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  Living on Provisions of the Holy...

  ROYCE RUCKER

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  Who knew West Virginia would be the promised land for Two to Three Hundred-Thousand African-Americans escaping the hardships of the South after the Emancipation Proclamation? Like the Black Codes and Jim Crow. Freedom comes in many forms. West Virginia became a refuge for individuals looking for a better life, but it sometimes came with a deadly price. This book captures the spirit of one family’s devotion for one another, and the drive to never give up on the “American Dream” at a time in the United States of America when the desires of Black business owners were plentiful, but the reality of Black business ownership was just a dream...

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  The Poetry of Michael Drayton -...

  Michael Drayton

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  Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  
  Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed. 
  In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle. 
  With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  
  In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing. 
  Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages. 
  By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  
  In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt. 
  Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  
  In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces. 
  Drayton last published in 1630 with The Muses' Elizium.  
  Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  The Dymock Poets - Meeting of...

  Anônimo

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  In the village of Dymock, just by the river Leadon in Gloucester, in the years that were leading up to the Great War, six poets were creating literary history.   
  Living, visiting, reading and writing in this small area their friendships, as they intermingled and influenced each other’s lives, would create the enduring legacy of The Dymock Poets. 
  And these were not just run of the mill scribes.  Included in their number were Robert Frost, Edward Thomas and Rupert Brooke.  These three, together with John Drinkwater, Lascelles Abercrombie and Wilfrid Wilson Gibson, were the beating heart of the group.    
  In his volume we gather together some of their finest verse to best illustrate their poetical careers as well as including poems from the visiting Eleanor Farejon, a close friend of Thomas and his wife.

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  Fast Talking PI & Other Poems

  Selina Tusitala Marsh

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  A selection of Selina Tusitala Marsh' s most beloved poems, set to music and performed by the poet herself.
  ' She blows in like a song carried on a powerful current: a wild-haired woman, larger than life, carrying a tall carved stick. She loses things in that hair, she says; finds pens in there days after they went missing.'
  — from ' Never Piss Off a Poet' , The Guardian
  Selina Tusitala Marsh is a celebrated poet and performer from Aotearoa New Zealand. Professor and poet laureate, a Pasifika woman who has performed for queens and presidents, Selina says ' poetry is a way to tell our stories and make the invisible visible.'
  This audiobook features the poet performing thirty-six of her most powerful poems, both occasional pieces and selections from the collections Fast Talking PI, Dark Sparring and Tightrope. In ' Guys like Gaugin' and ' Kickboxing Cancer' , ' Airport Road to Apia' and ' Fast Talking PI' , and many more, Selina brings whole new worlds to life.
  All poems written and performed by Selina Tusitala Marsh; all music composed, produced and engineered by Tim Page.

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  Woman Eat Me Whole - Poems

  Ama Asantewa Diaka

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  A bold, mesmerizing debut collection exploring womanhood, the body, mental illness, and what it means to move between cultures  
  Renowned for her storytelling and spoken-word artistry, Ama Asantewa Diaka is also an exultant, fierce, and visceral poet whose work leaves a lasting impact. 
  Touching on themes from perceptions of beauty to the betrayals of the body, from what it means to give consent to how we grapple with demons internal and external, Woman, Eat Me Whole is an entirely fresh and powerful look at womanhood and personhood in a shifting world. Moving between Ghana and the United States, Diaka probes those countries’ ever-changing cultural expectations and norms while investigating the dislocation and fragmentation of a body—and a mind—so often restless or ill at ease. 
  Vivid and bodily while also deeply cerebral, Woman, Eat Me Whole is a searing debut collection from a poet with an inimitable voice and vision. 

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  Rhyme A Dozen A - World War I -...

  Rupert Brooke, Wilfred Owen, E W...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  01 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - World War I - An Introduction 
  02 - The Volunteer by Herbert Asquith 
  03 - The Dying Patriot by James Elroy Flecker 
  04 - 1914 by Rupert Brooke 
  05 - Strange Hells by Ivor Gurney 
  06 - Antwerp by Ford Maddox Ford 
  07 - Men of Verdun by Lawrence Binyon 
  08 - Wooden Crosses by E W Hornung 
  09 - Hardness of Heart by Edward Shillito 
  10 - In War by Isaac Rosenberg 
  11 - Anthem For Doomed Youth by Wilfred Owen 
  12 - The Illusion of War by Richard Le Gallienne 
  13 - A Soldier's Grave by Francis Ledwidge

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