Outros livros que poderiam interessá-lo

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  Fanny

  Calum Finlay

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  'You're not stupid for wanting things to change, Fanny – it's just that we have to play the music that gets handed to us.'
  Meet Fanny Mendelssohn. You'll probably know of her younger brother Felix, from nineteenth-century smash hits like 'The Wedding March'. He was such a huge star that Queen Victoria requested a private concert, during which she sang her favourite of his compositions, a song called 'Italien'.
  The only problem is, that particular piece was actually composed by Fanny, though it was published under her brother's name.
  When Fanny intercepts the letter inviting Felix to play for the queen, she decides to hide it away, don her brother's clothes, and take his place at the palace…
  Calum Finlay's play Fanny is a joyful and irreverent comedy celebrating music, family and – at last – the work of a composer overlooked because of her sex. It opened at the Watermill Theatre, Newbury, in 2024.

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  The Poetry of Radclyffe Hall -...

  Radclyffe Hall

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  Marguerite Radclyffe-Hall was born on August 12th, 1880 to wealthy parents who separated while she was still an infant.  Her parents thereafter paid little attention to her. Hall was educated privately, and then at King’s College London. Later she travelled to Europe, settling in Dresden, Germany.  With the death of her paternal grandfather she inherited a large estate and was then able to live as she pleased. 
  In Germany, Hall met Mabel Batten and fell in love despite the twenty-three year age difference. Batten gave Hall the nickname ‘John’ by which she was henceforward known in every circumstance throughout her life except in her work as an author. 
  In 1915, Hall met and, in 1917 moved in with sculptor Una Troubridge, with whom she would remain for the rest of her life. 
  Hall wrote poetry all throughout her twenties and thirties. She had published Dedicated to Arthur Sullivan as early as 1894, and five further volumes of collected works were released before she stopped writing poetry and published her first novel, The Forge, in 1924. 
  That same year also saw publication of The Unlit Lamp, the first work for which Hall was known as simply Radclyffe Hall. 
  The Well of Loneliness, the most important novel of Hall’s career, was published in 1928 to immediate sensation and controversy. It is Hall’s most direct artistic expression of her own personal sexual orientation. 
  After the controversy of The Well of Loneliness, Hall would publish only two more novels and a collection of short stories. 
  After years spent travelling in Italy and France and a series of long lasting affairs with other women (of which Troubridge was apparently aware), Hall retired with Troubridge to Rye, in East Sussex. Here, suffering from tuberculosis, she also underwent eye surgery and thereafter had difficulty reading and writing. 
  On October 7, 1943, Radclyffe Hall died from colon cancer at the age of sixty-three. She is buried in Highgate Cemetery in London. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Swansdown

  Donald Platt

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  In Swansdown, Donald Platt makes a study of life' s inevitable transitions, from love' s astonishing evolutions, to aging and its attendant losses. With the poem " Cloud Study" Platt brings his own mortality into view. Returning to a painting by Constable, he considers his own perspective, sitting by the Liffey, tending an injured knee. Young mothers, lovers, and runners pass, reminding the poet of who he once was and how quickly life, like weather, shifts. " Two minutes later, // The clouds would have taken on a different cast of light and shape / just like the thunderheads / now piling up above the Liffey."
  
  Platt advises: " To approach old age, one needs a new harsher style." And yet these poems are proof of the softness that may follow life' s harshest reckonings, like the wisps of hair on his beloved brother' s head as he lies dying, " fine / as milkweed silk. / His head a split / dried pod whose seeds / wind will scatter." The poems of Swansdown point us to a " larger landscape," they are the clouds " that scud across the blue escutcheon of sky. . . Sun' s blazon through rain rampant."

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  In Water Not Blood

  Karin Jervert

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  Written during the profound global upheaval between 2019 and 2023, In Water Not Blood braids ancient traditions of nature-based spirituality, dreaming, song and prayer with the realities and anxieties of modern life. These poems are as much soft and spiritual as they are rage-filled and disillusioned.  A powerful account of the author's journey to reclaim her connection to her ancestors and to the Earth. In Water Not Blood is a celebration of the healing power of nature and art and is an urgent cry for collective transformation.

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  The Estate

  Shaan Sahota

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  'Question: If it's not about money, how come money can fix it?'
  The Leader of the Opposition has been forced to resign in a scandal. Against the odds, Angad Singh emerges as the favourite.
  He could win, he could make history, he could really change things – as long as his sisters keep their mouths shut…
  Shaan Sahota's play The Estate is a razor-sharp exploration of family, power and the lies we tell about ourselves. It was first performed at the National Theatre, London, in 2025, directed by Daniel Raggett, with Adeel Akhtar as Angad.

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  Hail the Invisible Watchman

  Alexandra Oliver

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  Hail, The Invisible Watchman is haunted poetry—Oliver’s formal schemes are as tidy as a picket-fence and as suggestive; behind the charm of rhyme is a vibrant, dark exploration of domestic and social alienation.
  		 
  The poems in Hail, the Invisible Watchman are as tidy as a picket-fence—and as suggestive. Behind the charms of iambs lurks a dark exploration of domestic and social alienation. Metered rhyme sets the tone like a chilling piano score as insidiousness creeps into the neighbourhood. A spectral narrator surveils social gatherings in the town of Sherbet Lake; community members chime in, each revealing their various troubles and hypocrisies; an eerie reimagining of an Ethel Wilson novel follows a young woman into a taboo friendship with an enigmatic divorcée. In taut poetic structures across three succinct sections, Alexandra Oliver’s conflation of the mundane and the phantasmagoric produces a scintillating portrait of the suburban uncanny.

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