Other books that might interest you

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  The Black Man's Lament or How to...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  Bellringers

  Daisy Hall

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  'What do you want me to say? That the world's ending? Would that be helpful?'
  The storms are getting worse, with rains so hard that fish are falling from the sky. But the age-old belief prevails: that the pealing of bells can dissipate the thunder and lightning.
  It's a perilous task – one that now falls to two young friends, Clement and Aspinall. And as the weather worsens, they begin to question whether they'll make it through the night. With their faith in tradition faltering, they find the only thing they still believe in is each other…
  Daisy Hall's play Bellringers is a comic and deeply moving drama about being young at the end of the world. It was first performed at the Roundabout during the 2024 Edinburgh Festival Fringe, before transferring to Hampstead Theatre, London, co-produced by Atticist, Ellie Keel Productions and Hampstead Theatre, and directed by Jessica Lazar.
  Bellringers was a finalist for the Women's Prize for Playwriting 2023.

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  A Young Boy Named David Book 22

  David M. Smith

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  The “Young Boy Named David” series is designed to help young people deal with difficult situations that are hard to talk about and adults reconnect to their disconnected childhood helping heal broken pasts. In Book 22, the very real and pressing issue of guns enters David's life. He learns a lesson about this that will definitely help our young ones growing up in this crazy world.

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  Sky wri tei ngs

  Nasser Hussain

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  Poems written only from three-letter airport codes demand a new kind of passport. Every major airport has a three-letter code from the International Air Transport Association. In perhaps history's greatest-ever feat of armchair travel, Nasser Hussain has written a collection of poetry entirely from those codes. In a dazzling aeronautic feat of constraint-based writing, SKY WRI TEI NGS explores the relationship between language and place in a global context. Watch as words jet-set across the map, leaving a poetic flight path. See letters take flight (and leave their baggage behind).

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  'Look Back to Look Forward' -...

  Frank O'Connor

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  While Frank O'Connor was known primarily as one of Ireland's finest short-story writers, he was also an accomplished translator. In the long line of Irish writers given to translating poems in Irish into poems written in English – a tradition stretching back at least as far as Jonathan Swift – he stands out above all the rest.
  Between the mid-1920s and the mid-1960s, O'Connor published 121 translations that give voice to the full range of this centuries-old tradition. Collected here in full for the first time, O'Connor's work shows an uncanny aptitude for carrying over into English verse many of the riches to be found in the originals – the ancient voice of the Hag of Beare lamenting her decline into old age; the voices of the early monks describing the Irish landscape, Irish weather, their religious faith, and, in at least one instance, their cat; the voice of Hugh O'Rourke's wife torn between loyalty to her husband and a rising desire for her seducer. All these voices haunted O'Connor throughout his career, whatever else he was doing. The collection includes the Irish-language sources for all 121 translations along with literal translations, enabling the reader to see what O'Connor started from.
  O'Connor's translations sprang from a compulsive desire to breathe life into Ireland's past, to 'look back to look forward,' as he once put it; for him the Irish-language tradition was not for scholars and archives alone, but formed a living body of work vitally relevant to an Ireland that seemed puzzlingly indifferent to it.
  Thanks to O'Connor's profound love of his country's language and its rich, literary subsoil – 'a literature of which no Irishman need feel ashamed', he once said – these voices from Ireland's past can still be heard. Strikingly modern in tone, they conjoin flesh and spirit, the sacred and the secular, in a way that speaks to humankind.

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  Rhyme A Dozen A - Music - 12...

  Percy Bysshe Shelley, Rilke...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  01 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Music - An Introduction 
  02 - Music's Empire by Andrew Marvell 
  03 - Music When Soft Voices Die by Percy Bysshe Shelley 
  04 - If Music Be the Food of Love by William Shakespeare 
  05 - Power of Music by William Wordsworth 
  06 - The Strange Music by G K Chesterton 
  07 - For Music by Lord Byron 
  08 - To Music by Rainer Maria Rilke 
  09 - On Music by Thomas Moore 
  10 - Music by Wilfred Owen 
  11 - To Music, To Becalm His Fever by Robert Herrick 
  12 - The Musicians by Ella Wheeler Wilcox 
  13 - I Hear America Singing by Walt Whitman

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