Outros livros que poderiam interessá-lo

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  God of All Flying Things:...

  Rachel Devenish Ford

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  God of All Flying Things is a gentle companion for those seeking God in the midst of lives full of beauty, longing, and mystery. 
  In this intimate collection of prayers and poems, Rachel Devenish Ford writes from the quiet spaces of her devotion to Christ. These are the words of someone who has sat quietly in sorrow, who has shouted prayers into the dark, and who keeps looking for the presence of God in birdsong, breath, and daily bread. 
  Alongside her poems, Rachel shares original paintings made during times of meditation. These are visual prayers that speak of reaching, belonging, and finding a dwelling place within the soul. 
  Whether you are feeling full or empty, certain or in the whirl of mystery, this book is an invitation to connection with the Divine Presence. 
  From the Author: 
  “I want this book to be kind and fierce. I want it to breathe. I want it to be human. I want it to reflect God's goodness, warmth, and love. 
  We, looking at God, have so many voices. We reflect the brilliance of God in our cells. 
  I am one voice, one of so many. So many people, alive or long passed, have encouraged me when my heart needed it. My voice also sings, and I want to show you my songs. 
  These are the poems of my attachment, the long, wandering relationship I have had with Christ. These are the poems of my wrestling. There are so, so many poems of love. Adoration. Longing. Resilience. Wisdom. Justice. Worship. These are the prayers I needed to shout. Dear friend, these poems are for you.”

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  Born in the USA - Exploring...

  Wallace Stevens, Edith Wharton,...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in the prosaically named Mid-Atlantic region.  Within its boundaries, which have never been authoritatively agreed, are New York, New Jersey, Delaware, Maryland, and Virginia.  Therefore it is easy to wax lyrical on what, and how, our esteemed poets including Walt Whitman, Frances W Harper, Edith Wharton, Willa Cather, William Carlos Williams and Herman Melville have penned in their gloried verse on the societies and lands before and around them.

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  The Boy - Special Edition

  Anônimo

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  This audiobook is narrated by an AI Voice.   
  A brutal coming-of-age Western set in blood, dust, and redemption. The Boy follows a young Black gunman forged by tragedy and raised by an outlaw prospector in a violent American frontier where justice is paid for in gunfire, silence, and consequence. 
  When the boy’s father—feared across the territory as the man who could outdraw any living soul—is murdered and left without dignity, the boy swears revenge. Guided only by harsh lessons, instinct, and the code of the dying West, he grows into a quiet storm: patient, disciplined, and lethal. 
  But revenge is never simple, and the trail forces him to confront more than his father’s killer. Along the way he finds love, betrayal, cruelty, unexpected mercy, and the terrifying truth that a man must decide whether violence defines him—or frees him. 
  Dark, poetic, and cinematic, The Boy blends Western grit with emotional depth and cultural legacy. It explores the cost of survival, the burden of history, and the myth of the gunfighter through a voice both intimate and unforgiving. 
  For listeners who enjoy Cormac McCarthy, Sergio Leone stylings, or stories rooted in justice, rage, and resilience, this is a Western that doesn’t just aim—it hits.

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  The Poetry of Robert Herrick -...

  Robert Herrick

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  The Clergyman and poet, Robert Herrick was born in Cheapside, in London in 1591. An exact date is not known though he was baptized on August 24th, the seventh child of Nicholas Herrick, a wealthy goldsmith.  
  Some controversy surrounds several chapters in his early years.  The first are allusions that his father, in November 1592, two days after making a will, killed himself by jumping from the fourth-floor window of his house. However, the Queen's Almoner did not confiscate the Herrick estate for the crown as was the usual procedure with suicides, so an alternate narrative emerged that he fell accidentally which seems to have more credence. 
  There is no record of Herrick attending school. Some claim a poem alludes to Westminster School, others merely that he meant Westminster, the area. Another school of thought claims he was educated at Merchant Taylor’s School.  What is known is that in 1607 he was apprenticed to his uncle Sir William Herrick as a goldsmith.   
  Herrick certainly seems to have been a keen and avid poet. The earliest work known to be written by him dates from 1610; 'A Country Life', and deals with the move from London to farm life in Leicestershire.  
  After six years as an apprentice, when Herrick was 22 he matriculated at St John’s College, Cambridge before moving to Trinity College and graduating with his Bachelor of Arts in 1617, Master of Arts in 1620, and in 1623 he was ordained priest.  
  By 1625 he was well known as a poet, mixing in literary circles in London such as that around Ben Jonson. An avowed admirer of Jonson he was also one of a group whom became known as ‘The Sons of Ben’ writing both in his style and about him. 
  In 1629 he was presented by Charles I to the parishioners of Dean Prior, a remote parish of Devonshire. The best of his work was written in the peace and seclusion of country life; 'To Blossoms' and 'To Daffodils' are classical depictions of a devoted appreciation of nature.  
  However, after he refused to subscribe to The Solemn League and Covenant, he was ejected from Devonshire in 1647 and moved to London where he published his religious poems Noble Numbers (1647), and Hesperides (1648). 
  Herrick was distinguished as a lyric poet, and some of his love songs, for example, 'To Anthea' and 'Gather Ye Rose-buds' are considered exceptional.  
  By 1660 he was reinstated at Dean Prior where he lived for the remainder of his life. He wrote no more poems after 1648 but over his life it is thought he wrote in the region of 2,500 poems in total, only a small portion of which were ever published. 
  He died in October 1674, at the age of 83 in circumstances unknown.  He was buried on October 15th, 1674 in an unmarked grave in the churchyard at Dean Prior. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  God on Stage - 15 Plays That Ask...

  Peter Kreeft

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  "All the world’s a stage"—but are the men and women merely players, or actors in a heavenly drama?  In God on Stage, renowned author and professor Peter Kreeft explores fifteen great dramas, and within them, five great themes: life, death, suffering, religion, and damnation. From classics like Oedipus the King and Hamlet to modern plays like Robert Bolt’s A Man for All Seasons and Cormac McCarthy’s The Sunset Limited, Kreeft draws vivid lessons on the big questions we all ask ourselves.  Like the plays it takes up, God on Stage invites readers to smile and frown, ponder and fall in love, and sit back in awe and wonder—at art, God, and the art of God that is man.

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  Unterstadt - A Novel

  Ivana Šojat

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  The novel Unterstadt tells the story of an urban family of German origin living in Osijek from the end of the nineteenth till the end of the twentieth century. It is narrated through the portrayal of the destinies of four generations of women – a great grandmother, a grandmother, mother, and a daughter – their shattered illusions, the education of their children, the historical events that brutally lash out at them.
   
  Ivana Šojat creates a world rich in detail and nuance, all her characters, both major and minor, are expressive and suggestive, abundant in virtues and flaws, complex and multidimensional, as life itself is. By depicting a clash of generations through the female characters of a family, the author creates a world in which, often due to bizarre strokes of fate or wrongly selected life-cards, both horrible and beautiful events occur. Yet the central theme, running through all the generations and all the characters, is that of hiding away from the past, fleeing from it, concealing it, which sooner or later leads to traumas and misunderstandings.
   
  Unterstadt is a book about a family and a town, written in the manner of the best and greatest modernist novels. Through the history of one family, it speaks of the twentieth century in a multiethnic town, of dictatorships, of wrongly selected sides, of fate which one can hardly defy.Unterstadt reveals the richness of Ivana Šojat’s narrative talent, and it is thus not surprising that she has emerged as one of the most interesting writers of contemporary Croatian prose.
   
  The book Understadt was published as part of the Growing Together project, co-financed by the European Union.

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