Junte-se a nós em uma viagem ao mundo dos livros!
Adicionar este livro à prateleira
Grey
Deixe um novo comentário Default profile 50px
Grey
Assine para ler o livro completo ou leia as primeiras páginas de graça!
All characters reduced
The Congo and Other Poems - cover
LER

The Congo and Other Poems

Vachel Lindsay

Editora: DigiCat

  • 0
  • 0
  • 0

Sinopse

In "The Congo, and Other Poems," Vachel Lindsay presents a vivid tapestry of imagery and auditory depth, culminating in a striking exploration of the African American experience. This collection, rich in musicality and rhythm, reflects Lindsay's fascination with the African continent and its cultural richness. His distinctive style often melds elements of folklore and popular song, resulting in a dynamic literary cadence that enhances the thematic resonance of his work. Set against the backdrop of early 20th-century America, Lindsay's poetic voice emerges as both innovative and reflective, invoking a spiritual connection to the subjects he portrays, as seen prominently in the titular poem, which juxtaposes African heritage with the harsh realities of contemporary American society. Vachel Lindsay (1879-1931) was a pioneering American poet who shaped the trajectory of modern poetry through his fervent advocacy for a greater appreciation of folk culture and spiritual awakening. His unique upbringing in a religious household and engagement with various artistic movements in Chicago significantly influenced his writing. Lindsay's passion for social justice and the beauty found within the marginalized voices of society are foundational elements that permeate this collection, making it a critical reflective work during a period of racial tension and transformation in the United States. This compelling collection is highly recommended for those seeking to engage with a contemplative yet emotionally charged portrayal of race and identity. Lindsay's work speaks poignantly to the hearts and minds of readers, blending historical consciousness with artistic innovation. It is an essential read for anyone interested in the intersections of poetry, cultural identity, and the evolving dialogue surrounding race in America.
Disponível desde: 15/09/2022.
Comprimento de impressão: 42 páginas.

Outros livros que poderiam interessá-lo

  • West-Running Brook - cover

    West-Running Brook

    Robert Frost

    • 0
    • 0
    • 0
    "West-Running Brook" is a collection of poetry by the renowned American poet Robert Frost, first published in 1928. The title poem serves as the centerpiece of the collection, with the overarching theme of the flow of time and the interconnectedness of past, present, and future. 
    In "West-Running Brook," Frost uses the metaphor of a brook that flows contrary to the usual direction, symbolizing the poet's own journey against the current of conventional wisdom and tradition. The brook becomes a powerful symbol of resilience and individuality, as well as a reflection of the poet's own introspection and exploration of the human experience. 
    Throughout the collection, Frost's signature style of writing in accessible yet profound language is evident. His poetry often explores themes of nature, rural life, and the complexities of human existence. With vivid imagery and keen observation, Frost invites readers to contemplate the beauty and mystery of the natural world, as well as the deeper truths and universal truths that lie beneath the surface. 
    Among the notable poems in the collection are "Spring Pools," which reflects on the cyclical nature of life and the passage of time; "The Silken Tent," a metaphor for the delicate balance between strength and flexibility in human relationships; and "Desert Places," which explores themes of isolation and existential despair amidst the vastness of the natural world. 
    "West-Running Brook" showcases Frost's mastery of form and language, as well as his ability to capture the complexities of the human condition with depth and nuance. Through its exploration of timeless themes and its lyrical beauty, the collection remains a testament to Frost's enduring legacy as one of America's most beloved poets.
    Ver livro
  • I Climb the Mesas - Selected Poems of Paula Gunn Allen - cover

    I Climb the Mesas - Selected...

    Paula Gunn Allen

    • 0
    • 0
    • 0
    An overdue retrospective of a pathbreaking feminist Native American poet, with a foreword from activist and educator Lee Francis IV 
      
    I Climb the Mesas: Collected Poems of Paula Gunn Allen span the landscapes of the Southwest, excavate popular misunderstandings of Native women through history, and perhaps most importantly shines a light on a foremother of Native poetry, who was herself an icon to feminist legends like Gloria Steinem. 
      
