Outros livros que poderiam interessá-lo

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  The Atlas of Lost Beliefs

  Ranjit Hoskote

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  Commenting on Hoskote's poetry on the Poetry International website, the poet and editor Arundhathi Subramaniam observes: "His writing has revealed a consistent and exceptional brilliance in its treatment of image. Hoskote's metaphors are finely wrought, luminous and sensuous, combining an artisanal virtuosity with passion, turning each poem into a many-angled, multifaced experience."

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  Keeping Count

  M. Travis Lane

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  Keeping Count, M. Travis Lane’s 18th collection of poetry, begins in the poet’s favourite terrain: short, condensed lyric that focuses on the natural world. “But pull a thread: music turns” Lane writes, and the book progressively defamiliarizes the reader, moving from ecopoetry to a longer poetry of interiority in the second section, concluding with a final section that focuses on issues of mortality. As George Elliott Clarke has written so aptly, “If you have not read Lane before, prepare to travel: Like T.S. Eliot, she wants you to have a transporting experience in your imagination. If you have read Lane before, prepare for fresh astonishment. She is Homeric breadth and Sapphic brevity."

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  A View from the Bridge

  Arthur Miller

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  Italian-American immigrant life in the 1950’s textures this searing drama of love and revenge. Longshoreman Eddie Carbone is devoted to his wife, Beatrice and to his niece, Catherine. When Beatrice’s impoverished Sicilian cousins enter the U.S. illegally, in hope of finding work, Eddie gives them a helping hand. But when Catherine and one of the cousins fall in love, Eddie’s affection for his niece turns into obsession. 
   
  An L.A. Theatre Works full-cast performance featuring Charles Cioffi, Harry Hamlin, Jamie Hanes, Mary McDonnell, Peter Morse, Ed O'Neill, Amy Pietz and Don Tieri.

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  The Poetry of John Dryden -...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire and grew up in a nearby village.  In 1644 he was sent to Westminster School as a King's Scholar and then obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden found work with Cromwell's Secretary of State, John Thurloe.  At Cromwell's funeral on November 23rd 1658 he found company with the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. Later that year he published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric and with the re-opening of the theatres he began to also write plays. His first, The Wild Gallant, appeared in 1663 and whilst not successful, he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.    
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London.  This work established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate in 1668 and a couple of years later, historiographer royal (1670) as his talent encompassed many forms; from Poetry to Plays to translations. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Henry the Fourth

  William Shakespeare

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  This updated edition offers a strongly theatrical perspective on the origins of Shakespeare's The First Part of King Henry IV and the history of its interpretation. The introduction clarifies the play's surprising, de-centred dramatic structure, questioning the dominant assumption that the drama focuses on the education of Prince Hal. It calls attention to the effects of civil war upon a broad range of relationships. Falstaff's unpredictable vitality is explored, together with important contemporary values of honour, friendship, festivity and reformation. Extensive lexical glosses of obscure, ambiguous or archaic meanings make the rich wordplay accessible. The notes also provide a thorough commentary on Shakespeare's transformation of his sources (particularly Holinshed's Chronicles) and suggest alternative stagings. This updated edition contains a new introductory section by Katharine A. Craik, which describes recent stage, film and critical interpretations, and an updated reading list.

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  Love's Labour's Lost

  William Shakespeare

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  Step into the enchanting world of Shakespeare's "Love's Labour's Lost" with our captivating digital audiobook. Immerse yourself in the whimsical and witty tale of four young men who vow to abstain from love, only to have their resolutions tested when they encounter a group of equally clever and charming women. With a stellar cast of narrators who bring Shakespeare's poetic genius to life, you'll be transported to a realm of laughter, romance, and linguistic brilliance. Whether you're a lifelong Shakespeare enthusiast or a newcomer to the Bard's work, this audiobook is a delightful way to experience the timeless charm of "Love's Labour's Lost" in a convenient and engaging format.

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