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  I Will Get Up Off Of - Why We...

  Simina Banu

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  Overthinking simple actions leads to overwhelming poems about what one can lean on if promised help doesn’t help 
  I Will Get Up Off Of is a book about trying to leave a chair. How does anyone ever leave a chair? There are so many muscles involved – so many tarot cards, coats, meds, McNuggets, and memes. In this book, poems are attempts and failures at movement as the speaker navigates her anxiety and depression in whatever way she can, looking for hope from social workers on Zoom, wellness influencers, and psychics alike. Eventually, the poems explode in frustration, splintering into various art forms as attempts at expression become more and more desperate. What is there to lean on when avenues promising help don’t help? Bell may want to #talk but does it want to listen? I Will Get Up Off Of explores the role art plays in survival and the hope that underlies every creative impulse. 
  "The voice of these poems moves like a magical fish trapped in a small square bowl, dazzlingly alive inside an almost annihilating constriction. These poems play a serious game in a tight space, caught in the looping limbo between intention — 'I will…' 'I will…', 'I will…'— and action. Simina Banu’s skill and humour animate every line and gesture within this inventive drama that begins '(I will get up off of) this monobloc but I’ve been sentenced…' Sentenced to form and to language, Banu gives us a mind thinking its way toward freedom." – Damian Rogers, author of Dear Leader

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  Pygmalion

  Bernard Shaw

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  Bernard Shaw's Pygmalion is a witty and thought-provoking play that explores themes of social class, transformation, and the power of language. First performed in 1913, the play remains one of Shaw's most celebrated works, blending comedy with sharp social critique.The story follows Professor Henry Higgins, a phonetics expert, who makes a bet with his friend, Colonel Pickering, that he can transform a poor flower girl, Eliza Doolittle, into a refined lady simply by teaching her proper speech and manners. Eliza, eager to improve her station in life, agrees to the experiment. However, as her transformation progresses, she begins to question her own identity and independence.Shaw cleverly satirizes the rigid British class system, highlighting the superficiality of social status. He emphasizes that one's position in society is often determined by external factors such as language and appearance rather than intelligence or character. Eliza's journey raises important questions about self-worth, agency, and the true meaning of personal change.Unlike the traditional Pygmalion myth, where the sculptor falls in love with his creation, Shaw subverts expectations by making the relationship between Higgins and Eliza complex and ambiguous. While Higgins views Eliza as a project, she ultimately asserts her own autonomy, refusing to be merely a product of his experiment.Pygmalion is a masterpiece of wit and irony, blending elements of romance, drama, and social commentary. Shaw's sharp dialogue and insightful observations on class and gender make the play as relevant today as it was over a century ago. The play later inspired the famous musical My Fair Lady, further cementing its place in literary and theatrical history.With its engaging characters and thought-provoking themes, Pygmalion remains a timeless exploration of identity, transformation, and the human desire for respect and recognition.

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  Fast Talking PI & Other Poems

  Selina Tusitala Marsh

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  A selection of Selina Tusitala Marsh' s most beloved poems, set to music and performed by the poet herself.
  ' She blows in like a song carried on a powerful current: a wild-haired woman, larger than life, carrying a tall carved stick. She loses things in that hair, she says; finds pens in there days after they went missing.'
  — from ' Never Piss Off a Poet' , The Guardian
  Selina Tusitala Marsh is a celebrated poet and performer from Aotearoa New Zealand. Professor and poet laureate, a Pasifika woman who has performed for queens and presidents, Selina says ' poetry is a way to tell our stories and make the invisible visible.'
  This audiobook features the poet performing thirty-six of her most powerful poems, both occasional pieces and selections from the collections Fast Talking PI, Dark Sparring and Tightrope. In ' Guys like Gaugin' and ' Kickboxing Cancer' , ' Airport Road to Apia' and ' Fast Talking PI' , and many more, Selina brings whole new worlds to life.
  All poems written and performed by Selina Tusitala Marsh; all music composed, produced and engineered by Tim Page.

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  The Robbers

  Friedrich Schiller

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  The Robbers is a powerful and dramatic play by German writer Friedrich Schiller, first published in 1781. Widely regarded as one of the most influential works of the German Sturm und Drang (Storm and Stress) movement, the play explores themes of freedom, rebellion, morality, betrayal, and justice. Through intense characters and emotional conflict, Schiller presents a gripping story about two brothers whose opposing choices lead them down drastically different paths.
  
