Otros libros que te pueden interesar

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  So You Want To Do A Solo Show?

  Gareth Armstrong

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  A unique guide to every aspect of putting on your own solo show: choosing the subject, raising the finance, booking the venue - and performing it!
  More and more actors – faced with ever longer periods of unemployment – are turning to the solo show as a way of keeping active, keeping visible, and keeping the wolf from the door! This book is essential reading for anyone contemplating such a move, and comprehensively covers every aspect of putting on your own one-person show.
  Being a veteran of the solo-show circuit, as a writer, performer and director, Gareth Armstrong is the ideal guide. He takes you step by step through each stage of the process:
  Choosing the right material – or devising your own
  Raising the finance
  Finding the venues
  Hiring a bookings manager and other personnel
  Arranging publicity
  Winning an audience
  There is a special section on that mecca for solo shows, the Edinburgh Fringe, and an extensive appendix covering funding bodies, venues, festivals and more. Throughout the book, Armstrong illustrates his points with case studies of actual solo shows by performers such as Miriam Margolyes, Linda Marlowe and Guy Masterson.
  'So You Want To Do A Solo Show? is a thorough, meticulous, hands-on, "how-to-do" manual, covering everything from the germination of an idea right through to the costing of the flyers. It is, I think, the most valuable read for any performer who has ever thought "If only I could have some control over the way my career is going"' Maureen Lipman, from her Foreword

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  The Greatest Story Ever Retold -...

  Jeannine K. Brown, John Anthony...

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  From Scripture to Screen: Understanding How We All Direct Our Own Jesus Story 
   
  In this innovative book, two respected New Testament scholars explore the ways the Jesus story has been told and retold from the earliest Gospel writings to contemporary film adaptations. John Anthony Dunne and Jeannine Brown highlight what later narratives can teach us about the hermeneutical process we employ, knowingly or unknowingly, as we read the Gospels. 
   
  In this book, you will 
   
  ● learn how we visualize the Jesus story in particular ways as we read the Gospels, inevitably casting actors, blocking scenes, and interpreting dialogue as we imagine our own Jesus film; 
  ● journey through two thousand years of storytelling to discover how humanity has grappled with the Jesus narrative, from Gospel harmonizations to modern cinema; 
  ● discover how Jesus films illuminate the interpretive choices we make when reading Scripture, from filling narrative gaps to characterizing Judas, Pilate, and Jesus himself; and 
  ● benefit from rigorous New Testament scholarship made accessible through engaging analysis of contemporary film adaptations. 
   
  The Greatest Story Ever Retold accounts for the ways humanity has been grappling with the Jesus story for two millennia, often casting it in a way that forms to our own questions and identities. The authors show that Jesus films can help us think through how and why we direct our own film in the way that we do when we read or hear the story of Jesus. 
   
  This book is essential reading for students, scholars, and anyone interested in how we interpret Scripture, create meaning from biblical narratives, and participate in the ongoing retelling of Christianity's central story.

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  Out of Character: From Abigail’s...

  Alison Steadman

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  A Waterstones Best Book of 2024 
  'Marriage to Mike Leigh, the minutiae of working on Gavin and Stacey: it's a tribute to her range that there's something here to interest everybody' Telegraph 
  The first memoir from the national treasure, critically acclaimed actress and much-loved Gavin and Stacey star. 
  Candice Marie in Nuts in May. Beverly in Abigail’s Party. Mrs Bennet in Pride and Prejudice. Betty in Fat Friends. Sue in Here We Go and Pamela in Gavin & Stacey – we can all name a beloved, iconic character brought to life by the magnificent Alison Steadman. 
  Growing up in post-war, working-class Liverpool, the young Alison – ever the entertainer – would address the world from the stage of her bedroom window, until she got a taste for performing in front of an actual audience at her progressive 1960s drama school. By the time she left, her mind was made up: she was going to be an actress! If only she could conquer the onstage giggling … 
  Always pushing boundaries – reclining naked on a sofa in her first role, embracing groundbreaking female characters from day one – Alison has deservedly found acclaim and recognition, succeeding in her TV and theatre career while juggling family life – a difficult feat for any working mother, but particularly for an actress in the twentieth century. 
  From the nervy Mrs Bennet to the robo-dancing Pam-el-aah, Alison has proved herself again and again to be a comedy genius. Here, with her distinctive warmth and humour, she vividly recalls all the must-read moments of a life spent in and out of character. 
  Alison Steadman's Out of Character is a top-notch autobiography that delves into her life in the world of television and theatre. It's a non-fiction masterpiece that showcases her journey from a young girl in Liverpool to a famous actress. 
  For fans of Judi Dench (Shakespeare), Vanessa Feltz (Vanessa Bares All), Miranda Hart (I Haven’t Been Entirely Honest with You), Jenny Eclair (Jokes, Jokes, Jokes), and Alan Bennett (Keeping On Keeping On). 
  HarperCollins 2024

