken over by the United States Army to protect the many wagon trains of migrant travelers on the trail. The Fort was located across the North Platte River from the town of Laramie, at the mouth of the Laramie River.  The series starred Raymond Burr as Lee Quince, captain of the cavalry.  Regulars included: Vic Perrin, Harry Bartell, Jack Moyles, Howard McNear, Sam Edwards, John Dehner, John McIntire, Virginia Gregg, James Nusser, Parley Baer and Barney Phillips.  Amerigo Marino supplied the music. The scripts were mostly written by John Meston, Kathleen Hite, Les Crutchfield and John Dunkel.  
   
  5/20/56 “Gold” 5/27/56 “Sergeant Gorce’s Baby” 7/1/56 “Trooper’s Widow” 7/8/56 “The Talented Recruits” 7/15/56 “The Old Enemy” 7/22/56 “Spotted Tail’s Return” 7/29/56 “Nature Boy” 8/5/56 “The Massacre” 8/12/56 “Assembly Line” 8/19/56 “Goodbye Willa” 8/26/56 “Chaplain” 9/2/56 “The Return of Hattie Pelfrey”

  Show book

• 

  Tertulia

  Vincent Toro

  • 0
  • 0
  • 0

  Vincent Toro’s new collection takes the Latin American idea of an artistic social gathering (the tertulia) and revisesit for the Latinx context in the United States. In verses dense with juxtaposition, these poems examine immigration,economics, colonialism, and race via the sublime imagery of music, visual art, and history. Toro draws from his ownsocial justice work in various U.S. cities to create a kaleidoscopic vision of the connections between the personaland the political, the local and the global, in a book that both celebrates and questions the complexities of thehuman condition.

  Show book

• 

  The Normal Heart and The Destiny...

  Larry Kramer

  • 0
  • 1
  • 0

  Two award-winning plays from the legendary activist and dramatist who has been called “one of the best writers of our times.” (Lambda Book Report)  The Normal Heart, set during the early years of the AIDS epidemic, is the impassioned indictment of a society that allowed the plague to happen, a moving denunciation of the ignorance and fear that helped kill an entire generation. It has been produced and taught all over the world. Its companion play, The Destiny of Me is the stirring story of an AIDs activist forced to put his life in the hands of the very doctor he has been denouncing.  The Normal Heart was selected as one of the 100 Greatest Plays of the Twentieth Century by the Royal National Theatre of Great Britain  The Destiny of Me was a finalist for the Pulitzer Prize, a double Obie winner, and the recipient of the Lucille Lortel Award for Best Play of the Year.   Introduction by Tony Kushner.   “Wired with anger, electric with rage. . . . Powerful stuff.” —The Boston Globe

  Show book

• 

  Jarrem Lee - Ghost Hunter - The...

  Gareth Tilley

  • 0
  • 0
  • 0

  In science one reasons by analogy, so when mankind is confronted by experiences entirely beyond its understanding it takes an individual with intelligence and bravery in equal measure to push back the boundaries of the unknown…In London, in the 1900s, the solutions to supernatural occurrences were investigated by a man who was famous for his dealings with the unknown and the worlds of the dead:  
  Jarrem Lee - Ghost Hunter, (or as he prefers to call it, a psychical detective). With the help of college student Arthur Bennett, he embarks on a series of spine-tingling and exciting adventures in the world of the dead.  
  Episode 21 - "The Suicides at Sevens Hall" - A terrible curse hangs over the Harkindale family causing each successive heir of Sevens Hall to commit suicide. When Jarrem Lee is contacted by the latest victim, he agrees to stay at the Hall and confront the dark spectre which haunts the family. Based on the story by E and H Heron.  
  Episode 22 - "The Fear Of Knowing" - Jarrem Lee is used to confronting ghosts, but when the spectra claims to be himself with a warning from the future, it complicates matters. Is this ghost to be believed, or is Lee but a pawn in a more intricate game?  
  Episode 23 - "The Call of The Dead" - When a wife dies, it's natural that a husband should grieve, but Robert Castlewood isn't in mourning, he's convinced he can still speak to his dead wife.  
  Episode 24 - "The Sacrifice" - When Sir Henry Redhill is mysteriously assassinated, the Home Secretary calls in Jarrem Lee to investigate. Why? Because the killer was already dead.

  Show book

• 

  New Labour (NHB Modern Plays)

  Marcelo Dos Santos

  • 0
  • 0
  • 0

  Getting pissed, getting laid, getting by.
  The adventures and misadventures of a group of graduates working in a North London call centre: Alice wants to be a singer, Liam wants to travel, Rob wants to make a killing and Sally's been there too long but it's okay, it's not forever, is it? Is it?
  New Labour is a comedy drama about being young, working in a shit job, living in debt, and all the funny and sad things you do to cope. It's about the modern workforce – the children of New Labour; their hopes, their realities.
  First performed by students of the Royal Academy of Dramatic Arts, London, in 2014, directed by Richard Wilson, it provides rich opportunities for drama schools and youth theatre groups to perform.

  Show book