Otros libros que te pueden interesar

• 

  The Big Smoke

  Adrian Matejka

  • 0
  • 0
  • 0

  Winner of the Anisfield-Wolf Award and finalist for the Pulitzer Prize in Poetry, the Hurston/Wright Legacy Award, and the National Book Award in Poetry—a collection that examines the myth and history of the prizefighter Jack Johnson 
   
   
   
  The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka's third work of poetry, follows the fighter's journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka's book is part historic reclamation and part interrogation of Johnson's complicated legacy, one that often misremembers the magnetic man behind the myth.

  Ver libro

• 

  The Raven

  Edgar Allan Poe

  • 0
  • 0
  • 0

  David Atwood is a professional voice actor who has been heard for decades on TV, radio, games, theater, and movies. He performed Poe's classic The Raven in theater and now presents it for you to enjoy in audio form.

  Ver libro

• 

  Lemons Lemons Lemons Lemons Lemons

  Sam Steiner

  • 0
  • 0
  • 0

  'Let's just talk until it goes.'
  The average person will speak 123,205,750 words in a lifetime. But what if there were a limit? Oliver and Bernadette are about to find out.
  
  Lemons Lemons Lemons Lemons Lemons imagines a world where we're forced to say less. It's about what we say and how we say it; about the things we can only hear in the silence; about dead cats, activism, eye contact and lemons, lemons, lemons, lemons, lemons.
  Sam Steiner's play premiered at Warwick Arts Centre in 2015 and won three Judges' Awards at the National Student Drama Festival, before appearing at Latitude Festival, the Edinburgh Festival Fringe and Camden People's Theatre, London.

  Ver libro

• 

  Eumenides

  Aeschylus

  • 0
  • 0
  • 0

  The final play of the Oresteia, called The Eumenides (Εὐμενίδες, Eumenídes), illustrates how the sequence of events in the trilogy ends up in the development of social order or a proper judicial system in Athenian society. 
  In this play, Orestes is hunted down and tormented by the Furies, a trio of goddesses known to be the instruments of justice, who are also referred to as the "Gracious Ones" (Eumenides). They relentlessly pursue Orestes for the killing of his mother. However, through the intervention of Apollo, Orestes is able to escape them for a brief moment while they are asleep and head to Athens under the protection of Hermes. Seeing the Furies asleep, Clytemnestra's ghost comes to wake them up to obtain justice on her son Orestes for killing her.

  Ver libro

• 

  The Poetry of Wind and Rain -...

  William Shakespeare, Percy...

  • 0
  • 0
  • 0

  When the wind blows and the rain lashes our emotions can become dulled and our thoughts depressed but sometimes these swirling conditions can excite and invigorate.  Whether we shut the door physically or delight in watching nature's displays, we cannot ignore the weather. It’s the natural topic of conversation for the British.  Summer breezes and spring showers can elevate our senses bringing a thump to the heart, a grin to the face and an abandon to immerse yourself in nature's ever changing wonders. 
  For poets these elemental forces that signal change can often inspire.  Muses summon themselves and through brain, heart and pen a myriad of expressions are revealed to a poet and capture his thoughts and views upon these transitory natural forms. Within this volume, poets such as Keats, Emily Dickinson, Algernon Charles Swinburne and Amy Lowell speak of wind and rain to storm and hurricane. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

  Ver libro

• 

  The Poetry of Charlotte Perkins...

  Charlotte Perkins Gilman

  • 0
  • 0
  • 0

  Charlotte Perkins Gilman was born on the 3rd July 1860 in Hartford, Connecticut, to an unaffectionate mother and a father who abandoned her and her older brother to a life of poverty. 
   
  Inevitably her schooling was limited and by 15 she had attended seven different schools but received only four years of education.  However, Charlotte was resourceful and did spend time with her father’s aunts – the suffragist Isabella Beecher Hooker and the ‘Uncle Tom Cabin’s’ author, Harriet Beecher Stowe as well as many hours at the public library studying ancient civilizations. 
   
  In 1878, she enrolled in classes at the Rhode Island School of Design where she met Martha Luther and they developed a close relationship until Luther married another woman in 1881.  Charlotte was devastated and detested romance and love until she met and married the artist Charles Walter Stetson.  
   
  Their only child, Katharine Beecher Stetson, was born in 1885 but left Charlotte with post-natal depression, then often dismissed as a case of hysteria or nerves.  Unsuited to domestic life she ruptured her life and moved to California with Katherine.  She divorced in 1894 and then sent Katharine east to live with her father and his second wife confirming that his paternal rights be acknowledged, and that Katherine establish a relationship with her father. 
   
  After her mother died in 1893, Charlotte moved back east and became involved with her first cousin, Wall Street attorney, Houghton Gilman who she married in 1900.  After his death she moved back to California, where Katherine now lived.   
   
  In this volume we bring her extensive poetry writings to the fore.  Her talents in the poetic arena are indisputable, bringing a brave and focused eye to a world of her words that is too often neglected.  
   
  Charlotte lectured widely for social reform, wrote important non-fiction works that questioned our patriarchal system and left a legacy as a leading and positive spokesperson for feminism.  
   
  She was diagnosed with incurable breast cancer in 1932 and, as she wrote in her suicide note and autobiography, she ‘chose chloroform over cancer’    
   
  Charlotte Perkins Gilman took her own life on the 17th August 1935, aged 75, in Pasadena, California.

  Ver libro