Otros libros que te pueden interesar

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  Carmilla

  Joseph Sheridan Le Fanu

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  Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the 19th century and was central to the development of the genre in the Victorian era.Carmilla is Le Fanu's famous classic vampire story which has been filmed numerous times, including Vampyre (1932), Blood and Roses (1960), Crypt of Horror (1964), The Vampire Lovers (1970) and Carmilla (1999).It tells the story of a strange and mysterious guest who arrives unexpectedly to stay at a castle and takes a great liking to the daughter of the house. Her attraction soon takes on a sinister aspect...and the similarity to the experience of a neighbouring family, whose girl died recently in mysterious circumstances, becomes increasingly alarming....

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  American Short Story The -...

  Charles W. Chesnutt, Wharton...

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  The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. 
   
  From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. 
   
  America prides itself on liberty, on justice for all and, if you are a wealthy white man, that is essentially true.  Sadly, many other segments of society find it difficult to feel or become part of this endeavour. 
   
  Within this chronological history of the American short story, that prejudice has helped shape the borders of those two endless questions about any anthology.  Why that story? Why that Author? 
   
  We made some hard choices.  We start with Uriah Derrick Dárcy, an unlikely American name and, to all intents, it appears to be a pseudonym, about whom little is known or can be verified. He leads our literary parade.  From here leviathans appear on a regular basis; Hawthorne, Poe, Melville, Twain but also note how many women are here and not just Stowe, Alcott and Chopin.  Women’s status as writers is often neglected or undervalued, predominantly due to their second-class social status throughout much of history but their stories, their angles of approach to writing are both expertly crafted and refreshing.   
   
  Another stain on the social and cultural fabric of American has been that of Race.  Black people were harshly and unfairly treated as a matter of course.  The Civil War may have opened the door but in reality little changed.  The majority of the stories included here written by black authors are disturbing in the wrongs they were accused of, and the burdens they were forced to carry.  This eye-opening literature enables us to once more take stock and applaud and bring some glimmers of recognition to their struggles and their art.  
   
  There are some authors, liberally sprinkled throughout, both male and female who may previously have escaped your attention.  Enjoy them.  Adore them.  Make them part of your everyday reading and listening.  These forgotten voices are fine examples both of their craft, their art, and their take on society as it was then. 
   
  In the period we cover from the late 18th Century, around the time of the American Revolution, up until the catastrophe of World War 2, the printing press was creating a market to share words.  With industrialization and a large swathe of people eager to be distracted from hard working lives, a plethora of magazines and periodicals shot up, all clamoring for works to publish, to share those words, to introduce new ideas and explain how some of us view ourselves and each other.  Some of these authors were only published that way, one story wonders—hitched to the fading star of a disposable periodical.   
   
  And, of course, the elephant in the room was the English.  In its early days US copyright law was non-existent and didn’t recognise anyone else’s.  Publishers were free to take the talents of Dickens or Trollope and freely print it without permission or coin.   Competing against that, gave you a decided disadvantage. 
   
  Within these stories you will also find very occasional examples of historical prejudice.  A few words here and there which in today’s world some may find inappropriate or even offensive.  It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight.  Context is everything, both to understand and to illuminate the path forward.  The author’s words are set, our reaction to them encourages our change. 
   
  Within this melting pot of styles, genres and wordplay one fact stands out: The American short story Literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.  Which is here

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  Last Man Volume 3 The (Unabridged)

  Mary Shelley

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  The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and, except for a 1924 silent film based on it, was virtually unknown - having been eclipsed by Shelley's more popular works - until a scholarly revival in the 1960s. It contains semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.

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  The Ghost Pirates

  William Hope Hodgson

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  The Ghost Pirates is a powerful account of a doomed and haunted ship on its last voyage, and of the terrible sea-devils (of quasi-human aspect, and perhaps the spirits of bygone buccaneers) that besiege it and finally drag it down to an unknown fate. With its command of maritime knowledge, and its clever selection of hints and incidents suggestive of latent horrors in nature, this book at times reaches enviable peaks of power.

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  The Jelly-Bean

  F. Scott Fitzgerald

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  A short Southern story, Fitzgerald takes the listener on a trip to Lily of Tarleton, Georgia. "The Jelly-Bean," published in "The Metropolitan," was written under strange circumstances shortly after his first novel was published, and, moreover, it was the first story in which he had a collaborator. Fitzgerald's wife, who was a Southern girl, acted as his expert on the topic.

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  The Big Trip Up Yonder

  Kurt Vonnegut

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  Kurt Vonnegut Jr. was known for blending satire, black comedy, and science fiction, and that is exactly what he does in this story. The story takes place in a future in which the population has grown so huge, due to an anti-aging product, that generations are forced to live together in crowded apartments. The family in this story is ruled by a dictatorial grandfather, the owner of the apartment and oldest of the clan.

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