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  The Zen of Art - With Notes on...

  Carolyn Schlam

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  The Zen of Art starts with the premise that making art is akin to what happens when wind engages with a set of chimes. The chance encounter of source and instrument generates a song that enriches and elevates the moment. Author and artist Carolyn Schlam draws a parallel with what she calls the "Zen of Art"-the process of allowing creative expression to manifest in a natural and unencumbered fashion. Schlam tells her personal story of making art while applying the knowledge she has gained to live an "artful life" in chapters on courage, joy, beauty, love, and more. Whether practicing artists or not, readers will be encouraged to examine their own lives in the context of her insights. There is much to ponder and savor in this beautifully written, wise, and warm account of a life filled with art. The Zen of Art is a book to treasure as it paints a pathway to being your best self and living your best life.

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  Smart Pop Explains Peter...

  The Editors of Smart Pop

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  If you're feeling lost on the way to Mordor, let Smart Pop be your guide—literally, with this handy crash course into the cinematic world of Hobbits and Orcs and Elves (oh my!) 
   
   
   
  It's easy for new fans to get overwhelmed by the sprawling mythology and complexity of the six films that make up Peter Jackson's epic trilogies. Unlike encyclopedias and guides that offer diehard J. R. R. Tolkien fans trivia, details, and deep dives into every on-screen moment, this first-of-its kind explainer is an easy, fun, and accessible introduction to the characters, plots, and interconnected stories that make up one of the greatest pop culture franchises of all time. 
   
   
   
  Smart Pop has all of your burning questions covered: Who is Frodo?; Why are there so many rings?; When did Gandalf the Grey have time to change outfits and become Gandalf the White?; Why does everyone love Gollum even though he's a bad guy?; And more! 
   
   
   
  As the perfect and unauthorized resource to keep on hand when rewatching the films for the first—or tenth time, or as a primer for the upcoming live action series, Smart Pop Explains Peter Jackson's The Lord of the Rings and The Hobbit Movies to you like no one could!

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  Camille Pissarro - The Audacity...

  Anka Muhlstein

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  From the acclaimed biographer and author of Balzac's Omelette, an engaging new work on the life of "the father of Impressionism" and the role his Jewish background played in his artistic creativity. 
   
   
   
  The celebrated painter Camille Pissarro (1830–1903) occupied a central place in the artistic scene of his time: a founding member of the new school of French painting, he was a close friend of Monet, a longtime associate in Degas's and Mary Cassatt's experimental work, a support to Cézanne and Gauguin, and a comfort to Van Gogh, and was backed by the great Parisian art dealer Paul Durand-Ruel throughout his career. Nevertheless, he felt a persistent sense of being set apart, different, and hard to classify. Settled in France from the age of twenty-five but born in the Caribbean, he was not French and what is more he was Jewish. Although a resolute atheist who never interjected political or religious messages in his art, he was fully aware of the consequences of his lineage. 
   
   
   
  Drawing on Pissarro's considerable body of work and a vast collection of letters that show his unrestrained thoughts, Anka Muhlstein offers a nuanced, intimate portrait of the artist whose independent spirit fostered an environment of freedom and autonomy.

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