Other books that might interest you

• 

  Ireland's Master Storyteller -...

  Eamon Kelly

  • 0
  • 0
  • 0

  In this collection, actor and seanchaí (traditional storyteller) Éamon Kelly's finest stories are collected for the first time: stories of the real Kerry and the magical past of the Gobán Saor, the heartbreak of emigration, the stations, the priests, the courting and dancing, the war between the sexes. Kelly mines a rich seam of humour and sadness out of resilience of a people rich in hospitality and generosity, imagination, culture and tradition.

  Show book

• 

  Mike Nelson's Mind Over Matters

  Michael J. Nelson

  • 0
  • 0
  • 0

  Why do some people retain cute baby-talk names for their relatives (like "Num-Num" and "Pee-Paw") well into middle age? How should a reasonable person respond when Olivia Newton-John sings, "Have you never been mellow?" Who's responsible for the sorry state of men's fashion, and is it the same guy who invented the jerkin? Is there any future in being a Midwesterner? Can you really enjoy your lunch when the restaurant is decorated to look like an African plain? How come women keep dozens of bottles and jars of moisturizers, unguents, and lotions around -- all of them half empty? In more than 50 hilarious all-new essays, one of America's brightest young humorists -- the head writer and on-air host of the legendary TV series Mystery Science Theater 3000 -- finds the fun in all aspects of the human condition, no matter how absurd. Join Mike Nelson on an angst-filled visit to a health spa; shopping sessions at Home Depot and Radio Shack; adventures in the very amateur musical theater; a gut-busting discourse on the history of television; ruminations on his roles as husband, father, and citizen; and much, much more.

  Show book

• 

  What Just Happened? - Bitter...

  Art Linson

  • 0
  • 0
  • 0

  This film producer’s honest, hilarious behind-the-scenes memoir “details the planning, handholding and power games involved in making movies” (Publishers Weekly). 
   
  Art Linson has had a hand in producing some of the most unforgettable films of the past half-century—Fast Times at Ridgemont High, The Untouchables, Fight Club—and has worked with some of America’s finest actors and directors. In what the Los Angeles Times calls “a breezy anatomy of ritual humiliation,” his memoir gives us a brutally honest, funny, and comprehensive tour through the horrors of Hollywood.  
   
  “Art Linson puts a film freak exactly where he or she wants to be: in the Fox screening room during the studio brass’s horrified first look at Fight Club…Linson gives readers a glimpse into a bizarre world where ‘It’s good’ is the absolute worst thing you can say about a movie.” —Entertainment Weekly 
   
  “A hoot.”—The Philadelphia Inquirer 
   
  Includes a new interview of Art Linson by Peter Biskind and the screenplay of the film version

  Show book

• 

  I'm Just Dead I'm Not Gone

  Jim Dickinson

  • 0
  • 0
  • 0

  I'm Just Dead, I'm Not Gone chronicles Jim Dickinson's extraordinary life in the Memphis music scene of the fifties and sixties and how he went on to play with and produce a rich array of artists, including Aretha Franklin, the Rolling Stones, Ry Cooder, Duane Allman, Arlo Guthrie, and Albert King. With verve and wit, Dickinson (1941-2009) describes how his trip to Blind Lemon's grave on the Texas flatlands as a college student and how that encounter inspired his return to Memphis. Back home, he looked up Gus Cannon and Furry Lewis, began staging plays, cofounded what would become the annual Memphis Blues Festival, and started recording.The blues, Elvis, and early rock 'n' roll compelled Dickinson to reject racial barriers and spurred his contributions to the Memphis music and experimental art scene. He explains how the family yardman, WDIA, Dewey Philips, Furry Lewis, Will Shade, and Howlin' Wolf shaped him and recounts how he went on to learn his craft at Sun, Ardent, American, Muscle Shoals, and Criteria studios from master producers Sam Phillips, John Fry, Chips Moman, and Jerry Wexler.

  Show book

• 

  Quick & Clever Watercolour Pencils

  Charles Evans

  • 0
  • 0
  • 0

  The British artist and TV personality shows you how to get the very best results from watercolour pencils wherever and whenever you choose to create.   Watercolour pencils are versatile, fun and easy-to-use no matter where you are. In Quick & Clever Watercolour Pencils, Charles leads you through the entire process of learning how to use these invaluable tools effectively, revealing his ingenious tips and tricks along the way.    Packed with information on tools, materials and techniques  Varied projects for outdoors and indoors, ranging from simple landscapes to more complex compositions, and from pets to buildings  Inspirational pages from Charles’ own sketchbooks that clearly demonstrate the immediacy of this medium   

  Show book

• 

  The Sopranos Sessions - A...

  Matt Zoller Seitz, Alan Sepinwall

  • 0
  • 0
  • 0

  New York Times–Bestseller: “The authors’ interviews with Chase are endlessly illuminating . . . the definitive celebration of a show that made history.” —Kirkus Reviews 
   
  On January 10, 1999, a mobster walked into a psychiatrist’s office and changed TV history. By shattering preconceptions about the kinds of stories the medium should tell, The Sopranos launched our current age of prestige television, paving the way for such giants as Mad Men, The Wire, Breaking Bad, and Game of Thrones. As TV critics for Tony Soprano’s hometown paper, New Jersey’s The Star-Ledger, Alan Sepinwall and Matt Zoller Seitz were among the first to write about the series before it became a cultural phenomenon.  
   
  Now they have reunited to produce The Sopranos Sessions, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors’ archival writing on the series, The Sopranos Sessions explores the show’s artistry, themes, and legacy, examining its portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to other cinematic and television classics.  
   
  “Includes highly detailed recaps of each episode [and] a debate about the much-discussed final moment of the final episode.” —The New York Times 
   
  “Excellent . . . an enjoyable read.” —The Irish Times

  Show book