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  The Pace of Youth - A complex...

  Stephen Crane

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  Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen.  Incredibly he began writing at the age of four and was published several times by the age of sixteen.   
   
  Crane only began a full-time education when he was nine but quickly mastered the grades needed to catch up and move forward. Although educated at Lafayette and Syracuse he had little interest in completing university and was keener to move on to a career, declaring college to be ‘a waste of time’.  By twenty he was a reporter and two years later had published his debut novel ‘Maggie: A Girl of the Streets’.  In literary circles this was hailed as the first work of American literary Naturalism.  
   
  Two years later, in 1895, he was the subject of worldwide acclaim for his Civil War novel, written without the benefit of any actual war experiences, ‘The Red Badge of Courage’.  It was indeed a masterpiece and his finest hour.  A year later life began its downwards descent when he became embroiled in a scandal which was to doom his career.  In attempting to help a suspected prostitute being falsely charged by a policeman he became the target of the authorities. 
   
  Later the same year en-route to Cuba as a War Correspondent he met the hotel madam Cora Taylor in Jacksonville, Florida.  This was to become the defining relationship of his life.  Continuing his journey, somewhere between Florida and Cuba his ship sank, and he was cast adrift for several days.  Rescued, he returned to cover conflicts wherever they were situated, some as far away as Greece.  For a time he lived in England with Cora, usually beyond their means, befriending fellow writers such as H G Wells and Joseph Conrad.    
   
  In declining health and beset by money problems, Stephen Crane died of tuberculosis, aged a mere 28 on 5th June 5, 1900, at Badenweiler, Germany. He is buried in New Jersey.

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  The Iliad

  Homer

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  The Iliad is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the Odyssey, the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. Set towards the end of the Trojan War, a ten-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the siege's final weeks. In particular, it depicts a fierce quarrel between King Agamemnon and a celebrated warrior, Achilles. It is a central part of the Epic Cycle. The Iliad is often regarded as the first substantial piece of European literature.The Iliad and the Odyssey were likely written down in Homeric Greek, a literary amalgam of Ionic Greek and other dialects, probably around the late 8th or early 7th century BC. Homer's authorship was infrequently questioned in antiquity, but contemporary scholarship predominantly assumes that the Iliad and the Odyssey were composed independently and that the stories formed as part of a long oral tradition. Given widespread illiteracy,audiences were more likely to have heard the poem than read it; it was performed by professional reciters of Homer known as rhapsodes.America.

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  The Prince and the Pauper

  Mark Twain

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  Step into the cobbled streets of 16th-century London in The Prince and the Pauper, Mark Twain’s classic tale of mistaken identity, compassion, and the contrast between privilege and poverty. When two boys—Tom Canty, born in the slums of Offal Court, and Edward Tudor, heir to the English throne—meet and discover their uncanny resemblance, they impulsively swap clothes... and lives. What begins as a game leads to a life-altering adventure as each must navigate a world utterly foreign to them. Through hardship and revelation, they gain a deeper understanding of justice, dignity, and humanity. 
  This abridged edition, narrated with heartfelt nuance by Joe Reeder, brings Twain’s sharp wit and deep empathy to new and seasoned listeners alike. A timeless reflection on class and character, this story speaks just as powerfully today as it did over a century ago.

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  Emma

  Jane Austen

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  Emma, is a novel about youthful hubris and romantic misunderstandings. It is set in the fictional country village of Highbury and the surrounding estates of Hartfield, Randalls and Donwell Abbey, and involves the relationships among people from a small number of families. The novel was first published in December 1815, with its title page listing a publication date of 1816. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian–Regency England. Emma is a comedy of manners, and depicts issues of marriage, sex, age, and social status.Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like."  In the first sentence, she introduces the title character as "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and a happy disposition... had lived nearly twenty-one years in the world with very little to distress or vex her." Emma is spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray.Emma, written after Austen's move to Chawton, was her last novel to be published during her lifetime, while Persuasion, the last complete novel Austen wrote, was published posthumously.The novel has been adapted for a number of films, television programmes and stage plays.Jane Austen was an English novelist known primarily for her six major novels, which interpret, critique, and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favorable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism.

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  The Harvester

  Gene Stratton-Porter

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  A man at one with nature finds himself enchanted by a vision in this classic Midwestern romance from the naturalist and author of The Keeper of the Bees.   David Langston, the Harvester, allows his dog to decide his fate every year—to join the money-making scramble in the noise and grime of the city, or continue harvesting the goldenseal, mullein, and ginseng in the woods around their country home. Every year, his dog Bel chooses correctly—for they are both creatures of the woods.   But this year, there is another matter to ponder. Should Langston remain alone—or should he go courting? There are pros and cons of course—mostly cons—that bang around in Langston’s mind. That is, until he sees a ghostly vision near the lake, a slender dark-haired woman wrapped in robes of white, lovelier than any he has ever seen in his twenty-six years. And then one day he sees her crying in the woods. Ruth Jameson is a girl caught in a bad situation, and Langston finds himself willing to do anything to help her and make her every wish come true.  Praise for the writing of Gene Stratton-Porter   “As famous in the early 1900s as J.K. Rowling is now . . . Her natural settings, wholesome themes and strong lead characters fulfilled the public’s desires to connect with nature and give children positive role models.” —Smithsonian Magazine   “Her narrative is entertaining, her enthusiasm catching.” —The New York Times

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  A Doll's House

  Henrik Ibsen

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  Ibsen's "A Doll's House," written two years after "The Pillars of Society," became a sensation and is now widely considered his most famous play. Required reading in many secondary schools and universities, the play was highly controversial upon its release due to its sharp criticism of 19th Century marriage norms. Despite following the structure of a traditional well-made play, the play breaks convention by ending with a discussion instead of an unraveling in its final act. Although Ibsen himself denied it, "A Doll's House" is often referred to as the first true feminist play.

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