    Including forewords from her nephew, activist and educator Lee Francis IV, as well as her daughter, this volume of the Laguna Pueblo poet spans her decades-long career, including hard-to-find, limited edition chapbooks.
    Ver livro
  • Be - cover

    Be

    Adrian Cox-Settles

    • 0
    • 0
    • 0
    Be is a collection of poems that delve into the intimate feelings of a young woman who didn’t see light at the end of the tunnel yet felt the light in her heart growing up in a dysfunctional family and community. The poems are raw. They describe a myriad of internal and external struggles the author endured that helped to shape the woman she is today. The poems speak of survival and success as the reader is encouraged to thrive in the face of adversity. The reader experiences the author’s vulnerabilities and the depths of her feelings as her sentiment unfolds on the pages—"There is light at the end of the tunnel, even if I can’t see it.” Be is a work of trials and triumphs. “Be” inspired.
    Ver livro
  • Knife Sharpener - Selected Poems - cover

    Knife Sharpener - Selected Poems

    Sargon Boulus

    • 0
    • 0
    • 0
    Knife Sharpener – Selected Poems is a posthumous commemoration and celebration of Sargon Boulus, in a collection of poems, written between 1991 and 2007 that he translated himself, together with an essay, "Poetry and Memory", written a few months before he died in October 2007.
    With a Foreword by Adonis and an Introduction by Dublin poet and publisher Pat Boran, the volume includes nine pages of photographs and tributes from fellow poets and writers Saadi Youssef, Ounsi El-Hage, Amjad Nasser, Abbas Beydhoun, Abdo Wazen, Fadhil al-Azzawi, Kadhim Jihad Hassan, Khalid al-Maaly, and Elias Khoury, assembled and translated by fellow Iraqi poet Sinan Antoon, who described his death as leaving "a gaping wound in the heart of modern Arabic poetry".
    "Sargon seemed to feel also the even greater, historical weight of conflicts, tensions, misunderstandings and oppressions of the spirit, as if his poems came through his own time and language but from somewhere else." – Pat Boran
    Sargon Boulus was unusually influential among young Arab poets, who "found in him the father who refused to practise his patriarchy and a poet who always renewed himself in his rebellion against rhetoric . . ." Abdo Wazen
    Ver livro
  • Bogboy - cover

    Bogboy

    Deirdre Kinahan

    • 0
    • 0
    • 0
    Two lost souls – a young heroin addict and a reclusive middle-aged farmer – discover a budding friendship in the bogs of Meath, until a terrible secret comes to light.
    Deirdre Kinahan's short play Bogboy was originally written as a radio play for RTÉ. It was first staged by Tall Tales theatre company at Solstice Arts Centre in 2010.
    Ver livro
  • NMLCT - Poems - cover

    NMLCT - Poems

    Paul Vermeersch

    • 0
    • 0
    • 0
    Imagine The Matrix retold by the reanimated cyborg bodies of the Brothers Grimm.
    		 
    Fables and fairytales collide with virtual reality, artificial intelligence, and monstrous myths in a world where no one knows what to believe. In his eighth book of poems, Paul Vermeersch responds to the increasing difficulty of knowing what is real and what isn’t, what is our genuine experience and what is constructed for us by The Algorithm. In a “post-truth” society rife with simulations, misinformation, and computer-generated hallucinations, these poems explore the relationship between the synthetic and the authentic as they raise hope for the possibility of escape from MCHNCT (Machine City) to NMLCT (Animal City), where the promise of “real life” still exists.
    		 
    These poems — all precisely 16 lines long, identically formed as though mass-produced — are themselves artificial creations, products of the imagination, sometimes disorienting but always vivid. They hold up a mirror not only to nature, but also to its unnatural distortions and facsimiles. In NMLCT, Vermeersch gives us his answer to an existence in thrall to the artificial. But it also foretells a different future, one where the air and the grass and the trees, and all the life they engender, might always be genuine and sensed and safe.
    Ver livro