Otros libros que te pueden interesar

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  The Teseida

  Giovanni Boccaccio

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  The Teseida by Giovanni Boccaccio is a grand and ambitious epic poem that weaves together classical legend, chivalric romance, and the emotional complexity of human desire. Written in the 14th century, this remarkable work stands as one of the earliest Italian epics composed in the vernacular, reflecting Boccaccio's deep engagement with classical antiquity and his emerging Renaissance vision.
  
  Set in the mythic world of ancient Greece, the poem centers on the legendary hero Theseus and the dramatic conflict between two Theban knights, Arcita and Palemone. Captured during war and imprisoned in Athens, the two cousins find their loyalty and brotherhood tested when they both fall in love with the noble Emilia. From that moment, their bond gives way to rivalry, and love becomes the catalyst for fate, honor, and tragic destiny.
  
  Boccaccio skillfully blends epic grandeur with intimate psychological insight. While battles and tournaments provide spectacle and heroic drama, the heart of the narrative lies in the emotional struggle between passion and duty. Arcita and Palemone are not merely warriors but fully realized individuals torn between friendship and romantic devotion. Emilia herself is portrayed with dignity and complexity, caught in a world where political power and personal longing intersect.
  
  Inspired by classical sources yet infused with medieval sensibilities, The Teseida bridges two literary traditions. It draws upon ancient mythology while introducing the courtly ideals and narrative structures that would shape later Renaissance literature. Its influence extended beyond Italy, inspiring Geoffrey Chaucer's Knight's Tale and contributing to the evolution of European epic and romantic poetry.
  
  Throughout the poem, themes of fortune, divine intervention, and the unpredictability of destiny unfold against a richly detailed backdrop. The gods observe and influence events, reminding readers of the delicate balance between human will and cosmic design. Yet amid this grand framework, Boccaccio's focus remains firmly on the emotional realities of love, jealousy, honor, and sacrifice.
  
  Majestic in scope yet deeply human in its portrayal of longing and rivalry, The Teseida stands as a foundational work of early Renaissance literature. It is both a celebration of heroic tradition and a meditation on the fragile nature of desire—an enduring epic that captures the timeless tensions between loyalty, ambition, and the heart's irresistible call.

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  Oedipus at Colonus

  Sophocles

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  This is the second installment in Sophocles's Theban Plays that chronicles the tragic fates of Oedipus and his family.  After fulfilling the prophecy that predicted he would kill his father and marry his mother, Oedipus blinds himself and leaves Thebes, to wander in the wilderness accompanied by his daughters Antigone and Ismene. (Summary by Elizabeth Klett)Cast:Oedipus: Andy MinterAntigone: Elizabeth KlettIsmene: Arielle LipshawTheseus: Mark F. SmithCreon: Bruce PiriePolyneices: David GoldfarbStranger: Lucy PerryMessenger: Martin GeesonChorus: Lars RolanderNarrator: David LawrenceAudio edited by: Elizabeth Klett

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  The Poetry of John Dryden -...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire and grew up in a nearby village.  In 1644 he was sent to Westminster School as a King's Scholar and then obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden found work with Cromwell's Secretary of State, John Thurloe.  At Cromwell's funeral on November 23rd 1658 he found company with the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. Later that year he published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric and with the re-opening of the theatres he began to also write plays. His first, The Wild Gallant, appeared in 1663 and whilst not successful, he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.    
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London.  This work established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate in 1668 and a couple of years later, historiographer royal (1670) as his talent encompassed many forms; from Poetry to Plays to translations. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Feng Menglong's Judge Bao: the...

  Feng Menglong, Michael Henrik Wynn

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  The emergence of crime fiction was closely connected to the development of a modern legal system. In Germany there were the true crime stories August Gottlieb Meißner (1753-1804), in Britain The Newgate Calendar (1774) and in France the romanticized publications of Eugène-François Vidocq (1775-1857), the first chief of the Sûreté.  
  China has one of the oldest bureaucracies on earth. A real life judge from the early Middle Ages became their Sherlock Holmes, and was transformed into one of the most beloved Chinese literary characters. In this audiobook Michael Henrik Wynn, the editor of the educational net radio stream Historyradio.org, retells a classic gong’an legend about the iconic Judge Bao. The original story was published by Feng Menglong (1574–1646), but this is not a direct translation.

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  My Grandfather's God

  David Somerfleck

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  In My Grandfather's God, David Somerfleck invites readers into a poetic journey through the vast landscape of human experience—where love and loss, spirituality and skepticism, pain and transcendence intersect. 
  Each poem is a revelation—sometimes tender, sometimes unflinching—exploring how belief, memory, and identity shape our understanding of self and the cosmos. Within these pages, the divine is questioned, confronted, and occasionally found in the quiet corners of everyday life. 
  Themes range from the generational weight of faith and family to the scars left by abuse, the solace of love, the ache of loss, and the elusive beauty of truth. These poems move between the intimate and the infinite, where personal wounds echo against the backdrop of cosmic thought and hard-won wisdom. 
  My Grandfather's God is at once deeply personal and universally resonant—a collection for anyone who has wrestled with the unseen, questioned what they were taught, or sought meaning amid both deception and revelation.

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  The Captain’s Verses - The Love...

  Pablo Neruda

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  Pablo Neruda, winner of the Nobel Prize for Literature, finished writing The Captain’s Verses in 1952 while in exile on the island of Capri―the paradisiacal setting for the blockbuster film Il Postino (The Postman). Surrounded by sea, sun, and Capri’s natural splendors, Neruda addressed these poems to his lover Matilde Urrutia before they were married, but he didn’t publish them publicly until 1963. This complete collection has become a classic for love-struck readers around the world―passionately sensuous and exploding with all the erotic energy of a new love.

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