Otros libros que te pueden interesar

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  The Glass Menagerie

  Tennessee Williams

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  The Glass Menagerie is a memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong autobiographical elements, featuring characters based on its author, his histrionic mother, and his mentally fragile sister Laura.

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  Right of the Soil

  Yong Shu Hoong

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  The Latin phrase, jus soli (“right of the soil”), is an unconditional right of a person born within the territory of a country to be conferred citizenship. Singapore’s nationality law is based on jus sanguinis (“right of blood”, in which citizenship is determined by that of one or both parents) and a modified form of jus soli (with at least one Singaporean parent). 
   
  A two-time Singapore Literature Prize winner, Yong Shu Hoong contemplates how a person is invariably bound to the land on which he first sets foot. These poems address topics like belongingness and birthright by exploring the intermingling of the four fundamental elements of air, water, fire and earth. 
   
  Expanded from a 2016 chapbook published a year after the 50th anniversary of Singapore’s independence, this book also attempts to sharpen Yong’s understanding of his relationship with his homeland. A new sequence of poems then plunges readers into Hell, reimagined as Singapore’s third integrated resort that opens underground in the centennial year of 2065, with its concepts inspired by Haw Par Villa’s main attraction, the 10 Courts of Hell. 
   
  Beyond our earthly lives, is it soil – or another element or dimension – that will assert its right to claim us? 
   
  Shortlisted for the Singapore Literature Prize for Poetry 2020

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  Damon Runyon Theater - Bred for...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into black and white type or, in our case, The Damon Runyon Theatre Hour.

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  Sympathy

  Paul Laurence Dunbar

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  LibriVox volunteers bring you 16 different recordings of Sympathy, by Paul Laurence Dunbar in honor of Martin Luther King Day. Listeners will recognize a line from this poem as being the title of Maya Angelou's 1969 novel I Know Why the Caged Bird Sings.  This was the weekly poetry project for the week of January 14th, 2007.

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  The Initiate (NHB Modern Plays)

  Alexandra Wood

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  A thrilling tale of altruism, greed, and the search for a way to belong.
  When a British couple are seized by Somali pirates, an East London taxi driver decides to rescue them. Meeting disbelief with determination, he dismisses the fears of his wife and flies out to negotiate their release.
  Speeding from the banks of the Thames to the now unfamiliar world of his homeland, he confronts the family he left behind and the bravado of the defiant men he once called brothers.
  The Initiate premiered at the 2014 Edinburgh Festival Fringe in a production by Paines Plough, where it won a Fringe First Award, before touring.
  'a carefully wrought work which cleverly explores its themes' an unsettling, forthright piece of writing that will leave you thinking' Time Out
  'wonderfully slippery and always intelligent' offers much to enjoy in its thriller-like structure' Guardian

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  Damon Runyon Theater - Sense of...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.

  Ver libro