Otros libros que te pueden interesar

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  Journey - Poems

  Wade Hudson

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  Journey is a collection of poems that offers a reflective look at various periods and experiences of Wade Hudson's life journey. There are poems about growing up in Mansfield, LA, a small, Jim Crow town in the south and the people who nurtured him and loved him. There are poems about the Black struggle for freedom and justice. Also included are poems that offer words of wisdom gained over years as an activist and Black cultural advocate. Poet and author Tony Medina calls Journey a "collection of lifelong wealth, experience, wisdom, and passion." Writer and literary critic E. Ethelbert Miller says "Wade Hudson's journey continues beyond the last page. His book is a baton to be passed to the next generation. His writing hand is filled with love."

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  On Hearing That Constantinople...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  Dear Leader

  Damian Rogers

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  I'm ill-equipped   for this. I sit     by a fake fireplace
     
  that frames a real flame.   I've been crossed     by two crows today.
     
  'Multi-vectored, Rogers's poems hum with life and tension, their speaker poised as mother, seer, reporter and daughter. They speak of loss and cold realities (misplaced charms of luck, a tour of an assisted-living facility, coins thrown into Niagara Falls). They also interweave dreams and visions: “O Lion, I am / an old handmaiden; I will not lay the pretty baby in the lap / of the imposter.�* Simple but evocative, at once strange and plain, Rogers's poems of address ricochet off the familiar “Dear Reader�* or Dickinson's “Dear Master�* ... Rogers's poems provide instructions for what to leave, what to take and what to fight. They act as selvage between the vast mother-ocean — the mem of memory — and the fabric we make of the uncertain in-between.’
     
  — Hoa Nguyen, The Boston Review
     
  ‘How can we live with the kind of pain that worsens each day? Dear Leader explains through bold endurance, enumerated blessings and the artistic imagination. By pasting stark truths over, or under, images of strange, compelling beauty, Rogers creates a collage, a simulation of the human heart underassault, bleeding but unbroken. Part Orpheus, part pop-heroine who can “paint the daytime black,�* all, an original act of aesthetic violence and pure, dauntless, love.’
     
  — Lynn Crosbie
     
  ’In Dear Leader, Damian Rogers re-invents the same-old poetic lyric to offers us one-of-a-kind insights on childbirth and party bars, rolling blackouts and old rock standards. Here, what looks at first like familiar language always reveals itself to be a rare mineral. And that’s the magic: this is a poetry that refuses to be staged or to succumb to cliché or mannerism, insisting on celebration and condemnation, caution and cosmic vibrations. “Say you’re a poet,�* Rogers advises us, tongue-in-cheek, “Maybe you mean / Hi, I have a lot of feelings.�* Striking that balance between one-liners and mourning is no small feat.‘
     
  —Trillium Award Jury Citation
     
  Praise for Paper Radio:
     
  ‘Paper Radio jumped out at me and I can’t say why, but that’s what you want poetry to do, and I never want to say why. Because it’s real and talking to me. Because it’s bloody and horrifying beauty. It’s the Clash and Buckminster Fuller, Auden and Bowie.’
     
  — Bob Holman

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  Somewhere There Is A Sky For Us...

  Various Various

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  This omnibus anthology contains the commissioned work from the eighteen excellent queer poets (nine from India and nine for the UK) who have made up the three cohorts of the Language Is A Queer Thing development project from 2022 to 2024 along with a new poem from each of the six poets who then appeared in our celebratory 2025 project. The aim was to create new poetry on the queer experience and the investigate the queering of language to better express that experience.
  Moving, profound and eye-opening, this omnibus edition brings the poems of all three cohorts together and is the poetic product of our project, with many of the poems in print for the first time. We hope you enjoy reading them as much as we enjoyed helping to make them.
  Poets include: Sanah Ahsan debut collection, I cannot be good until you say it (Bloomsbury, 2024), Mukahanh Limbu, debut pamphlet, Mother if Flip-flops (Out-Spoken Press 2022), Gayathiri Kamalakanthan, debut novel in verse, Bad Queer forthcoming (Faber 2026).
  Full List: Sanah Ahsan, Aadrit Banerjee, Hafsa Bukhary, Garfield D'Souza, Ife Grillo, Sara Haque, Megha Harish, Gayathiri Kamalakanthan, Abu Leila, Mukahang Limbu, Jay Mitra, Anil Pradhan, Parth Rahatekar, Amani Saeed, Kirran Shah, Rachit Sharma, Ray VM and Anureet Watta

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  Leave Taking

  Winsome Pinnock

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  'What doctor know about our illness? Just give you pills to sick you stomach and a doctor certificate. What they know about a black woman soul?'
  In North London, Del and Viv are soul-sick. Del doesn't want to be at home; staying out late – 3 p.m.-the-next-day late – is more her thing. Viv scours her schoolbooks trying to find a trace of herself between their lines.
  When Enid takes her daughters to the local obeah woman for some traditional Caribbean soul-healing, secrets are spilled. There's no turning back for Del, Viv and Enid as they negotiate the frictions between their countries and cultures.
  Two generations. Three incredible women. Winsome Pinnock's play Leave Taking is an epic story of what we leave behind in order to find home. It premiered in 1987, and was revived at the Bush Theatre, London, in 2018, in a production directed by the Bush's Artistic Director, Madani Younis.
  Winsome Pinnock has written numerous plays, including Talking in Tongues, for which she won the George Devine and Pearson Best New Play Awards.
  'The godmother of Black British playwrights' Guardian

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  Dear Mother - Poems on the hot...

  Bunmi Laditan

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  The first collection of poetry from Bunmi Laditan, bestselling author of Confessions of a Domestic Failure and creator of The Honest Toddler, capturing the honesty, rawness, sheer joy and total madness of motherhood. With the compassion and wit that have made her a social media sensation among mothers around the world, Bunmi Laditan puts into evocative and relatable words what so many of us feel but can’t quite express. For mothers who love their children with a fiery fierceness but know what it is to feel crushed at the end of those long days, Dear Mother is like a warm hug that says, “I get it.”

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