  At the center of the drama are Karl Moor and Franz Moor, brothers who embody two contrasting visions of human nature. Karl, the elder son, is passionate, charismatic, and idealistic, but also impulsive. After being deceived by his manipulative younger brother Franz, Karl believes he has been rejected by his father. Feeling betrayed and cast out from society, he joins a band of outlaws and eventually becomes their leader. Under Karl's command, the robbers claim to fight injustice and corruption, but their actions gradually blur the line between justice and crime.
  
  Meanwhile, Franz Moor represents cold ambition and calculated cruelty. Driven by jealousy and greed, Franz schemes to seize control of his father's estate and eliminate Karl from the inheritance. Through manipulation and deception, Franz creates chaos within the Moor family, revealing the darker side of human ambition and the destructive power of envy.
  
  As Karl leads the robbers through acts of rebellion and violence, he struggles with the moral consequences of his choices. What began as a quest for freedom and justice slowly turns into a tragic journey of guilt and realization. Karl finds himself torn between his ideals and the brutal reality of the life he has chosen. The play builds toward an emotional climax as Karl confronts the consequences of his rebellion and the devastating impact it has had on those he loves.
  
  One of the most compelling aspects of The Robbers is its exploration of moral conflict. Schiller questions whether rebellion against an unjust society can ever truly be righteous if it leads to suffering and destruction. The play forces readers and audiences to consider difficult questions about authority, justice, revenge, and the limits of freedom.
  
  The character of Amalia, Karl's devoted love, adds emotional depth to the story. Her unwavering loyalty highlights themes of love, sacrifice, and tragic fate. As the story unfolds, Amalia becomes a symbol of purity and hope in a world consumed by corruption and violence.
  
  When The Robbers premiered on stage, it caused a sensation across Europe. Its raw emotional intensity, rebellious spirit, and critique of authority resonated strongly with young audiences. The play's themes challenged traditional social structures and reflected the restless spirit of the late 18th century. Today, it remains one of Schiller's most famous works and an important milestone in the development of modern European drama.
  
  Rich with passion, philosophical depth, and dramatic tension, The Robbers is a timeless exploration of human ambition, moral struggle, and the search for justice in an imperfect world. Schiller's vivid characters and powerful storytelling continue to captivate readers and audiences, making this classic tragedy as relevant today as it was more than two centuries ago.

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  Apology for the Life of Mrs...

  Henry Fielding

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  An Apology for the Life of Mrs. Shamela Andrews, or simply Shamela, as it is more commonly known, is a satirical novel written by Henry Fielding and first published in April 1741 under the name of Mr. Conny Keyber. Fielding never owned to writing the work, but it is widely considered to be his. It is a direct attack on the then-popular novel Pamela (November 1740) by Fielding's contemporary and rival Samuel Richardson and is composed, like Pamela, in epistolary form. Shamela is written as a shocking revelation of the true events which took place in the life of Pamela Andrews, the main heroine of Pamela. From Shamela we learn that, instead of being a kind, humble, and chaste servant-girl, Pamela (whose true name turns out to be Shamela) is in fact a wicked and lascivious creature, scheming to entrap her master, Squire Booby, into marriage. (Summary by Wikipedia)CastNarrator: Patti CunninghamShamela: KristingjWilliams: Martin GeesonTickletext: Chuck WilliamsonLucretia: April GonzalesHenrietta: Margaret EspaillatOliver: Algy PugBooby: Herman RoskamsPuff: Bob GonzalezConny: NoelBadrianEditor: Patti Cunningham

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  Dark Beds

  Diana Whitney

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  Diana Whitney’s seductive second collection juxtaposes the conflicted emotions of motherhood and domesticity with the intoxicating promises of transgression. Fantasies fulfilled or imagined play out against the haunted backdrop of Vermont’s woods and fields, a landscape both harsh and magical, conjuring longing and grief, dissolution and repair. Here we see how time is reflected in our bodies, our children, our choices, and the natural world. Dark Beds is an anthem for the “sandwich generation”—tired adults caught between the demands of growing children and aging parents, yearning to reclaim desire and a sense of self. Sensual, elegant, and deeply resonant, these poems lay bare the dark beds of a marriage, a garden, a human life: the intimate places where truths are buried, exposed, and sown again in hope of renewal.

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