Outros livros que poderiam interessá-lo

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  Yankee Doodle Dandy - George M...

  Elizabeth Titrington Craft

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  Playwright, composer, actor, director, and producer George M. Cohan looms large in musical theater legend. Remembered today for classic tunes like "You're a Grand Old Flag" and "Give My Regards to Broadway," he has been called "the father of musical comedy," and his statue stands in the heart of the New York theater district. Cohan's early twentieth-century shows and songs captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. He was an Irish American who had the audacity to represent himself as the Yankee Doodle emblem of the nation, a vaudevillian who had the nerve to unapologetically climb the ranks and package his lower-brow style as Broadway. 
   
   
   
  In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich listening for Broadway musical aficionados as well as scholars of musical theater and American cultural history.

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  Frank Sinatra and the Mafia Murders

  Mike Rothmiller, Douglas Thompson

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  All the varieties of power – star, political, sexual, criminal and emotional – are on show in this definitive, untold story of Frank Sinatra and the Mafia. 
  Drawing on an enormous archive of previously unseen records held by international law agencies, the FBI, the CIA and big-city police departments, Rothmiller and Thompson reveal Sinatra’s pact with the Mob in shocking detail. 
  With additional evidence from decades of investigations and testimony, they expose Sinatra’s lifelong association with the Mafia, which he always denied, and its deadly collateral damage. 
  This revelatory showstopper is a wild dance made coherent by intelligent choreography. Sinatra may not have been an actual made man, but the Mafia certainly made him. 
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  Praise for Bombshell: ‘Reads like a James Ellroy novel’, Mick Brown, Daily Telegraph

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  The American Film Institute's 5...

  Editors Charles River

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  In 1999, the American Film Institute released its list of the 50 greatest Hollywood stars of the 20th century, and selecting the best actresses out of the bunch was certainly a tall task. The competition was so stacked that women like Ginger Rogers, Grace Kelly and Rita Hayworth were not even among the Top 10. So who were the Top 5 women selected by the AFI? 
  Aside from being one of the most recognized and acclaimed actresses in history, Katharine Hepburn’s career is also of great importance because she forced Americans to reevaluate their expectations for female behavior, both in films themselves and off the movie set as well.  
  Bette Davis presided over Hollywood at a time in which the film industry was at its most influential. Every actress from Katharine Hepburn to Ingrid Bergman and Ginger Rodgers, themselves now considered among Hollywood’s greatest icons, lived in the shadow of Bette Davis. 
  For someone whose career ended over 30 years ago, Audrey Hepburn continues to retain her popularity and exert a strong influence over how people view beauty and sophistication. She remains an American icon, despite the fact that she did not even move to the United States until 1953 (at the age of 24) and spent the majority of her life living in Europe. 
  At times during her career, Bergman was the darling of Hollywood, but at other times she was literally a pariah. It is all too common to remember Bergman for her performance in Casablanca, forgetting the fact that she was effectively exiled from Hollywood for several years during her romance with Roberto Rossellini. 
  Of all the great movie stars, there may be none more enigmatic than Greta Garbo, who remains internationally famous despite the fact her life and career raise more questions than answers. How did a Swedish actress with very little film acting experience in her native land arrive in the United States and achieve instant stardom?

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  A Darker Electricity - The...

  Mark Angelo Harrison

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  At the time, it was unclear why the UK government targeted the Spiral Tribe travelling sound system. Even after arresting many key members and launching one of Britain's biggest court cases against them. 
  Was it really because they were a marauding horde of anarcho-techno-pirates, their outlandish music calling a generation to rise up in rebellion against conservatism, convention, and even consensus reality? 
  Or was it because, as pioneers of the 1990s free party movement, championing the new British breakbeat and European techno sound, they were reclaiming social space in warehouses and out under the stars? 
  Each weekend they pulled ever bigger crowds away from consumer culture. No superstar DJs, no door policy and everyone dancing together as equals. An inspiring, unifying force of creativity. 
  As Spiral Tribe's co-founder and visual artist (or as the Crown Prosecutor described him, 'the criminal ringleader' who'd helped 'mastermind' Britain's 'biggest ever illegal rave' at Castlemorton), Mark Angelo Harrison has a unique perspective to tell their inside story. He vividly charts their nomadic journey and the rapid escalation of their popularity - and notoriety. 
  From small squat-scene parties in London to enormous warehouse raves and free festivals. From one little overloaded van to the mighty convoy of matt-black military vehicles that instigated the teknivals of Europe.

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  Brutalities: A Love Story

  Margo Steines

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  Quarantined in a southwestern desert city in the midst of her high-risk pregnancy, Margo Steines felt her life narrow around her growing body, compelling her to reckon with the violence entangled in its history. She was a professional dominatrix in New York City, a homestead farmer in a brutal relationship, a welder on a high-rise building crew, and a Mixed Martial Arts enthusiast; each of her many lives brought a new vantage point from which to see how power and masculinity coalesce?and how her body paid the price. With unflinching candor, Steines searches for the roots of her erstwhile attraction to pain while charting the complicated triumph of tenderness and care.

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  Essays: First Series Compensation

  Ralph Waldo Emerson

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  A world in perfect balance—so claims Emerson in Compensation, an essay that pulses with quiet defiance and deep assurance. No gain without loss, no misstep without lesson, no fortune without its hidden tax. It is neither fate nor blind justice but a living rhythm, an invisible hand that rights every scale, even when human eyes fail to see.
  Emerson does not preach; he unfolds. The idea seeps in, settles, challenges. His words are not doctrine but a lens—through which prosperity and misfortune reveal themselves as two faces of the same coin. To take without giving, to rise without cost—impossible. The universe does not permit such imbalances to last.
  In his signature style, Emerson moves between the poetic and the philosophical, the tangible and the transcendent. He speaks not to convince but to awaken. He does not offer comfort; he offers clarity. The reader who steps into Compensation may leave unsettled, yet somehow lighter, as if a long-unnoticed weight has been named, measured, and, at last, understood.

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